The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
Multicam Podcast Production Pipeline
:Managed the full technical pipeline for a video
podcast — studio booking, shoot coordination, multicam sync and
edit. Built a repeatable workflow that kept quality consistent
across hundreds of episodes over a 3-year run.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Trending
Claude
Claude has entered the design space. How are you using it?
Contra University
Learn from expert creatives how to earn more using next-gen AI tools.
Brand Design
The best brand designers are on Contra. Scroll to see what's trending in brand design. What are you building?
creativeaiflow
Creative AI workflows are evolving. What tools do you use, and what are their strengths and weaknesses?
freelancerlife
Freelancer life is wins, pivots, and everything in between. What’s yours right now?
Related posts
Excited to enter Another Big Ad Contest hosted by Runway for a chance at $100,000 in prizes!🔥
My pick was a portable speaker Jaunt as my product.
All the visuals were generated inside Runway.
Song was generated by me in Suno.
Post-edit in DaVinci Studio.
Let me know your thoughts!
runwaybigadcontestaiadvrtisementaivideoAI Video ProductionVideo EditingVideo ProductionClaudeDaVinci ResolveRunway
This is well put together... How much worth of token did you spend though?
This took a day to edit.
It went fast because we'd already done the hard part. We learned Athena's business and built a narrative spine. One spine spawns fifty assets, and this video is just one of them.
Now we make their content on a rolling basis.
Speed and quality. You can have both.
Great work!
Ripple started with one question, what does water actually do to ostrich leather. Every frame in this campaign was built entirely with AI, from the packaging shot through the splash in motion, no camera, no studio, no water damage to a real bag. This is what AI production can look like when it is treated like a real shoot instead of a shortcut.
No water damage to a real bag is such a good hook for the pitch itself. Was the client fully on board with an all AI production from the start, or did it take some convincing to skip the physical shoot?
