Vitor Teixeira
Senior 3D Designer
New to Contra
Vitor is ready for their next project!
Colorful abstract explorations.
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Exploring new looks with K1 from krea.
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It begins with muted tones reduced to their essentials.
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Simple zoom in, inside Kling 3.0.
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Blocks all over again.
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Flowers blossom within Kling 2.6
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Butterfly explorations with 3d blocks.
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Colorful exploration.
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It begins in stillness with muted tones, objects reduced to their essence...
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Flower blossoms inside Kling 2.6. Too plastic for my taste, but I like the movement.
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Blocks and blocks and blocks again...
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Bending refraction with Flux.
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Abstract explorations inside ComfyUI.
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Blocks of soap mixed with painted rocks and concrete, all blended with Flux.
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I’ve been experimenting with a new loop between 3D and AI. I started with my usual setup in Cinema 4D and Redshift, then took those renders into ComfyUI with a custom LoRA I trained. To get the exact look I wanted, I did a second round of training in Krea.ai (http://Krea.ai). The final image is a mashup of those stylized AI generations and the vibrant colors from the original 3D files.
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It started with muted tones...
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Geometrical explorations mixed with some floral elements from Unsplash.
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Simplicity frozen in time.
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Abstract expression inside Krea with Flux.
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Exploring visual concepts.
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Exploring Flux inside ComfyUI.
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This image is part of a new set of tests where I am exploring ways to blend my work with artificial intelligence. It began with a question: How can I use this new technology without being influenced by or "borrowing" from the work of other professionals and artists? How can I make this truly "mine"?
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Continuing to explore new looks inside Krea.
The goal is to develop new "eye-candy" frames that will later serve as my own personal "Pinterest".
In this database, I mixed abstract shapes from Cinema 4D with tree branches and grass from Unsplash.
Overall, the shapes and composition are interesting, but the lack of definition is something that I need to work on and understand.
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Flower burst.
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Colorful flowers to start the week.
All inside Krea.
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"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
All inside @krea_ai (https://www.instagram.com/krea_ai/) with Kling 2.5.
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Full escape from abstract to a more vivid natural environment, inside Krea with Flux generator.
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I love building blocks.
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Abstract exploration with Flux.
Topaz for the upscale and Affinity for a quick curve (soft light) color correction.
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Bend reflections inside Krea.
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"Pinceladas acidentais" inside krea with Flux image model generator.
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Following the initial thoughts of experimentation and discovery, Tom and I decided to continue our explorations within the realm of AI.
As usual, I used some of my previous 3D work to develop the database inside Krea. After several iterations, the images were upscaled in Topaz, refined in detail with Seedream, and finally passed through Kling 2.6 to breathe movement into them. The final touch of editing was completed in After Effects.
Tom brought the sound to life with his usual precision and sensibility, and the result feels amazing.
—
Music & Sound Design: Tom Parry
Visuals: Vitor Teixeira
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It begins with muted tones and objects reduced to their essentials.
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Flowerly experiments inside Krea.
https://www.instagram.com/ariexietrotiv.ai/
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Volume builder with a huge noise displacement inside Cinema 4D, and then it was sent to Krea for further development.
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Starting the week with some flowers for everyone.
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A very simple turntable inside Krea with the help of Kling 2.6
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I embrace experimentation and the happy mistakes that come with it. While the control in this case feels merely residual, I’m beginning to understand the subtle details that allow me to steer the generative development exactly where I want it to go. It’s an interesting day-to-day relationship that requires time and dedication, just like everything else.
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Expanding my visual language by integrating other objects into my usual abstract and floral compositions.
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A metamorphosis from silence and stillness. https://www.instagram.com/ariexietrotiv.ai/
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Flower blossoms inside Kling 2.6.
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Visual explorations within Krea with Flux.
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I decided to return to ComfyUI and experiment with AnimateDiff to see what I could achieve. I really enjoy diving into these random experiments.
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Fluffy things with Flux.
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Then glass enters, bending, reflecting, and distorting. Reality is no longer fixed; it ripples and folds.
Flux + Kling 2.6 inside krea.
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Close detail inside Krea.
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Cloth + plants + powder inside Krea = whatever you want to call it.
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Messy experiments with abstract 3D shapes, paint, and vegetables from Pexels - all inside Krea.
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Macro details inside Krea.
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Exploring Kling inside Krea.
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A meditation on fragile beauty where nature meets design emotion inside Krea.
