onew O's Work | ContraWork by onew O
onew O

onew O

Editorial, fashion-inspired web design for brands

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Daejeon, South Korea

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Daejeon, South Korea

BE MY AURA — Interactive Portfolio Website
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Cover image for In Korean folklore, an imugi
In Korean folklore, an imugi is a black serpent that waits a thousand years to become a dragon. The pearl is what finally turns it. This site lives in the moment just before the claw closes, and it's my mood as a maker: unfinished on purpose, still drawing one more scale. How it unfolds 序 · The hanging scroll. An ink painting hangs on a candlelit temple wall. A WebGL shader bleeds the ink outward from the serpent's head across the paper, then its eyes and pearl start to breathe red. 千 · A thousand years. Scroll and the camera dives into the painting, stopping at five scenes: the pond (year 1), the falls (300), the moon (600), the scales (900), the pearl (999). The painting is alive: water ripples, the waterfall runs, mist drifts, embers rise from the pearl, and the imugi itself moves. I traced its body by hand so a wave runs from head to tail while the claw holding the pearl stays still. Ink floods the screen between scenes, and every caption writes itself in, character by character. 記 · On the margin. A sheet of hanji on a writing desk by candlelight. The closing note brushes itself onto the paper, and a red seal stamps it at the end. 瓦 · One roof tile. At Korean temples, visitors write a wish on a roof tile before it goes up on the roof. Here you write your line on a real tile, raise it, and it flies to an empty place on a temple roof under the full moon. There are 140 places, and the roof fills from the eaves up. Hover any tile to lift it up close and hang its line on the temple signboard. The wind bells at the corners sway, and they ring when you touch them. 終 · And now. The pearl is still at the tip of the claw. > Built with Base44 - GuestTile entity with row-level security: anyone can write and read, nobody can edit, and only I can delete. - Realtime subscription, so a tile raised by another visitor lands on your roof while you watch. - Deployed with the Base44 CLI, a React frontend and WebGL shaders written by hand. - Bilingual (Korean / English), responsive down to phones, with a reduced-motion version. - Optional ambient sound (wind, water, singing bowls, a small temple bell), synthesized in the browser with no audio files. > Tools and credits - Hero painting: the ink dragon from my portfolio (portfolio.auraseoul.kr (http://portfolio.auraseoul.kr)) - Temple roof, roof tile, signboard, hall wall and desk photos: Higgsfield (GPT Image 2.5). The 140 roof places were fitted to the tile rows in the photo. - Built with Base44, with Claude as my coding partner Leave a line on the roof. 🔗 https://imugi-yeobaek-d5c3d7aa.base44.app
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A concept lookbook for AURASEOUL, a virtual fashion brand, told through two virtual personas, SAN and HEE. Eastern line, metallic light, a monochrome campaign built around what stays after a garment passes. The site presents six looks and a fifteen-frame campaign archive with scroll-driven pacing: a quiet white opening, a dark gallery where looks drift in, a paired character sheet, and a closing wordmark. A commission-notes section states plainly how the work was made. All images are AI-generated; SAN and HEE are virtual personas, and none of the products shown are real or for sale. I directed the concept, selected and refined the images, and built the site. The landing is the point: move your cursor across the white portrait of SAN and a spotlight uncovers its other side, HEE. Then scroll into the dark campaign.
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My own portfolio, designed so a hiring manager can read my style in a few seconds. It opens with a short film, then an ink-wash dragon illustration that reveals itself like a painting hung on a wall. Scrolling zooms into the red pearl, passes through 3D fashion looks, and lands on three featured case studies, a filterable grid of 21 projects, an about section with a résumé download, and a closing landscape. Details: a cursor that paints with a dry-brush stroke (red over links), words that light up as you scroll, numbers that count up, images that resolve from pixels, per-project share cards, and a full Korean version. It respects reduced-motion settings and works on mobile. What it shows about how I work Each case study states the problem, the key decision, how I checked it, and the limits. For example, my AI Prompt Studio entry says it was meant to extract prompts for any medium and ended up video-only. I do not publish numbers I did not measure.
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