Vitor Teixeira
Senior 3D Designer
New to Contra
Vitor is ready for their next project!
A little sneak peek at what I've been working on...
4
13
248
Exploring colorful abstract shapes inside Krea.
2
17
299
Hello everyone.
This piece is the result of the collaboration between me and Amplitudo Sound Agency (https://www.linkedin.com/company/amplitudoagency).
I'm super lucky to have them on this.
A huge thank you to Daniele Prina (https://www.linkedin.com/in/danieleprina/) for his patience and initiative.
Art Direction: Vitor Teixeira
Original music and sound design: Amplitudo Sound Agency
1
12
250
Cloth moving tests for my upcoming "Unfurl" short.
12
233
I wanted to thank Maximo for putting this sound together: https://www.linkedin.com/in/maximo-signiorini/
1
13
336
Colorful abstract explorations.
5
16
260
Exploring abstract shapes inside Krea.
3
24
381
It begins with muted tones reduced to their essentials.
3
20
283
Exploring new looks with K1 from krea.
3
22
322
Simple zoom in, inside Kling 3.0.
3
20
317
Colorful exploration.
8
199
Blocks all over again.
1
14
220
Flowers blossom within Kling 2.6
2
20
323
Butterfly explorations with 3d blocks.
18
281
It begins in stillness with muted tones, objects reduced to their essence...
1
8
182
Flower blossoms inside Kling 2.6. Too plastic for my taste, but I like the movement.
1
15
286
Blocks and blocks and blocks again...
11
176
Bending refraction with Flux.
17
224
Abstract explorations inside ComfyUI.
15
225
Blocks of soap mixed with painted rocks and concrete, all blended with Flux.
19
198
I’ve been experimenting with a new loop between 3D and AI. I started with my usual setup in Cinema 4D and Redshift, then took those renders into ComfyUI with a custom LoRA I trained. To get the exact look I wanted, I did a second round of training in Krea.ai (http://Krea.ai). The final image is a mashup of those stylized AI generations and the vibrant colors from the original 3D files.
3
17
295
It started with muted tones...
19
247
Geometrical explorations mixed with some floral elements from Unsplash.
4
18
227
Simplicity frozen in time.
3
26
285
Abstract expression inside Krea with Flux.
15
257
Exploring visual concepts.
2
21
295
Exploring Flux inside ComfyUI.
4
18
253
This image is part of a new set of tests where I am exploring ways to blend my work with artificial intelligence. It began with a question: How can I use this new technology without being influenced by or "borrowing" from the work of other professionals and artists? How can I make this truly "mine"?
3
20
258
Flower burst.
1
15
201
Continuing to explore new looks inside Krea.
The goal is to develop new "eye-candy" frames that will later serve as my own personal "Pinterest".
In this database, I mixed abstract shapes from Cinema 4D with tree branches and grass from Unsplash.
Overall, the shapes and composition are interesting, but the lack of definition is something that I need to work on and understand.
3
25
230
Colorful flowers to start the week.
All inside Krea.
4
17
227
"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
All inside @krea_ai (https://www.instagram.com/krea_ai/) with Kling 2.5.
4
22
260
Full escape from abstract to a more vivid natural environment, inside Krea with Flux generator.
3
20
235
I love building blocks.
10
188
Abstract exploration with Flux.
Topaz for the upscale and Affinity for a quick curve (soft light) color correction.
3
16
242
Bend reflections inside Krea.
3
11
98
"Pinceladas acidentais" inside krea with Flux image model generator.
10
204
Following the initial thoughts of experimentation and discovery, Tom and I decided to continue our explorations within the realm of AI.
As usual, I used some of my previous 3D work to develop the database inside Krea. After several iterations, the images were upscaled in Topaz, refined in detail with Seedream, and finally passed through Kling 2.6 to breathe movement into them. The final touch of editing was completed in After Effects.
Tom brought the sound to life with his usual precision and sensibility, and the result feels amazing.
