This project combines engaging 2D character animation with a dynamic logo reveal to create a memorable brand experience. The animation was designed to capture attention, communicate the brand's personality, and leave a lasting impression on viewers.
Services Provided
Custom 2D Character Animation
Professional Logo Animation
Smooth Motion Graphics
Brand-Focused Visual Storytelling
Tools Used
Adobe After Effects • Adobe Illustrator • Adobe Photoshop
2D Animation, Character Animation, Logo Animation, Motion Graphics, Brand Animation, Explainer Animation, Animated Logo, After Effects
Explaining "unlimited development" in 30 seconds is harder than it sounds.
That was the brief from figue.ai: a subscription where startups get a dev team without hiring one. Great product, but abstract. So I skipped the buzzwords and showed what it actually feels like: you ask, it gets built, you ask again.
Every interface in the video is rebuilt from scratch, so the product feels real instead of mocked up.
Really enjoyed this one! If you're launching something that's hard to explain, that's exactly the kind of project I love.
During the pandemic, I got obsessed with album cover design. I'd spend hours looking at covers, researching the designers behind them, and trying to understand the decisions and creative processes that made them work.
It was one of those design rabbit holes I could never get tired of. 💀
I'm bringing that interest back with a new cover inspired by the music I love, including Neil Young's Harvest, Bandalos Chinos' Paranoia Pop and Uncle Acid & The Deadbeats' Vol. 1.
Looking at these alongside other great album covers, one thing stands out: typography CAN be the image!
I took inspiration and designed one as well!
What's an album cover where the typography is impossible to separate from the artwork? Show me your favorites.
Reid Miles' Blue Note covers are my pick, where the cropped oversized lettering carries as much mood as any photo could. Your Paranoia Pop treatment has that quality too, the letterforms feel poured into the image rather than placed on it.