Karolina Tadajewska
AI Motion Designer | Cinematic Brand & Interior Visual
Every artwork holds a story. Our interpretations make its possibilities endless.
Art comes alive each time we look at it, think about it, and imagine what might exist beyond its frame.
THE LIVING ARCHIVE reimagines four public-domain works from The Metropolitan Museum of Art within one cinematic residence—transforming a wave, birds, a horse, and a woman before a mirror into living elements of the space.
Created in FLORA, the film explores the moment when observation becomes imagination—and art begins to move.
https://www.metmuseum.org/art/collection/search/45434 https://www.metmuseum.org/art/collection/search/39936 https://www.metmuseum.org/art/collection/search/39901 https://www.metmuseum.org/art/collection/search/437756
(https://www.metmuseum.org/art/collection/search/437756)#FLORAMuseum #floramuseumchallenge
4
248
AI vs AE — Beginner Edition 🐓
The same idea, interpreted in two different ways.
The first animation was created with AI and received over 1,000 appreciations. The second was rebuilt and manually directed in Adobe After Effects—with layers, masks, parenting, keyframes, sound and plenty of experimentation.
Before this project, I had never opened After Effects.
Two days later: my first completed character animation.
AI created the characters. After Effects taught them how to perform.
Which version speaks to you more—AI or AE?
#AIvsAE #AfterEffects #MotionDesign #CharacterAnimation #CreativeProcess
2
242
Fake Of.
What if nature started acting out of character too?
But for a moment, it pretends to be something it isn’t.
We humans have become rather good at that lately.
FAKE OF — a small study of nature acting out of character.
1
241
I deconstructed my own brand.
Not only the name—but the philosophy, materials and ideas living beneath it.
TheTriadicStudio is made of:
T — Design. Energy. Change.
R — Root
I — Ink
A — Art
D — Duality
C — Connection
Each letter became a material.
Each material found its own movement.
Together, they returned to form one identity.
The Slavic lo-fi felt like the final missing piece—something personal running quietly beneath the entire film.
This process has now become my newly launched Bespoke Brand Deconstruction & Typography Film service: discovering what a brand is truly made of, then translating it into its own material and cinematic language.
Created with custom visual development, Seedance 2.5 and CapCut.
#brandidentity #typography #motiondesign #creativeDirection #aifilmmaking #cinematic #CapCut #Seedance
2
270