Taha Mehmood
Founder.
I built this project as an experimental cinematic website experience to explore how far modern AI-driven web environments can push visual storytelling and interaction. Designed on zo.space (http://zo.space), it represents a blend of design, motion, and narrative thinking — where the website itself feels like a living, animated product reel rather than a traditional UI. The goal was to create something immersive, minimal, and emotionally engaging through lighting, space, and smooth transitions. Every section was crafted with a focus on atmosphere, rhythm, and visual clarity, turning a simple portfolio concept into a premium, film-like digital experience. This project helped me refine my approach to creative direction, interaction design, and building narrative-driven interfaces that feel award-worthy rather than conventional.
https://marco6.zo.space/
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I've build a gamified habit-tracking app "Habit Heroes' designed for children that transforms daily routines into an engaging adventure. By completing positive tasks, kids can customize a 3D avatar, maintain daily streaks, and earn structural rewards like gems and collectible achievement badges. The app blends a kid-friendly visual interface—complete with weekly progress tracking charts—with a secure Parent Portal that allows parents to seamlessly monitor development, manage custom habits, and view real-time behavioral data.
Stitch made it really easy to generate and update the entire multi-screen flow simultaneously with perfectly consistent design system.
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THE TRAIN FIGHT 🚆
A 30-second photorealistic AI action sequence created with Seedance 2.5 — a brutal close-quarters fight aboard a speeding train, with rain, cinematic camera work, realistic physics, and intense choreography.
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For my submission, I wanted to step into the director's chair and create a high-octane, cinematic spec commercial for the Original Green Monster Energy drink. The creative goal was to capture the brand's raw, highly volatile energy and translate it into a premium visual experience.
I wanted to see how far I could push Kittl's AI video generation to handle extreme macro cinematography, complex studio lighting (Vantablack vs. toxic neon green), and chaotic fluid dynamics.
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