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Three checks before a reel ships.
Reading time: every line holds long enough to be read, checked frame by frame.
Safe zones: every vertical text clear of the Reels interface.
Loudness: measured on the master: ≈ −14.2 LUFS, true peak −1.3 dBTP.
Clients never see these checks. They feel them.
I’m taking on brand films, launch reels and social motion kits >> send me a message.
The network for creativity
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Connect with clients, get discovered, and run your business 100% commission-free
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Pulsix started with a question: how much of a sportswear identity can you fit on the front of a cap?
I designed the brand around an angular X with a pulse cut through its center. On a pink cap, the chartreuse X can stand alone. On a billboard, the photograph and “Future is now!” headline take the lead. In this loop, the black Pulsix logo anchors a moving grid of apparel, campaign graphics and digital layouts.
My roles: Brand Designer, Graphic Designer, Motion Designer.
Tools: Adobe Illustrator, Adobe After Effects, Figma.
Where would you try the X first: on the cap or in motion?
I'd try it on the cap first. Motion can borrow the pulse cut once the static X proves it holds up at small sizes, and the watch face already hints that it does. Did the pulse line change shape between the cap and the animated loop?
Umami Color & Finishing is an established color-grading studio in LA. Its work and reputation had outgrown its old site, and the studio was ready for one at the level of its work.
I designed and built it around the work itself: every project filterable by type and colorist, and every view with its own link, so the team can send a lead exactly what fits.
Case study
Live site: umamicolor.com
this is amazing work
Social Media Posts for FT Studio, Interior Design Studio by Federica Tomasello.
Having a social media presence, these days, is no longer something up for debate. You have to be present; you have to introduce yourself to the world.
I enjoy designing social templates for my clients, as long as they speak exactly their language and communicate who they are: who they are in real life and what changes their work can bring to other people's lives.
You have to be specific, not because the niche matters, but because each of us, and the work each of us does, is the result of our personal experiences, our social interactions, our families, our studies, our passions. And that can only be unique.
If you're interested in how the project developed, take a look at the full case study: FT Studio, Interior Design Studio Brand Identity
Thank you,
alessia.
I love them!! They look so good.