—
Music & Sound Design: Tom Parry
Visuals: Vitor Teixeira
1
16
110
It begins with muted tones and objects reduced to their essentials.
2
16
115
Flowerly experiments inside Krea.
https://www.instagram.com/ariexietrotiv.ai/
4
19
251
Volume builder with a huge noise displacement inside Cinema 4D, and then it was sent to Krea for further development.
12
199
Starting the week with some flowers for everyone.
1
20
242
A very simple turntable inside Krea with the help of Kling 2.6
7
31
154
I embrace experimentation and the happy mistakes that come with it. While the control in this case feels merely residual, I’m beginning to understand the subtle details that allow me to steer the generative development exactly where I want it to go. It’s an interesting day-to-day relationship that requires time and dedication, just like everything else.
5
35
157
Expanding my visual language by integrating other objects into my usual abstract and floral compositions.
3
27
167
A metamorphosis from silence and stillness. https://www.instagram.com/ariexietrotiv.ai/
2
32
170
Flower blossoms inside Kling 2.6.
20
142
Visual explorations within Krea with Flux.
1
24
154
I decided to return to ComfyUI and experiment with AnimateDiff to see what I could achieve. I really enjoy diving into these random experiments.
6
23
133
Fluffy things with Flux.
26
185
Then glass enters, bending, reflecting, and distorting. Reality is no longer fixed; it ripples and folds.
Flux + Kling 2.6 inside krea.
3
25
314
Close detail inside Krea.
17
149
Cloth + plants + powder inside Krea = whatever you want to call it.
1
21
155
Messy experiments with abstract 3D shapes, paint, and vegetables from Pexels - all inside Krea.
2
16
126
Macro details inside Krea.
2
27
183
Exploring Kling inside Krea.
2
16
119
A meditation on fragile beauty where nature meets design emotion inside Krea.
20
128
Expressive UI inside Krea with Flux.
3
24
161
Abstract expression inside Krea.
2
27
161
I started this composition inside Cinema 4D, then brought it into Krea, where I used Flux to remix the textures and upscale the details. The result is this weirdly satisfying, velvet-foam macro world.
3
36
198
Exploring abstract concepts inside Krea with Flux.
25
152
Abstract shapes with Flux inside Krea.
4
27
114
I’ve been experimenting with a new loop between 3D and AI. I started with my usual setup in Cinema 4D and Redshift, then took those renders into ComfyUI with a custom LoRA I trained. To get the exact look I wanted, I did a second round of training in Krea.ai (http://Krea.ai). The final image is a mashup of those stylized AI generations and the vibrant colors from the original 3D files.
5
24
141
Continuing with visual experiments with Flux inside @krea_ai
3
15
142
"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
1
31
168
Continuing to explore new looks inside @krea_ai (https://www.instagram.com/krea_ai/?hl=en).
The goal is to develop new "eye-candy" frames that will later serve as my own personal "pinterest".
In this database, I mixed abstract shapes from Cinema 4D with tree branches and grass from Unsplash.
Overall, the shapes and composition are interesting, but the lack of definition is something that I need to work on and understand.
26
143
Nature breaking through the void. A study on organic forms versus rigid minimalism.
17
97
Exploring Kling inside @krea_ai
22
129
RAIZ unveils a tapestry of defying moments where tendrils curl through molten earth’s tender heart, blooming into visions that float like sighs of forgotten actions.
It emerges as a totem of forged truths, calling forth constellations of past actions and whispers of eternal reflection. Their translucent threads weave a dance through an abyss that defies gravity’s silent pull.
Cradled on stone altars sculpted by time’s gentle hand, kissed by a glow that sings of unseen melodies, with drifting fragments and the ghostly hum of rustling enigmas, this crucible blossoms into a realm where the soil’s veiled mysteries unfurl into boundless waltzes of transcendence roots.
18
102
A bit of colorful randomness inside @krea_ai with the Flux generator.