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Expressive UI inside Krea with Flux.
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Abstract expression inside Krea.
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I started this composition inside Cinema 4D, then brought it into Krea, where I used Flux to remix the textures and upscale the details. The result is this weirdly satisfying, velvet-foam macro world.
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Exploring abstract concepts inside Krea with Flux.
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Abstract shapes with Flux inside Krea.
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I’ve been experimenting with a new loop between 3D and AI. I started with my usual setup in Cinema 4D and Redshift, then took those renders into ComfyUI with a custom LoRA I trained. To get the exact look I wanted, I did a second round of training in Krea.ai (http://Krea.ai). The final image is a mashup of those stylized AI generations and the vibrant colors from the original 3D files.
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Continuing with visual experiments with Flux inside @krea_ai
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"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
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Continuing to explore new looks inside @krea_ai (https://www.instagram.com/krea_ai/?hl=en).
The goal is to develop new "eye-candy" frames that will later serve as my own personal "pinterest".
In this database, I mixed abstract shapes from Cinema 4D with tree branches and grass from Unsplash.
Overall, the shapes and composition are interesting, but the lack of definition is something that I need to work on and understand.
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Nature breaking through the void. A study on organic forms versus rigid minimalism.
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Exploring Kling inside @krea_ai
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RAIZ unveils a tapestry of defying moments where tendrils curl through molten earth’s tender heart, blooming into visions that float like sighs of forgotten actions.
It emerges as a totem of forged truths, calling forth constellations of past actions and whispers of eternal reflection. Their translucent threads weave a dance through an abyss that defies gravity’s silent pull.
Cradled on stone altars sculpted by time’s gentle hand, kissed by a glow that sings of unseen melodies, with drifting fragments and the ghostly hum of rustling enigmas, this crucible blossoms into a realm where the soil’s veiled mysteries unfurl into boundless waltzes of transcendence roots.
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A bit of colorful randomness inside @krea_ai with the Flux generator.
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3D meets nature inside @krea_ai (https://www.instagram.com/krea_ai/?hl=en)
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Liquid movement inside @krea_ai generated by @klingai_official.
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Exploring patterns inside @krea_ai
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Glass, flowers, and bending metals inside @krea_ai with the help of Flux.
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Breadcrumbs of the day with a new color palette.
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This short piece comes to life from the desire for collaboration. Tom Parry (https://www.linkedin.com/in/tomparrymusic/) reached out with the idea of developing something together that would let us experiment, play, and discover - and I believe we managed exactly that.
I began by building the scene in Cinema 4D, then sent it to Krea, where it was blended with a database of abstract 3D renders. After several iterations, the image was upscaled in Topaz, refined in detail with Nano Banana, and finally passed through Kling 2.5 to breathe movement into it. The final touch of "editing" was done inside After Effects.
Tom brought the sound to life with his usual precision and sensibility, and the result feels effortlessly in tune with the piece.
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Glass explorations with K1 inside @krea_ai
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Explorations with Flux.2
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Exploring Kling inside @krea_ai
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Explorations with Flux.2 inside @krea_ai
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Different subject explorations today.Cheers
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I started this piece in Cinema 4D and Redshift, building the base shapes.
I then pushed it further in Krea.ai (http://Krea.ai), training new instances. Once I had the look I wanted, I mixed in some of my 3D images and played around with a simple prompt.
The result is this mix of flowing, organic textures in soft violet and cream against a neutral background.
Cheers.
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Blending nature inside @krea_ai with Flux.
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A mix of C4D abstract cloth objects with flowers from unsplash inside @krea_ai.
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Island of gigantic flowers.
Testing where I can take @klingai_official (https://www.instagram.com/klingai_official/) inside @krea_ai (https://www.instagram.com/krea_ai/)
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Exploring new looks inside @krea_ai with the help of Unsplash.
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Geometrical explorations mixed with some floral elements from Unsplash.
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Floral explorations with Flux.2 inside @krea_ai
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Frozen in time inside @krea_ai.
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Initiated inside Cinema 4D, transformed within @krea_ai.
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Continuing to explore new looks inside @krea_ai.
The goal is to develop new "eye-candy" frames that will later serve as my own personal "pinterest".
In this database, I mixed abstract shapes from Cinema 4D with tree branches and grass from Unsplash.
Overall, the shapes and composition are interesting, but the lack of definition is something that I need to work on and understand.
