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Love one another
The Beauty Between Them
A deformed couple facing each other
Wenceslaus Hollar, after Leonardo da Vinci, 1645
Etching, second state of two
The Metropolitan Museum of Art, Object 17.50.18-209.
Wenceslaus Hollar's 1645 etching,...
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The Lover’s Eye was never just a portrait. It was a portrait of a gaze. The art of looking back.
For the #FLORAMuseumChallenge, I chose the 19th-century Lover’s Eye Bracelet, an intimate object featuring a miniature of a loved one’s eye. Pieces like these were worn close to the body so the wearer could imagine their beloved’s gaze resting upon them 👁️
That idea became my creative starting point: what if the gaze that we see in art could be returned?
So I imagined a woman walking through present-day New York wearing the bracelet. As we get closer to the miniature, we find "Ivy" actually looking out from her own time. The person preserved inside the object is suddenly looking back at us, creating a fleeting exchange between past and present.
The engraved name “Ivy” on the back of the actual bracelet became a small but meaningful detail that helped me imagine the story behind the object.
And so I wanted to create something that felt like a visual poem 💛
A gaze captured centuries ago, finding its way back to another pair of eyes.
wow. Love the idea!!
THE ANIMAL THAT KNEW
What if the prey remembers every moment that came before the attack?
Inspired by Antoine-Louis Barye’s Tiger Surprising an Antelope from The Metropolitan Museum of Art, I reimagined the sculpture as a meditation on memory and instinct. The tiger exists in one moment, while faint photographic traces of the antelope appear behind it, suggesting the memories of the moments that came before.
I kept the original sculpture physically intact and changed its meaning through time: the bronze becomes a record of what the prey remembers.
Built and explored in FLORA.
Original artwork: https://www.metmuseum.org/art/collection/search/207338
@FLORA #FLORAMuseum
Brilliant Concept. I love this
A painting that survived on the one wall still standing, after the house around it was destroyed. The storm it once depicted became real smoke, rising from the same horizon behind it — same place, same hills, same water, but the calm is gone.
I didn't age the painting forward or backward in time. I placed it somewhere that exists in parallel to where most of us are sitting right now — a place where this kind of stillness has been replaced by something else entirely.
Original piece: "Approaching Thunder Storm" by Martin Johnson Heade, 1859, oil on canvas — The Metropolitan Museum of Art (Open Access)
Link: The Inspiration Piece from the Met Museum
Built on FLORA, starting from a static image of the painting, then building the surrounding wall and environment through iterative generation and manual refinement, before animating the final camera move outward.
My submission for the FLORA × The Met Challenge.
This deserves more than just liking, this deserves to be featured! 🏆 Nailing that surreal narrative contrast behind the painting creates such a compelling submission.