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Repositioning an iconic texture-first brand into a modern studio and consulting platform. We designed a website that communicates expertise, elevates credibility, and attracts both clients and global beauty brands.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Pip is a zero-friction health companion built to turn tracking your health (SYMPTOMS, DIET AND MORE) into clinical clarity. It abandons rigid 0–10 numeric scales and replaces them with a compassionate, glanceable interface.
❤ Why It Was Built
Pip was born out of pure personal necessity. I built it because it was something I desperately needed, and something a few close friends and someone incredibly close to my heart needed too. I wanted to strip away the clinical coldness of modern software and create something beautifully simple that could be truly, deeply helpful on someone's hardest days
⚠️ The Problem
Traditional health apps suffer from "Data Collection Theater." They force users suffering from chronic illness or fatigue to rate dozens of variables daily, causing severe decision fatigue.
Worse, they act as data sinks, dumping raw, chaotic charts onto doctors. In a high-stakes, 15-minute medical consultation, physicians don't have the time to audit raw logs. They need high-yield, synthesized clinical signals, not noise. Pip bridges this gap by assuming "bad days are the default," capturing symptoms effortlessly, and compiling them into a clean, one-page summary sheet.
🛠 The Figma Workflow Pipeline
To bring Pip to life, I leveraged the Figma ecosystem:
Figma Weave: Used to iterate and generate the visual asset layers for Pip’s mascot.
Figma Agent: Brainstormed layouts directly on the canvas, instantly pairing elegant fonts and organizing simple, stress-free forms.
Figma Make: Instantly turned those canvas designs and components into a live, fully working, and responsive web application while allowing rapid iteration.
I built Spectra Walls — a premium wallpaper and 3D wall design website concept.
Built with Figma Make.
The idea was simple:
Most wallpaper websites feel like catalogs.
Grid after grid.
Tiny thumbnails.
No atmosphere.
No real sense of transformation.
I wanted to create something more cinematic.
Spectra Walls is designed like a luxury interior experience where wallpapers, murals, and 3D wall panels are shown inside real spaces — living rooms, bedrooms, studios, hotels, lounges, and creative interiors.
The focus was on:
→ colorful cinematic room visuals
→ realistic 3D wall depth
→ premium wallpaper collections
→ before/after wall transformations
→ room-based browsing
→ wallpaper visualizer interactions
→ elegant editorial typography
→ image-heavy interior design layouts
Instead of making the wall feel like a product thumbnail, I wanted every section to show how a wall can completely change the mood of a room.
The result is a modern, colorful, premium website direction for a brand that sells atmosphere — not just wallpaper.
Spectra Walls — walls that change the atmosphere.
The 3D wall depth and cinematic room visuals make this feel high-end and memorable.
Nobody tells you that the hardest part of freelancing is the waiting.
Waiting for the right brief.
The right client.
The right moment to feel ready.
For a long time I treated momentum like something that arrives if you're patient enough.
This summer I'm done waiting for the current. I'd rather be it:)
So I made this.
A swimmer caught mid-stroke, blurred because she's moving, while the only thing holding still long enough to read is the word.
I built it backwards on purpose: the image is frozen but full of motion, and the text is the part that actually moves. A still that's all velocity, a motion that's all calm. That contrast is the whole feeling.
The process:
- Ideogram to generate the swimmer, motion blur and all
- Canva for grain and a bit of the moody texture
- Framer for the moving text, because if momentum is the theme, I wanted the motion to be real, not faked. Also because I'm spending this summer chasing more Framer work for Formeta, so I figured I'd practice what I preach
- Screen recorded the final piece to capture the motion
Movement as meditation. The work moves when I do.
What's the energy you're swimming into this summer?
The motion blur still juxtaposed with the text looks super sick!
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