YUCHIEN CHOU - AI Visual Design | ContraWork by YUCHIEN CHOU
YUCHIEN  CHOU
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YUCHIEN CHOU

Directing premium AI sequences, ads & brand visuals.

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Cover image for Had some fun with a
Had some fun with a World Cup fashion concept, minus the usual jerseys.
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This is a conceptual AI fashion film that explores the collision of raw wildlife and luxury adornment. I manage the project from the initial art direction and concept phase straight through to the AI video generation and final post-production. The Formosan clouded leopard is an extinct species, so resurrecting it for this piece was a highly deliberate creative choice to symbolize how incredibly precious, rare, and unique the Sophia Jewelry collection is. By placing the animal in a stark white studio, it forces a powerful visual tension between its primal coat and the cold refinement of the ruby necklace. I built the base assets and architectural framing using Google Flow, while the complex organic motion dynamics and video generation were brought to life in Kling, Veo3. To ground the surreal visuals in physical reality, I engineered the custom sound design using Elevenlabs. This is an unsolicited spec project created strictly to showcase my technical capabilities and is not an official commission by or affiliated with Sophia Jewelry.
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This is a digital spec commercial I put together for Acne Studios to explore the idea of digital materiality. I handled the entire process from the initial concept and art direction to generating the assets, color grading, and building the soundscape. My main goal was to connect the product with nature to make it feel more grounded in our day to day life. I specifically wanted to experiment with the physics of water interacting with a textured leather bag. AI video can often feel weightless, so leaning into those realistic fluid dynamics and natural elements really gave the piece actual mass and friction. For the workflow, I used Nanobanana and Seedream for the base images, Kling for the motion, and Topaz AI for the final upscaling.For the audio, I used Eleven Labs to build out the sound effects to create that high end luxury ASMR feel. This is an independent spec concept and is not affiliated with Acne Studios.
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Holding Most people in a corporate setting don't give a paper clip a second thought. That’s exactly the point. In this film, gravity is just a suggestion and order is a deliberate choice. When a high-stakes strategy meeting completely dissolves into gravity-defying chaos, a single Cinch paper clip becomes the ultimate anchor. "Holding" isn't just about a product; it’s a quick study on structural integrity and the invisible forces that keep our everyday worlds from scattering into pieces. How I Made It Instead of relying on a single tool, I built a custom pipeline to get the exact high-fashion, cinematic look I wanted: The Visuals: I used NanoBanana 2 to generate the images, focusing heavily on clean, premium lighting and establishing that high-end corporate aesthetic before turning things upside down. The Sound: Lyria 3 Pro handled the heavy lifting for the underlying score and atmospheric tension, giving the room its moody, high-stakes vibe. The Voice & FX: I used ElevenLabs for the crisp voiceover delivery and to generate the clean, isolated physical sound effects. The Edit: Everything was brought together, timed, and polished inside CapCut, making sure the visual pacing hit the dramatic gravity shifts perfectly.
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This project is a high end piece exploring the visual contrast between organic elements and liquid metal. The core idea was to merge the world of metal, which symbolizes modern technology, and seamlessly blend it together with raw nature. I was hands on for the entire thing, driving the initial concept, shaping the art direction, and executing the actual video production. The focus was to elevate the piece beyond basic prompting by dialing in specific lighting and material textures to capture a genuine silent luxury feel. To achieve this level of detail, I utilized Kling and a Google flow for the core video generation, and then ran everything through Topaz Video AI for crisp upscaling and final post production. This is a spec commercial created to showcase my portfolio and is not an official piece of work for Givenchy or their trademarked properties.
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