Work
I rearranged the track and wrote new violin layers that lock to the animation. Where the original builds tension, the added violins trace the motion on screen, rising with movement, accenting cuts and pushing the energy into each transition. The result keeps the dramatic, hopeful soul of Marko’s composition, but now every swell and every accent lands exactly where the eye goes. It’s the difference between music that fits a video and music that feels written for it.