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Searching for talented video editors to hire for potentially ongoing projects. If that's you, comment below and I will review your work.
Open to do a trial edit for ya
Hey @Mario Busto, I'm an editor specializing in commercials, short branded videos, and trailers. You can see my selected work here:
https://mauriciobejota.com
And my Linkedin recommendations here. ✌️😁
Would love to learn more about your projects!
Messaging you!
I am interested whatsapp 6006699761
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Most fashion ideas never make it past the sketch stage.
Not because they’re bad…
But because turning them into something real takes time, tools, and too many steps.
So I built something to fix that.
Introducing Sketch to Campaign — a system that turns a single rough sketch into:
• Technical flat drawings
• Fashion illustrations
• Photorealistic garment renders
• Model visuals
• And a full luxury fashion ad
All in one workflow.
From concept… to campaign.
This isn’t just about generating images — it’s about helping designers, creatives, and brands visualize, present, and sell ideas faster. @FLORA
Try it here:
👉 https://app.flora.ai/techniques/sketch-to-campaign-flow
#FLORATechnique
this is fantastic
Nature meets Craft: A Whimsical Journey with AI 🍄✨ I wanted to explore the intersection of traditional handmade textures and modern cinematic AI. Using FLORA, I’ve brought this intricate, hand-crocheted mushroom jacket to life, focusing on the hyper-realistic yarn details and the organic movement of 3D elements. This piece isn't just about fashion; it’s about storytelling through texture and light. 🌿🧶
#FloraTechnique
This is very well put together—the clarity and structure show that every decision was intentional. It’s the kind of work that looks simple on the surface but clearly required strong judgment behind the scenes. When you were building this, how did you decide what to prioritize and what to leave out?
Hi, I’m Isan.
Back again, diving deeper into the world of generative AI challenges.
This time, I joined The Morphic Workflow Challenge by Morphic x Contra with a workflow I’ve been building and refining: “Character Sheet & Cinematic 3x3 Grid.”
The idea is simple, but powerful: turn any subject whether it’s a character, product, or object into a complete creative package. From a clean, labeled multi-angle reference sheet, to optional recoloring, all the way to a fully composed cinematic 3x3 storytelling grid in 4K.
What makes this workflow meaningful to me isn’t just the output, it’s the process.
Every step is intentional. Every generation is gated by user approval. Nothing moves forward unless it’s been seen, reviewed, and confirmed.
This approach solves a problem I kept running into: wasted credits, inconsistent visuals, and too much guesswork. So I designed a pipeline that keeps control in the hands of the user while still pushing for high-quality, cinematic results.
A few things I focused on:
- Maintaining visual consistency from reference sheet to final scenes
- Giving full creative control over style, ratio, and storytelling direction
- Ensuring no unnecessary generation happens without approval
- Making the final output ready-to-publish, including branding support
It’s flexible enough to work across different domains from character design and fashion to products and vehicles, while still keeping a strong cinematic identity when needed.
Still exploring, still iterating, and still learning.
Curious to hear how others are approaching structured workflows in generative AI, especially when balancing creativity with control.
#morphicworkflows
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