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I’m currently creating the brand identity for amorah.xyz, a product I built to turn love stories into personalized digital gifts, making it easy to celebrate someone you love through words, memories, and beautiful experiences.
I launched Amorah about a month ago, and at the time, my focus was mainly on building the product and making sure the functionality worked.
Now, I’m shifting my attention to the brand identity, and I’ll be sharing more about the process, decisions, and thinking behind the branding project in the coming days.
This is another reminder that building a product isn’t just about making it work. How it looks, feels, and connects with people matters too.
I’m Oghenetega Mudiaga, a Brand Identity & Product Designer.
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I worked across the checkout flow, the storefront and category browsing, and the product page above the fold - three surfaces where small frictions had quietly built up against the brand's own case for calm. The brandbook gave the rules. The UI work was making sure those rules survived contact with a real cart and a real user.
For the case study visuals, I used AI for the first time to produce product footage 🤖 - wind moving through a scene, an object drifting in place. Higgsfield was genuinely a good way to learn that workflow fast.
Full case study - actual before/after breakdowns - is up on Behance 🔗, linked below.
Genuinely curious where people land on this: generating production assets with AI is fast, and honestly kind of fun as a workflow - but there's real pushback that it's taking work away from people who used to shoot this stuff. Where do you fall on that?
The checkout flow detail is what stands out to me, that's usually where a brand's calm promise turns into three different button behaviors fighting each other. On your AI question, I think it matters less whether it's fast and more who's checking the output against the brand's...
Some brands get moodboarded.
This one got excavated.
Pampa case study is live — a data brand where the logic of a 2,000-year-old desert marking and the vein structure of a butterfly wing turned out to be the same idea wearing two different ages.
The strongest part is that you found one underlying logic that reads across a 2,000-year-old marking and a butterfly wing, so the mark feels discovered rather than styled. That is the line between a moodboard and a system: the concept still holds when you change the medium.
brand identity design for VELA — a luxury candle brand built around one idea: a candle burns for a few hours, but the memory lasts considerably longer.
this project includes full packaging design, botanical illustration, brand identity, and campaign visuals — all designed to turn everyday moments into unforgettable memories.
scent is the fastest way back to a feeling. VELA was designed to take you there.
if you're looking for a brand designer or packaging designer for your next project — I'm open for freelance & full-time work. link in bio.
Beautiful work!