Obsession, but the useful kind. The stacked extrusion makes the words read like a sculpture, so I'm curious how you kept any legibility as the letters twist, or is the unreadability part of the point?
The idea was to push typography beyond readability and treat it as a sculptural form. The rotation reveals different parts of the lettering, while the stacked extrusion adds depth and movement. I wanted the viewer to experience the typography visually, not just read it.
A visual experiment built around an unused logo concept from a recent branding project.
The design was created manually, while exploring how AI-driven aesthetics are increasingly influencing contemporary visual language, even when AI itself isn’t part of the design process.
Logo design, art direction and visual exploration.
The dark, high-contrast cinematic aesthetic and thoughtful exploration of contemporary visual language are brilliant. Such a striking experimental brand visual!
A little preview of something I’m working on.
These embroidered patches are a small part of a much larger brand system, but details like this matter. The challenge is making sure the identity still feels distinct and intentional when it moves from screen to something physical you can hold in your hand.
That’s where a strong brand system starts begins to prove itself. More soon :)