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Beautifully designed, Aishwarya! The layout is wonderful and very engaging.
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New Brand Identity project alert! 🚨
GATE108 is a forward-thinking ecosystem bringing together people, ideas, experiences and new ways of living, working and connecting.
We’ve been their long-term design partner, shaping and continuously evolving a flexible visual ecosystem across visual strategy, brand identity, creative direction, digital experiences, event assets, 3D motion and social media.
Inspired by the idea of GATE108 as a gateway into a multidimensional world of people, ideas and possibilities, we’ve built a brand system designed to move, adapt and grow across physical and digital spaces.
As the brand evolves, we continue to create new expressions while keeping the wider ecosystem cohesive, recognisable and ready for what’s next.
Brewed where the tide comes in 🌊
Spent the past week designing DRIFTWOOD — a coastal craft brewery brand built on one idea: a beach-town brand should come from the shore itself, not a folder of nautical clipart.
No anchors, no sailor stripes, no hand-lettered "est." typography. Just driftwood grain, salt, and tide lines — four beers told apart by color, not illustration, with a seasonal variant built right into the system. 🍺
Some brands borrow the coast. This one was built from it.
Nice work 🙌
Hearth & Hollow is a personal concept for a small, invitation only family retreat in the English countryside.
The goal was a tri fold brochure that feels warm, quiet and premium. I kept every panel to a single idea, with generous space, one elegant serif voice and soft ivory, sage and blush tones. Natural, unposed photography carries the mood, so the words can stay few.
Restraint over decoration, so each page can breathe.
Which panel would you open first, the sage or the blush? I'd love to hear what draws your eye.
brochuredesignprintdesigneditorialdesignGraphic DesignPrint DesignTypographyAdobe IllustratorAdobe PhotoshopCanva
I'd open on the sage. It sets the calm baseline, and the blush feels like a better closing note once the reader has settled in. Is the ivory stock uncoated? That texture would carry a lot of the quiet in print.
