Ste D'Elboux
Product Designer, AI Builder & Creative Technologist
I’m taking part in the Lovable Challenge, and this time I decided to start with a real problem from a real person: my friend Ana Mi, an independent tattoo artist from São Paulo.
A lot of her bookings happen through social media. Clients ask about prices, sizes, availability, and payments and she has to answer everything manually.
So I thought: what if booking a tattoo felt more like visiting an art gallery?
That’s how INKROOM was born. 🖤
A place where people can discover Ana’s work, choose a tattoo, customize it, book an appointment, or even send their own idea for a custom quote.
And Ana can manage requests, appointments, payments, and her tattoo collection all in one place.
Less time managing messages. More time creating.
Built with Lovable for the Lovable Challenge 2026.
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What if an ancient Egyptian relic was actually the hero of a lost retro console game?
For the FLORA Museum Challenge, I reimagined the "Faience amulet in the form of a tree frog" (Ptolemaic Period, 330–30 BCE) from The Metropolitan Museum of Art’s Open Access archive into a playable, low-poly 32-bit platformer hero.
🏛️ Original Met piece: metmuseum.org/art/collection/search/243774
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WHAT WE WEAR TO PROTECT
What if historical armor left the museum and walked into a 1990s fashion editorial?
For the #FLORAMuseum challenge, I used four original armor pieces from The Met as my creative brief — without changing the pieces themselves.
I only changed the context: real models, fashion photography, a magazine cover and a VHS-style behind-the-scenes.
5,000 years of protection. One new context.
Original references from The Met:
https://www.metmuseum.org/art/collection/search/24008
https://www.metmuseum.org/art/collection/search/25640
https://www.metmuseum.org/art/collection/search/23205
https://www.metmuseum.org/art/collection/search/24671
Built with @floraai
#FLORAMuseum
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What if a "still life" wasn't dead at all? 🍎🌱
For the #FLORAMuseum challenge, I reimagined an open-access work from @metmuseum without changing its composition, lighting, or adding anything to the scene.
I simply let time move forward.
The fruit decays, seeds begin to sprout, and a “dead” still life slowly becomes a living cycle again.
Built and iterated in FLORA, using the original artwork as the visual anchor.
Nature is never truly still. And never truly dead. 🌱
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