Patagonia Prints — Textile & Digital Collage

Latencies

This series began as a self-initiated project: developing a collection of prints for textile application with a Patagonian territorial identity , the place where I grew up. The design challenge was concrete: achieving visual coherence across pieces that could work as a system and be applied in DTG printing.

Before resolving form, I defined a throughline: landscape as an underground space of interconnection between living things. An attempt to locate what sustains multiple lives from imperceptible places. That question shaped every visual decision, which elements to include, how to relate them, what tension to maintain between pieces.

I worked with digital collage over a photographic base of Patagonian landscape, combined with documentation of natural fiber, regional flora and fauna. The choice of each element responded to the tension between the imposing and the subtle. Palette decisions were drawn from the real pigments of the territory in autumn season.

The series is composed of four pieces. The first three build the visual vocabulary of the series — the glacier, the woman, flora and fauna as elements that relate without a clear hierarchy.

The fourth piece, with the condor as the integrating axis, works as a narrative close: the moment when all the elements of the system appear together.

The pieces were developed in production-ready format for textile application. The mockups show how the design behaves on garment, scale, color registration, legibility in real use context.