Hamza Yazdani's Work | ContraWork by Hamza YazdaniHamza Yazdani
Documentary & Motion Design Editor | Brand, Short-Form, Post
- $1k+
- Earned
- 3x
- Hired
- 4.7
- Rating
- 13
- Followers
Documentary essay graphics animated in After Effects, cut around archival footage and narration.
No static overlays. Every date, quote and lower third is built as motion, so it types on, highlights and pushes out on the beat, with Ken Burns moves on the archival stills. One easing family and one type system run through the whole piece, so the motion reads as a designed system rather than a set of effects. Fast-paced nostalgia storytelling edit built around motion graphics instead of static B-roll. Key phrases hit the screen as animated kinetic text, illustrated cutouts and character icons pop in on cue, and gameplay clips get custom borders, glowing accents, and slow pans and zooms. A new visual lands every 1 to 2 seconds, all tied together with one consistent motion style to keep viewers locked in. Talking head edit, rebuilt around motion graphics instead of static B-roll. Every stat, chart and key point becomes an animated overlay that pops in and pushes the story forward, all tied together with one consistent motion style. Clean, fast-paced, and built to keep viewers locked in. 5 Years and $20K+ on Upwork: What Actually Wins Video Editing Clients
After 5+ years editing for clients in the US, UK, Canada and Australia, here's what I've learned works:
1. The first 3 seconds sell the video. Clients don't remember transitions. They remember retention. Every edit I make starts with the hook.
2. Sound design is half the edit. Muted, a great edit feels flat. Designed sound is what makes motion feel expensive.
3. Speed without quality loses clients. Quality without speed loses them faster. Clear timelines and fast revisions kept my repeat clients coming back.
4. Niche beats generalist. Documentary, SaaS motion and YouTube storytelling each have their own rules. Knowing those rules is what clients pay for.
5. Communication is a deliverable. Most clients don't leave because of the edit. They leave because they felt out of the loop.
Now I'm bringing this to Contra, focused on SaaS product animation, documentary-style YouTube and short-form content.
If you need a video that holds attention and looks premium, let's talk.