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Kling 2.5 inside @krea_ai.
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Abstract expression.
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A new set of experiences within @krea_ai (https://x.com/krea_ai) Flux generator.
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The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
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Other explorations with the Flux generator.
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Different explorations inside @krea_ai with K1.
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From Cinema 4D to Kling 2.5 inside Krea.
Cheers
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In today's images, I experimented with a greater variety of objects. I placed some vegetables - corn, cabbage leaves, and a whole tronchuda cabbage with a lower influence percentage - to see what would emerge. The scene was set in an empty environment from Pexels using the @krea_ai Flux generator.
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Exploring @klingai_official inside @krea_ai.
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From Cinema to Krea.
Another experiment between tools inside @krea_ai with Flux.
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A cloth metamorphosis from silence and stillness to blossom and color inside @krea_ai.
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Continuing to experiment with video generation inside krea_ai using the Kling 1.6 model.
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From Cinema 4D to Krea with love.
Cheers
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Island of gigantic flowers.
Testing where I can take Kling inside @krea_ai (https://www.instagram.com/krea_ai/)
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Title: Chrysalis Bloom
Medium: AI-generated image
Concept Description:
Chrysalis Bloom draws inspiration from the butterfly effect in nature - the idea that small, quiet beginnings can lead to great transformations. At the heart of the piece is a sculptural form resembling a chrysalis in mid-transition, textured and colored like the stages of a butterfly’s metamorphosis.
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The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
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Nature and Arch Viz experiments inside @krea_ai (https://www.instagram.com/krea_ai/) with Flux.
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Painted swirls inside @krea_ai with the help of @klingai_official
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Flowers from Unsplash, mixed with 3D glass renders from Cinema 4D, inside @krea_ai with the K1 image model.
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It started as a simple volume-builder experiment that was "transformed" by my database in @krea_ai.
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Another mix of my running shoe sole with an abstract Cinema 4D render.
All inside @krea_ai
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"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
All inside @krea_ai (https://www.instagram.com/krea_ai/) with Kling 2.5.
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Colorful abstract shapes from Cinema 4D mixed with flowers and tree branches from Unsplash.
All inside @krea_ai (https://www.instagram.com/krea_ai/)
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Some plastic inflation experiment with Kling 2.5 inside Krea.
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Cloth metamorphosis inside Krea.
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"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
Exploring new possibilities inside @krea_ai (https://www.instagram.com/krea_ai/) with Kling 2.5.
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The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
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Title: Silken Rose
Autor: Vitor Teixeira
Music & Sound Design: @rzn_music
(https://www.instagram.com/rzn_music/)Medium: AI-generated image
Concept Description:
Silken Rose is an exploration of tactility and abstraction, unfolding within a world that feels both intimate and untethered - a landscape suspended between breath and becoming...
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I started a new exploration to speed up research and development. The process began in Cinema 4D, rendered with Redshift, but this time, I skipped ComfyUI and trained and upscaled it with Krea.
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Continuing to experiment with video generation inside Krea using the Kling 1.6 model.
It's just a simple zoom-in, where little movements can be found around the image.
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Morning blossom.
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These images are part of a set of tests where I am exploring ways to blend my work with AI. It began with a question: How can I use this new technology without being influenced by or "borrowing" from the work of other professionals and artists? How can I make this truly "mine"?
The process started with Cinema4D and Redshift, where I created numerous abstract images rich in color and detailed textures. After developing these in 3D, I used Kohya for LoRA training. However, I felt I could achieve greater control by creating my own model in ComfyUI. It was during this exploration that I discovered Flux training through krea_ai. The results were extraordinary, and its incredible Upscale feature became a valuable tool for further experimentation.
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The foundation is a scene created in Cinema 4D, rendered using Redshift, mixed, and upscaled within Krea.
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Trying to understand how Kling could make something interesting here.
All inside @krea_ai (https://www.instagram.com/krea_ai/).
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The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
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Experiment with video generation inside Krea using the Kling 1.6 model. It's just a simple zoom-in, where little movements can be found around the image.
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The foundation is a scene created in Cinema 4D and rendered using Redshift.
Thanks to the variety of LoRAs I developed in Kohya and integrated with ComfyUI, I now have an extensive database of mixed images.
These images serve as a style reference within Krea, which I can further combine with other 3D renders to develop additional iterations.
This process enables me to generate infinite variations, suitable for various purposes.
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