I engineered this edit for a high school prom recap that needed to capture two completely different moods in a single, fluid video — balancing high-octane event energy with an unexpected visual card sequence.

The entire visual sequence — split-screen layouts, speed ramps through the crowd, and frame-matched cuts between the dance floor and the surprise card reveal — was mapped frame-by-frame in Premiere Pro, fine-tuning the motion curves and whip pans so the shift in tone felt natural and intentional. Film-grain textures, and heavy sound design — syncing shutter clicks, risers, and sub-bass impacts to every single cut. Raw event footage to a dual-style cinematic edit, built to keep eyes glued to the screen.

really love the blur of the Welcome video

theatre rehearsals, but cinematic ౨ৎ ⋆｡˚

For La carta fue un error, I stepped behind the scenes to film the cast during rehearsals and transform the process into a series of Instagram Reels.

I captured the glances, gestures, movement and tiny in-between moments that bring a play to life, then shaped them into intimate, dynamic edits designed for social media ✶

shot + edited by me written & directed by Camila Elejalde performed at NAVE 73, Madrid

✧ filming ✧ creative editing ✧ vertical content ✧ Instagram Reels

The vertical reel format for something as inherently wide-stage as theatre is a smart translation. Did the cast or the director see the final edits before you posted, and what was their reaction?