千 · A thousand years. Scroll and the camera dives into the painting, stopping at five scenes: the pond (year 1), the falls (300), the moon (600), the scales (900), the pearl (999). The painting is alive: water ripples, the waterfall runs, mist drifts, embers rise from the pearl, and the imugi itself moves. I traced its body by hand so a wave runs from head to tail while the claw holding the pearl stays still. Ink floods the screen between scenes, and every caption writes itself in, character by character.