What if indigo is just ink that got patient?

KON is a denim and streetwear label for people who live in hip hop and care how things are made. For Inktober’s final stretch, I took its hand mark through four ink passes, from a fine line to a heavy stroke to a dry brush. Each one sits on the last, the way cloth gets dipped again and again until the color holds.

Swipe to see the passes, then the mark out in the world on denim.

The full KON case study is coming soon.

Which part of your process do you repeat until it hits? Show me yours.

That's really great specially the photography

Nocturnes of 2126✨ What if Van Gogh and Whistler had painted the night of 2126? 🌙 Nine nocturnes of a future city (robot hounds, rainy delivery bots, air ferries, a tree wired with light), painted with a custom Recraft style built from public-domain paintings at The Met and the Smithsonian. I went digging through the open-access collections of The Met and the Smithsonian looking for the night. I found Vincent van Gogh’s 1889 Saint-Rémy paintings (Cypresses, Wheat Field with Cypresses, Olive Trees, Irises) for their swirling impasto, and James McNeill Whistler’s Nocturnes (Bognor, Valparaiso) for their deep blue darkness lit by small points of gold. I blended the two into a Recraft style, then chained a second style from its results to lock in a cobalt-and-amber night palette. Nocturnes of 2126 uses that 1889 brush to paint a future neither artist could imagine: robot hounds, delivery bots in the rain, silent air ferries, AR lenses and glass houses with solar roofs, all at blue hour. The style is public, so try it yourself 👇

day by the day work you are doing is outstanding man.