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Custom Geometric Sleeve.
An experimental tattoo concept built around modular geometric elements, repetition and negative space. The composition explores how structured patterns and bold blackwork can create rhythm, depth and movement across the arm.
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I set out to create a piece that bridges the gap between childlike wonder and the secret, unseen magic of nature.
This creature isn't just a bird, it’s the spirit of curiosity itself. I brought it to life with vibrant, bioluminescent pastels and soft, luminous light to make the forest feel like a place where dreams gather when no one is watching. Its wide, expressive eyes and gentle head tilt are meant to invite the viewer into a personal moment with the impossible asking us to pause, look a little closer, and remember the quiet magic hidden in the world around us.
Thanks for your submission! If you claim the free credits through the process outlined in the submission guidelines, your image will not contain the Flora watermark. You can then re-upload your submission, with a clean version your image!
Zero Blender knowledge and this was my first time playing around with Blender + Claude Code 😭 so cool seeing it actually work.
The lighting idea was inspired by In Common With - such a cool lighting brand/site. If you love lamps, definitely check them out!
I just recently got Codex to finally work in Blender. Idk if it was just bogged down every time I tried or maybe I was trying to do too much (I was trying to build a NFL helmet replica) for my first thing ever with Claude and Blender and it kept crashing lol.
KARMAE: ASTER | Product, Packaging & 3D Development
Part two moves a little closer to the product itself.
ASTER was designed as the softer side of the KARMAE world, but that softness still needed structure. The material language became a big part of that balance, combining frosted glass, muted metallics and pale neutral tones to keep the product feeling tactile, refined and recognisable.
From there, the packaging and product details were developed to feel like part of the same system rather than separate applications. The aim was to keep every touchpoint visually quiet, but still specific enough to carry the identity on its own.
Everything shown here was designed and directed by me, including the product development, packaging, materials, compositions and final 3D renders built in Blender.
A closer look at the details behind ASTER.
This looks super polished.
