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Working on this project has pushed me to explore AI more deeply, especially its use in commercial production.
For this one, my goal is to showcase the ring as one of the statement pieces in Wollsey’s jewelry collection, using AI to bring it to life.
Full case study real soon...
jewelryphotographyjewelrycampaigncommercialBrand DesignGraphic DesignMotion DesignAdobe After EffectsGoogle FlowGoogle Labs
The restrained lighting keeps the ring as the clear focal point.
Exactly the goal... Thank you
Showcasing the ring as a statement piece with restrained lighting is a strong choice, Samson. Pushing into AI for commercial production while keeping the ring the clear focal point shows real creative maturity. Looking forward to the full case study.
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📰 FRONT PAGE
A launch-day ad that puts your product on the front page.
Tuesday, October 14. Late City Edition.
A blood orange soda came back.
Shelves cleared in eleven minutes.
Officials urged the public to remain calm.
Friday morning, a phone outlived the news cycle.
Its charger was reported missing, presumed retired.
Saturday, 12:01 a.m.
Cold brew hit the shelves.
Nobody went home.
None of it happened.
All of it made the front page.
🗞️ Every launch wants to be news.
Most of them get a banner.
I couldn't find a single newspaper in SVGator's template gallery.
So I built one.
The Bellbird Times.
The Kestrel Herald.
The Nightjar Post.
Three papers.
One template.
Zero redraws.
Retype the headline, swap the photo and the logo.
Every word is live text. Every layer has a name.
The motion never changes.
So what's your headline?
The press never stops. ✨
🛠️ Built in SVGator with the MCP. 1,038 named layers, 8,440 keyframes.
the idea , the design , motion design
everything is peak-
Hourfield is a 16-second 16:9 launch film for products that organise people's time: calendars, schedulers, booking and reservation apps, planners. Retype a few short lines, drop in your logo and rename the calendar's days and tiles (meetings, table bookings, classes, shifts): the week re-plans itself on screen and the film lands on your logo lockup. Our second version, Maréva, a fictional table-booking app, turns the working week into an evening of reservations on the same animation and timing.
Built end-to-end through the SVGator MCP server. The calendar that re-plans its own week, the orbit that swirls into a single dot and the lines centred by their real letter shapes (fonts measured, not eyeballed) were computed in Python and written straight into a live SVGator project as 780 editable keyframes; I directed every note and finished it in the canvas. Maréva was made the same way, on the same timeline. Everything stays a real layer: 50 live text layers, named elements (headline, logo, product-name, tagline) and one logo image animated in two moments.
Yes, there is a lot to edit: every line of the story, a whole week of calendar tiles, a palette in nine roles. A full rebrand takes longer than five minutes, and that is the honest trade: it shows how much a single SVGator file can carry, and how MCP makes a detailed, story-driven film practical to re-make, not just to watch.
Links:
▶ Template (SVGator)
▶ Demo video, A → B
Love the smooth flow and the text animation! Good luck!
Shapeshift is a looping product-carousel ad I designed as a reusable template for any brand with four products to show (flavours, colourways, a menu), made for Instagram and paid social. Every piece is a named layer: retype the text, drop your photos into the four product slots and recolour, and the motion stays the same. Swap in a different shape set (soft, Mughal or geometric) and the same timing takes on a new personality.
I built it with the SVGator MCP. I came up with the concept and art-directed the motion, colours and every rebrand, while an AI assistant made the layer edits through the MCP. Every version in the video (vivid, light, the Bunsmith burger rebrand and the Mughal shapes) comes from that same file.
