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I’m a professional freelancer offering web development, video editing, graphic design, UI/UX design, 2D and 3D animation, motion graphics, AI video creation, mobile app development, game development, and social media content creation. I help businesses and creators grow their brands with high-quality digital solutions.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Day 1 of 60 days of Days of Projects That Inspire Me 🎧
"Meet Phone (4a) Pro" by Nothing On a personal note, I've been a Nothing fan for a while now, so I was always going to start here 😅 It's the launch film for their new aluminium unibody phone, and the visuals are all about metal, precision and that Glyph Matrix lighting up on the back.
But close your eyes for a second. The sound design is what makes the phone feel real before you ever hold it.
And the music deserves its own shoutout. That modern, contemporary vocal sound is exactly my taste, and it gives the whole film a soul.
Huge kudos to FutureDeluxe and everyone behind this project.
Creative Director: Kristian Glenn
Art Director: Husni Wahab, Ali Sahba
Senior Producer: Kavita Daggar
CG Supervisor/Lead: Stevie Rees, Husni Wahab
Design & Animation: Stevie Rees, Husni Wahab, Chris Harrison, Karmo Jarv, Yoritomo Shoji, Ali Sahba, Martin Cusano, Conlan Normington, Sasha Gudkova, Tamas Apardi, Ismael Jimenez
Modelling/Asset Prep: Ben Pilgrim
Versioning: Okay Studios
#SoundDesign #MotionDesign #Animation #3DAnimation
"High-Performance Creative Web Exploration"
A civic bureau seals your letter to 2126 under molten wax, witnessed. A civic bureau that seals letters for exactly one hundred years. Write a message to 2126, watch it set in wax, and receive your engraved certificate of deposit.
I built this project to test A civic bureau seals your letter to 2126 under molten wax, witnessed. A civic bureau that seals letters for exactly one hundred years. Write a message to 2126, watch it set in wax, and receive your engraved certificate of deposit. The core engineering challenge was sustaining uncompromised 60 FPS rendering using Canvas2D while handling continuous user interaction without framework overhead.
WHAT I WAS TESTING:
I focused on two core engineering benchmarks:
Precision implementation of wax-seal SVG under continuous interactive user input
Sustained 60 FPS render performance and zero-dependency browser execution
THE TECHNICAL SIDE:
Engineered directly in the browser with Canvas2D, Wax-seal SVG. The application runs without third-party frameworks or build-step dependencies, using hardware-accelerated rendering and custom event loops to achieve zero-latency response.
Everything executes in the browser using Canvas2D, Wax-seal SVG. No third-party frameworks, no heavy runtime bundles, and zero external tracking.
WHAT I LEARNED:
Balancing the mathematical rigors of wax-seal SVG with tactile browser interaction required tuning event throttling and memory allocation to eliminate all garbage collection stutters.
Finding the sweet spot between mathematical precision and frame budget took careful profiling, but the result runs at a steady 60 FPS even on modest hardware.
TRY IT YOURSELF:
The live build is deployed on Netlify. Open it in your browser, test the controls, and observe the render response times.
If you are building high-performance 3D, physics, or creative web systems and want to collaborate, reach out here on Contra.
Dynamic or static?
Delivery vs Zombies is my entry for the Rive Halloween Challenge with Contra. 🧟🍕
A one-level runner set in Buenos Aires on a full-moon night: Matilda has to deliver a pizza through a city full of zombies, with werewolves howling from the rooftops and fog rolling in, for an app that never stops rushing her. At the end, the app prints your receipt, with deductions.
Made from scratch over nine days for this challenge:
Rive CLI: the whole file written in RML from the terminal with Claude Code. 291 commits, checking every change with headless screenshots and pushing back and forth with the Editor.
GPU Canvas: a custom WGSL shader for film grain, chromatic aberration and lens blur, tuned to hold 60 fps.
Scripting for the game loop and physics, Data Binding to dress every zombie at random, State Machines for characters and UI.
The agent was fast, but its art came out generic. So it blocked out the shapes, and I redrew, rigged and animated everything by hand in the Rive Editor, adapting Vero Beltrán's original characters so they read from far away. Matilda squashes on every landing, the zombie bite runs 52 frames, your scooter parts stay where you got caught, and the receipt prints line by line. The UI comes from a design system I built in Claude Design. Original chiptune music.
Playtested with friends until the jumps felt right. English and Spanish, effects and audio can be switched on and off while you play. Desktop only for now.
Let me know if you make the delivery on time. 😅
