Original Music Composition for 'The One You Keep'

The One You Keep is a personal short that blends poetry, animation, and carefully restrained audio to express the kind of bond that’s hard to put into words. From concept through delivery, the creative north star was sincerity—letting silence, texture, and micro-timing do as much storytelling as melody.

Original music: Davies Aguirre (Penrose Audio)

Sound design: John Green

Direction / Video: Djamel Haroual

Write original music that can stand next to a vulnerable voiceover without ever competing with it—supporting humor beats, honoring silence, and landing on a nostalgic, “I’m home” feeling.

To shape the intro we used the YouTube spot “Same Room” as a primary tonal reference—aiming for that soft, spacious intimacy that lets a single idea breathe. (YouTube)

Additional mood anchors (from our music moodboard notes):

Minimal, letter-at-2AM piano energy (think a more delicate cousin of Djawadi’s Light of the Seven).

Quiet Richter/Newman-style melancholia for the sincere passages.

An 8-bit-adjacent motif for the “rare collectible” metaphor—nostalgic without turning childish, evoking a safe-harbor “Pokémon Center” warmth at the end.

We mapped the poem’s emotional pivots to musical states so the score “breathes” with the narration. Highlights below (selection):

The Introspective Whisper — Solo piano + faint pad; long tails; negative space framed around the first lines. → Purpose: establish trust, set the diary-entry tone.

Humor Cut #1 — Hard stop (no reverb tail) on “Damn, I’m throwing some bars here…” → Purpose: a wink to the audience; music becomes a timing device.

Philosophical Sincerity — Piano returns; slight string bloom → Purpose: gentle truth without grandeur.

Fourth-Wall Break — Micro-silence (180–300 ms) to land the dry joke. → Purpose: give the line its own stage.

Human Mess Montage — Layered scribbles/typing and swells undercut by a sudden clamp back to silence on “screenplay.” → Purpose: show overthinking, then relief.

Roast → Back-You-Up Pivot — Blink-and-you-miss-it playful cue, then immediate return to the main theme. → Purpose: friendship dynamics in 2 seconds.

Priceless People / Pokémon Motif — Soft, modern pads + bell-like piano tones with 8-bit inflections; not a quote—an echo of home. → Purpose: resolve to warmth, not fireworks.

Throughout, we mixed with voice-first headroom so the narration sits clearly above the score, and we left intentional pockets of true silence to let meaning land.

The poem moves from unspoken weight → humor → devotion → playful grounding. Our cue sheet mirrors that: transparent harmony for vulnerability, percussive absence for jokes, and familiar timbre for closure. The result is a score that never narrates over the words—it listens with them.

Because John handled sound design “this time,” we composed with spectral lanes in mind—keeping the 1–3 kHz band clear for UI clicks and shimmers, and reserving sub-100 Hz for design impact rather than music. The final pass locked to picture with Djamel’s edit cadence so cuts and breaths feel intentional.

Brief & VO mapping → identify emotional beats and silence targets.

Moodboard sketching → build a palette from piano, pads, and chimey partials.

Thematic writing → single-phrase motif that tolerates interruption (for humor cuts).

Edit sync → re-time sustains to picture; preserve negative space.

Mix & delivery → VO-first balance, stems for music / sound design / VO.

A restrained original music score that amplifies intimacy without pulling focus.

Humor beats land because the music respects silence.

The ending feels like a return to home, aligning with the film’s core metaphor.