Every brand I build starts as a messy page of sketches. On the left is where the Luxenuel Autos l...Every brand I build starts as a messy page of sketches. On the left is where the Luxenuel Autos l...
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Every brand I build starts as a messy page of sketches.
On the left is where the Luxenuel Autos logo began: a lot of scribbled LN shapes and arcs I kept redrawing. On the right is the finished mark, with the road running through the center. The sketch is where I figure out what the brand should feel like, and the screen is where I polish it.
That's how I work with every client. I take the time to understand your business first, so the logo looks right and actually means something.
I'm Kachi, creative director at Kachiart Designs. I design logos and full brand identities for business owners, startups, churches, and CEOs.
Now I'm curious: looking at the sketch and the final logo, what's the first thing you notice, the letters, the road, or the circle?
And if you're starting a business or your brand needs a fresh look, send me a message here on Contra and tell me about it.
Other questions you can swap in:
Do you think a logo should be simple or detailed?
Sketch first or straight to the computer? What's your process?
Which do you like more, the rough sketch or the final logo?
A fashion storefront needs to show the outfit and make its individual pieces easy to find.
For FORM, I paired a warm, editorial lookbook with clearly grouped product names, prices, and size choices.
Cream surfaces, charcoal typography, and consistent product cards connect the homepage with the desktop and mobile screen concepts.
One useful design principle from this project: give campaign imagery and shopping details their own readable zones. The collection can have a strong visual presence while the next product decision stays clear.
An exploration of experimental graphic design, sculptural form, and architectural minimalism.
PAPER MONOLITH transforms the delicate nature of paper into a monumental visual statement. Inspired by origami geometry and contemporary architecture, this concept combines intricate folded structures, sophisticated typography, and refined editorial composition.
Created for 1286 CRAFT, the project explores the contrast between softness and strength through ivory-toned sculptural forms, realistic CGI aesthetics, precise geometric detailing, and a minimalist Swiss-inspired design approach.
The accompanying cinematic motion design brings the composition to life through subtle unfolding movements, atmospheric lighting, and elegant visual storytelling.
Creative Direction: Experimental Graphic Design, 3D Art Direction, Editorial Typography, Conceptual Design, Architectural Visualization, AI-Assisted Visual Design, and Cinematic Motion Design.