Sahil Pandavadara
Visual designer
Profile in progress
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"Randomness creates surprise, and surprise creates beauty."
When everything is perfectly aligned, symmetrical, predictable, or repetitive, your brain quickly understands the pattern. Once the pattern is understood, it becomes less interesting.
Sometimes, create crazy designs without thinking about alignment, only one or two fonts max in the design, 10:30:60 rule, etc.
That makes you a flawless designer who can create anything and everything that comes to his/her mind.
And create cool, fantastic products, posters, graphics, illustrations, artwork and a lot more.
What do you think? Let me know in the comments.
"Stay Fantastic, Stay Creative"
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I created this congested solution analysis animation through Figma in India Designathon by Punitchawla (https://www.instagram.com/punitchawlaofficial/#).
What I am solving
"When travelling from one location to another in my Tier 1 city, I often encounter multiple traffic signals. Each signal can have varying levels of congestion, and I find it challenging to gauge how much traffic is building up at each one. If there were a sensor or an integrated system in my car or e-bike that could analyse the traffic at each signal, it would be incredibly helpful. For instance, when I commute from home to my office, I pass through seven traffic signals. At signal three, there tends to be heavier traffic than usual. If I go that way, I might get stuck in a jam. However, with a traffic-analysis app or system, I could choose a better route, even if it takes longer, rather than getting caught in traffic."
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AI image generation is getting better.
But is the UX getting better too?
Generating is easy.
Controlling the next version is the hard part.
For AI + UX — Episode #1, I explored:
→ Consistent references
→ Image inputs
→ Simple controls
→ Smart editing
→ Previous image as context
AI image generation should feel like:
Generate → Edit → Refine → Repeat.
More AI + UX explorations coming soon.
What would you add?
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my design journey - visual designs
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