15
112
3D meets nature inside @krea_ai (https://www.instagram.com/krea_ai/?hl=en)
25
157
Liquid movement inside @krea_ai generated by @klingai_official.
2
18
114
Exploring patterns inside @krea_ai
2
20
147
Glass, flowers, and bending metals inside @krea_ai with the help of Flux.
28
177
Breadcrumbs of the day with a new color palette.
2
21
143
This short piece comes to life from the desire for collaboration. Tom Parry (https://www.linkedin.com/in/tomparrymusic/) reached out with the idea of developing something together that would let us experiment, play, and discover - and I believe we managed exactly that.
I began by building the scene in Cinema 4D, then sent it to Krea, where it was blended with a database of abstract 3D renders. After several iterations, the image was upscaled in Topaz, refined in detail with Nano Banana, and finally passed through Kling 2.5 to breathe movement into it. The final touch of "editing" was done inside After Effects.
Tom brought the sound to life with his usual precision and sensibility, and the result feels effortlessly in tune with the piece.
6
34
168
Glass explorations with K1 inside @krea_ai
2
26
153
Explorations with Flux.2
1
17
100
Exploring Kling inside @krea_ai
16
101
Explorations with Flux.2 inside @krea_ai
2
27
165
Different subject explorations today.Cheers
3
27
139
I started this piece in Cinema 4D and Redshift, building the base shapes.
I then pushed it further in Krea.ai (http://Krea.ai), training new instances. Once I had the look I wanted, I mixed in some of my 3D images and played around with a simple prompt.
The result is this mix of flowing, organic textures in soft violet and cream against a neutral background.
Cheers.
2
28
171
Blending nature inside @krea_ai with Flux.
1
26
218
A mix of C4D abstract cloth objects with flowers from unsplash inside @krea_ai.
2
25
147
Island of gigantic flowers.
Testing where I can take @klingai_official (https://www.instagram.com/klingai_official/) inside @krea_ai (https://www.instagram.com/krea_ai/)
4
31
150
Exploring new looks inside @krea_ai with the help of Unsplash.
1
22
151
Geometrical explorations mixed with some floral elements from Unsplash.
2
25
165
Floral explorations with Flux.2 inside @krea_ai
1
27
193
Frozen in time inside @krea_ai.
1
15
116
Initiated inside Cinema 4D, transformed within @krea_ai.
2
34
204
Continuing to explore new looks inside @krea_ai.
The goal is to develop new "eye-candy" frames that will later serve as my own personal "pinterest".
In this database, I mixed abstract shapes from Cinema 4D with tree branches and grass from Unsplash.
Overall, the shapes and composition are interesting, but the lack of definition is something that I need to work on and understand.
3
19
147
Kling 2.5 inside @krea_ai.
14
103
Abstract expression.
3
29
141
A new set of experiences within @krea_ai (https://x.com/krea_ai) Flux generator.
1
33
214
The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
17
121
Other explorations with the Flux generator.
15
115
Different explorations inside @krea_ai with K1.
18
123
From Cinema 4D to Kling 2.5 inside Krea.
Cheers
27
168
In today's images, I experimented with a greater variety of objects. I placed some vegetables - corn, cabbage leaves, and a whole tronchuda cabbage with a lower influence percentage - to see what would emerge. The scene was set in an empty environment from Pexels using the @krea_ai Flux generator.
2
19
118
Exploring @klingai_official inside @krea_ai.
23
131
From Cinema to Krea.
Another experiment between tools inside @krea_ai with Flux.
1
20
136
A cloth metamorphosis from silence and stillness to blossom and color inside @krea_ai.
4
24
223
Continuing to experiment with video generation inside krea_ai using the Kling 1.6 model.
2
30
291
From Cinema 4D to Krea with love.
Cheers
7
27
240
Island of gigantic flowers.
