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Hi, I’m Isan.
Back again, diving deeper into the world of generative AI challenges.
This time, I joined The Morphic Workflow Challenge by Morphic x Contra with a workflow I’ve been building and refining: “Character Sheet & Cinematic 3x3 Grid.”
The idea is simple, but powerful: turn any subject whether it’s a character, product, or object into a complete creative package. From a clean, labeled multi-angle reference sheet, to optional recoloring, all the way to a fully composed cinematic 3x3 storytelling grid in 4K.
What makes this workflow meaningful to me isn’t just the output, it’s the process.
Every step is intentional. Every generation is gated by user approval. Nothing moves forward unless it’s been seen, reviewed, and confirmed.
This approach solves a problem I kept running into: wasted credits, inconsistent visuals, and too much guesswork. So I designed a pipeline that keeps control in the hands of the user while still pushing for high-quality, cinematic results.
A few things I focused on:
- Maintaining visual consistency from reference sheet to final scenes
- Giving full creative control over style, ratio, and storytelling direction
- Ensuring no unnecessary generation happens without approval
- Making the final output ready-to-publish, including branding support
It’s flexible enough to work across different domains from character design and fashion to products and vehicles, while still keeping a strong cinematic identity when needed.
Still exploring, still iterating, and still learning.
Curious to hear how others are approaching structured workflows in generative AI, especially when balancing creativity with control.
#morphicworkflows
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Lately I've recognized this direction on the rise and been inspired to create a collection of 18 images blending the Classical Art - Renaissance oil painting mastery with digital pixel/ASCII aesthetics, Classcii. It is a mix of centuries, a modernized and futuristic direction of the classic.
Each image is crafted around a specific tension, the classical figure or scene rendered in full oil mastery, while the digital/ASCII layer intrudes at a specific point.
Using the @Contra Labs ecosystem to choose the most adequate Ai models from the Creative Arena Leaderboard, I wanted to briefly share my personal taste and evaluation on the outputs these models generated, based on the benhchmark methodology.
For the imagery references I used Seedream 5 Lite and Google Nano Banana 2, whereas for the Image to Video I used Kling 3.0 and Veo 3.1 Fast.
In terms of Visual quality & aesthetics overall I would rank them fairly simillar with Seedream having a slight edge on the composition, specfically achieving more symmetrical outcomes featuring center alignment and a better use of whitespace, opposed to Nano Banana 2 where the use of rule of thirds is more prominent, making it visually in comparison less balanced.
Considering the Prompt adherence & accuracy, I find both models very much aligned, having Nano Banana 2 more intensified use of asscii / pixels across all outcomes, which according to my minimal taste I would rank this a weakness rather than a strong side.
Finally, in terms of Motion Realism I would unanimously rank Kling 3.0 as the better option here, considering the fluidness and physics consistency among majority of the elements in the reference. Additional advantage will be the ability to perform better at no prompt insertion compared to Veo 3.1 fast.
You can download the collection here.
Super work
What if you could give a child’s drawing back as a real memory?
My little brother made me this drawing.
Like most drawings, it could’ve ended up forgotten- in a drawer, on a shelf, or lost over time.
But I kept thinking:
How do you give something back to a child that actually matters?
Not just a “thank you.”
Not just keeping it.
Something they can feel.
So I built a FLORA Technique that turns a child’s drawing into a living, cinematic moment, without changing the drawing itself.
The exact same lines.
The same colors.
The same imperfections.
But now:
– the sun glows
– the butterfly moves
– the balloons float
– the paper breathes with life
It becomes something real.
Something you can give back.
Something they can watch forever.
Keep.
Remember.
Because maybe the most powerful thing you can give back…
is showing them their imagination matters.
Built with FLORA.
Try the Technique & my submission for Flora X Contra Challenge 2026:
https://app.flora.ai/join-project/8e858f57-27b4-4897-95be-30bf837859eb
#FLORATechnique
Here’s the workflow
Image → Text
I first analyzed the drawing and translated it into a detailed scene description, keeping every element exactly as it is.
Image → Video
Then I animated the original image itself, no redesign, no changes. Just bringing the exact drawing to life with...
What if you could turn a simple product into a cinematic ad?
Creating high-end product commercials usually requires a full team, expensive equipment, and complex editing.
So I built Cinematic Product Reveal: AURA — a simple AI workflow that transforms any product into a cinematic advertisement.
Starting from a basic product image, the system generates a structured visual story:
Atmosphere (void & tension)
Energy build
Product reveal
Final cinematic impact
No actors. No studio. Just a clean, repeatable system.
In this demo, I used a simple perfume image and turned it into a sci-fi luxury commercial.
The best part?
This workflow can be reused for any product — fashion, tech, sneakers, and more.
🎬 Watch the workflow in action above.
This is really well done.
What I like most is that it doesn’t just look cinematic , it also feels like a workflow someone could actually build on and reuse. That makes it much more valuable than a one-off result.
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