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Created an engaging AI-generated video exploring the origin and history of alcohol, using AI visuals, cinematic transitions, storytelling, and dynamic editing to bring the topic to life.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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This project started with a very specific idea for how a static product visual should move.
The base artwork was created with ChatGPT and Nano Banana, but before generating the final animation, I spent time refining the prompt and defining the exact movement, camera behavior and energy we wanted.
I tested the direction with different models, including Kling 2.5, using those iterations to improve the prompt before producing the final sequence with Seedance 2.5.
The result was extremely close to what we had planned, including the animation and even the sound effect that completed the motion.
For me, this is where AI production gets interesting: the real work is not simply generating. It is art direction, prompt design, testing and refinement until the model delivers the intended result.
That line about the real work being art direction and refinement rather than generation is something I don't think most clients grasp yet, they still see 'AI made it' as the whole story. Did you end up walking the client through that process, or did they only care about the final result?
La Princesa de la Luna.
New visuals for EXOT Imaginary, my personal space to explore new ways of creating through AI, visual storytelling and experimentation.
Hope you like it! a.exot
The fractured mirror effect on the faces gives it a shattered stained glass quality that fits "princesa de la luna" better than a straight portrait would. Good use of the black negative space to let those fragments breathe.
This project started with a very specific idea for how a static product visual should move.
The base artwork was created with ChatGPT and Nano Banana, but before generating the final animation, I spent time refining the prompt and defining the exact movement, camera behavior and energy we wanted.
I tested the direction with different models, including Kling 2.5, using those iterations to improve the prompt before producing the final sequence with Seedance 2.5.
The result was extremely close to what we had planned, including the animation and even the sound effect that completed the motion.
For me, this is where AI production gets interesting: the real work is not simply generating. It is art direction, prompt design, testing and refinement until the model delivers the intended result.
