The craft
Everything is built in code: the 3D device, the camera and 16 shots cut on a 120 BPM grid, real sub-frame motion blur and a photographic lens pass. The score is synthesised to the picture, so each of the 2,800+ flaps has its own click. The live opening was generated with Seedance 2.5 from my own reference photos; the voice is ElevenLabs.