Testing where I can take Kling inside @krea_ai (https://www.instagram.com/krea_ai/)
8
48
233
Title: Chrysalis Bloom
Medium: AI-generated image
Concept Description:
Chrysalis Bloom draws inspiration from the butterfly effect in nature - the idea that small, quiet beginnings can lead to great transformations. At the heart of the piece is a sculptural form resembling a chrysalis in mid-transition, textured and colored like the stages of a butterfly’s metamorphosis.
6
33
227
The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
1
18
142
Nature and Arch Viz experiments inside @krea_ai (https://www.instagram.com/krea_ai/) with Flux.
21
187
Painted swirls inside @krea_ai with the help of @klingai_official
14
161
Flowers from Unsplash, mixed with 3D glass renders from Cinema 4D, inside @krea_ai with the K1 image model.
29
180
It started as a simple volume-builder experiment that was "transformed" by my database in @krea_ai.
24
102
570
Another mix of my running shoe sole with an abstract Cinema 4D render.
All inside @krea_ai
25
265
"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
All inside @krea_ai (https://www.instagram.com/krea_ai/) with Kling 2.5.
8
37
254
Colorful abstract shapes from Cinema 4D mixed with flowers and tree branches from Unsplash.
All inside @krea_ai (https://www.instagram.com/krea_ai/)
16
277
Some plastic inflation experiment with Kling 2.5 inside Krea.
1
3
194
Cloth metamorphosis inside Krea.
2
210
"Reality is no longer fixed; it ripples and folds. Through these distortions, fragments of nature - petals, leaves, light - slip in. The boundaries blur between what is real and what is reconstructed."
Exploring new possibilities inside @krea_ai (https://www.instagram.com/krea_ai/) with Kling 2.5.
1
24
247
The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
16
194
Title: Silken Rose
Autor: Vitor Teixeira
Music & Sound Design: @rzn_music
(https://www.instagram.com/rzn_music/)Medium: AI-generated image
Concept Description:
Silken Rose is an exploration of tactility and abstraction, unfolding within a world that feels both intimate and untethered - a landscape suspended between breath and becoming...
2
14
172
I started a new exploration to speed up research and development. The process began in Cinema 4D, rendered with Redshift, but this time, I skipped ComfyUI and trained and upscaled it with Krea.
19
195
Continuing to experiment with video generation inside Krea using the Kling 1.6 model.
It's just a simple zoom-in, where little movements can be found around the image.
2
18
210
Morning blossom.
1
132
These images are part of a set of tests where I am exploring ways to blend my work with AI. It began with a question: How can I use this new technology without being influenced by or "borrowing" from the work of other professionals and artists? How can I make this truly "mine"?
The process started with Cinema4D and Redshift, where I created numerous abstract images rich in color and detailed textures. After developing these in 3D, I used Kohya for LoRA training. However, I felt I could achieve greater control by creating my own model in ComfyUI. It was during this exploration that I discovered Flux training through krea_ai. The results were extraordinary, and its incredible Upscale feature became a valuable tool for further experimentation.
1
23
242
The foundation is a scene created in Cinema 4D, rendered using Redshift, mixed, and upscaled within Krea.
2
118
Trying to understand how Kling could make something interesting here.
All inside @krea_ai (https://www.instagram.com/krea_ai/).
3
39
197
The process began with Cinema 4D and Redshift, where I built the initial forms. From there, I blended the visuals in ComfyUI, using a custom LoRA model trained on my previous work.
Taking it a step further, I used Krea.ai (http://Krea.ai) to train a new set of instances based on the renders from ComfyUI. Once I had the style I was aiming for, I combined it with a few colorful 3D images (C4D and RS) of mine.
24
73
279
Experiment with video generation inside Krea using the Kling 1.6 model. It's just a simple zoom-in, where little movements can be found around the image.
6
51
340
The foundation is a scene created in Cinema 4D and rendered using Redshift.
Thanks to the variety of LoRAs I developed in Kohya and integrated with ComfyUI, I now have an extensive database of mixed images.
These images serve as a style reference within Krea, which I can further combine with other 3D renders to develop additional iterations.
This process enables me to generate infinite variations, suitable for various purposes.
13
177