In addition to it, dangerous and deadly sensors and electrical signals are not the owner.

In addition to it, dangerous and deadly sensors and electrical signals are not the owner.In addition to it, dangerous and deadly sensors and electrical signals are not the owner.

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Manar Bsharat

• Sep 1

In addition to it, dangerous and deadly sensors and electrical signals are not the owner.

Manar Bsharat

• Sep 1

Seven-Stranded Necklace (Satlari)

A piece from India, Hyderabad, 18th century, consisting of seven strands, with gold, enamel, pearls and rock stone.

THE LAST SATLARI — 7026

Five thousand years from now, they found a necklace. They didn’t restore it. They evolved it.

From heritage...

Nathaniel Dada

pro

• Sep 2

THE ANIMAL THAT KNEW

What if the prey remembers every moment that came before the attack?

Inspired by Antoine-Louis Barye’s Tiger Surprising an Antelope from The Metropolitan Museum of Art, I reimagined the sculpture as a meditation on memory and instinct. The tiger exists in one moment, while faint photographic traces of the antelope appear behind it, suggesting the memories of the moments that came before.

I kept the original sculpture physically intact and changed its meaning through time: the bronze becomes a record of what the prey remembers.

Built and explored in FLORA.

Original artwork: https://www.metmuseum.org/art/collection/search/207338

@FLORA #FLORAMuseum

floramuseumchallenge AI Art AI VIsual Designer FLORA

Niema Digita

• Sep 2

Brilliant Concept. I love this

Bella Brillantes

pro

• Sep 2

The Lover’s Eye was never just a portrait. It was a portrait of a gaze. The art of looking back.

For the #FLORAMuseumChallenge, I chose the 19th-century Lover’s Eye Bracelet, an intimate object featuring a miniature of a loved one’s eye. Pieces like these were worn close to the body so the wearer could imagine their beloved’s gaze resting upon them 👁️

That idea became my creative starting point: what if the gaze that we see in art could be returned?

So I imagined a woman walking through present-day New York wearing the bracelet. As we get closer to the miniature, we find "Ivy" actually looking out from her own time. The person preserved inside the object is suddenly looking back at us, creating a fleeting exchange between past and present.

The engraved name “Ivy” on the back of the actual bracelet became a small but meaningful detail that helped me imagine the story behind the object.

And so I wanted to create something that felt like a visual poem 💛 A gaze captured centuries ago, finding its way back to another pair of eyes.

floramuseumchallenge