Jenny Lewis
Senior Animation Director and Producer at jennylewis-art.com
Profile in progress
Jenny is building their profile!
Here’s something I drew last month. Should I animate it too?
A friend from Impact Hub Berlin sent me a call out by Fine Acts, seeking illustrations on the topic of how the climate crisis disproportionately impacts women and girls. Reading about the multitude of knock-on effects of climate issues, I was inspired to make this illustration and submit it.
According to the UN, when heatwaves, floods, storms, or prolonged environmental stress occur, the additional work required to cope most
often falls on women (https://www.unwomen.org/en/digital-library/publications/2023/11/working-paper-the-climate-care-nexus-addressing-the-linkages-between-climate-change-and-womens-and-girls-unpaid-care-domestic-and-communal-work).
In my drawing, the mother figure of the household is trying to keep her family home intact. The flood is already here, but there’s also a storm approaching, so the future is uncertain. Who knows how long she can hold on? Her dependents in the house don’t appear to notice the great burden she has to bear.
Thanks for reading - it’s really great to be part of this community <3
If anybody wants to offer critical feedback, that’s always welcome.
My name is Jenny and I’m an independent animator/illustrator based in
Berlin, specialising in campaign videos.
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I'm just loving strawberry season, which is kind of a big deal here in Germany!
On the theme of a modern utopia, Mara Drozdova (https://maradrozdova.carbonmade.com/) created an amazing series of illustrations about guerrilla gardening and I was lucky to animate this one. This cheeky urban gardener is sneakily gobbling one of the strawberries she’s just harvested. To try to maintain the shapes in Mara’s design and stay on-model, I created guide shapes in After Effects, before drawing the outlines in Animate. I then took it back into AE for the final details.
My name's Jenny and I'm a freelance 2D animator, specialising in campaign videos for good causes. I would love to connect with you, so please reach out! 😊
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Here is my third and final animation for #EndTheCageAge by Compassion In World Farming UK. If you haven’t seen my hen and rabbit animation yet, check them out and read about this farming welfare campaign.
We chose to highlight sows, hens and rabbits because Compassion In World Farming considers these animals to be most in need of systemic change when it comes to confinement. The animations were used as ads on Meta to gather support and donations for the #EndTheCageAge movement.
My name is Jenny and I’m a freelance animator, specialising in campaign videos for the safeguarding of nature and for the preservation of human and animal rights. If you’re curious about animation, please reach out! I would love to connect with you.
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Hello Contra Community.
Here is my second video for #EndTheCageAge.
The project involved a delicate balance between stylisation, and realism.
The client asked me to design the animals so that they look accurate and somewhat realistic, but to simplify the form and detail. The goal was to keep
it as uncartoony as possible.
I referred closely to filmed footage of the animals expressing their natural behaviours to try to replicate the movement accurately. As an animator who’s
used to conveying emotion in faces, it felt unusual to me to avoid that for this project!
The cage the animals are in takes design elements from the End The Cage Age logo, and is supposed to be more symbolic of confinement than a representation of how the animals are kept. The client was specific about how large the cage should be in reference to each animal, because they wanted that part to be realistic.
I drew the animation in Photoshop and put it all together with shapes and textures in After Effects. The animation itself is a combination of hand drawn
elements and animated shapes – the approach I took for each shot depended on the animation involved. If you’re curious to understand this better, throw me your questions!
When I tell you that the animal in the final animation is considered especially
intelligent, I bet you can guess...
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