SULEMAN SALLAH's Work | ContraWork by SULEMAN SALLAH
SULEMAN SALLAH

SULEMAN SALLAH

Web Designer & Dev | 3D & Motion Websites

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Followed by Alec M, Gülçin G, and Hesty K

Accra, Ghana

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Accra, Ghana

Most record label websites are a list of releases and a shop link. For HUMWELL, I wanted the site to feel like flipping through a crate of vinyl. It’s a concept label from Lisbon with eight releases. The sleeves move along a 3D spiral as you scroll. Open one and it flies flat into its own page, and the whole site takes on that record’s colours. Each release page reads like the inside of the sleeve: tracklist, liner notes, the artist and a buy button that’s always in view. Turn the sound on and the spiral becomes a turntable you can scratch. Every sleeve was art-directed for the project, and the whole thing is designed and built from scratch. If you run a label, a venue or a creative brand and want a site with this kind of feeling, I’m booking December projects. DMs open.
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I didn’t put a photo of the can on the website. I made the can the website. FERAL is a concept soda brand I designed and built from scratch. The can is a real 3D model I made in Blender. As you scroll, it flies through the story, turns to show its nutrition label, changes flavour and lands in the shop as the product you buy. Drag it, spin it, pick a flavour. The whole page changes colour to match. Built with Blender, three.js and GSAP. No templates, no stock 3D. If your product deserves more than a photo on a white background, let’s talk. Booking December projects.
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ASHEN: a fashion lookbook where six looks stand on a turning ring. Tap any piece and the camera pushes into the fabric. Built end to end: art direction, design, motion and build. The sections are a campaign film strip that runs from sunset into night, a materials study under a loupe, and customer photos you compare by height.
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Four colourways. One silhouette. No gradients. Chroma SS26 started as a rule rather than a moodboard: if the colour is doing the work, nothing else should compete with it. No soft fades, no overlays, no “depth.” Flat ground, full stop. That constraint shaped everything downstream. The configurator doesn’t tint a product shot, it swaps the entire ground out from under you. The spec sheet stays monospaced and factual (210 gsm, tricot polyester, made in Tunisia) because the colour is already shouting. Seven sections, built as one scroll.
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