Projects using Cinema 4D in Vila Nova de Gaia
Projects using Cinema 4D in Vila Nova de Gaia
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1
Vitor Teixeira
Unfurl
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5
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Mik Rahner
HIRT - Kinetic Glass Facade
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14
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Francisco Gomes
Cinematic Photorealistic Images
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14
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Pedro Bernardi
SHOWREEL
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4
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17
Vitor Teixeira
I’ve been experimenting with a new loop between 3D and AI. I started with my usual setup in Cinema 4D and Redshift, then took those renders into ComfyUI with a custom LoRA I trained. To get the exact look I wanted, I did a second round of training in Krea.ai (http://Krea.ai). The final image is a mashup of those stylized AI generations and the vibrant colors from the original 3D files.
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Mik Rahner
BOSCH - AMPShare - Social Media Campaign
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42
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Francisco Gomes
Exterior Still Images
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6
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Pedro Bernardi
Nosso Sangue - Blood Donor Center Mobile App Promo Video
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2
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12
Vitor Teixeira
Volume builder with a huge noise displacement inside Cinema 4D, and then it was sent to Krea for further development.
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Mik Rahner
Dark Bay - Brand & Website
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13
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Francisco Gomes
Interior Still Images
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8
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36
Vitor Teixeira
I started this composition inside Cinema 4D, then brought it into Krea, where I used Flux to remix the textures and upscale the details. The result is this weirdly satisfying, velvet-foam macro world.
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Vitor Teixeira
I’ve been experimenting with a new loop between 3D and AI. I started with my usual setup in Cinema 4D and Redshift, then took those renders into ComfyUI with a custom LoRA I trained. To get the exact look I wanted, I did a second round of training in Krea.ai (http://Krea.ai). The final image is a mashup of those stylized AI generations and the vibrant colors from the original 3D files.
5
24
150
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26
Vitor Teixeira
Continuing to explore new looks inside @krea_ai (https://www.instagram.com/krea_ai/?hl=en). The goal is to develop new "eye-candy" frames that will later serve as my own personal "pinterest". In this database, I mixed abstract shapes from Cinema 4D with tree branches and grass from Unsplash. Overall, the shapes and composition are interesting, but the lack of definition is something that I need to work on and understand.
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Vitor Teixeira
This short piece comes to life from the desire for collaboration. Tom Parry (https://www.linkedin.com/in/tomparrymusic/) reached out with the idea of developing something together that would let us experiment, play, and discover - and I believe we managed exactly that. I began by building the scene in Cinema 4D, then sent it to Krea, where it was blended with a database of abstract 3D renders. After several iterations, the image was upscaled in Topaz, refined in detail with Nano Banana, and finally passed through Kling 2.5 to breathe movement into it. The final touch of "editing" was done inside After Effects. Tom brought the sound to life with his usual precision and sensibility, and the result feels effortlessly in tune with the piece.
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Vitor Teixeira
A mix of C4D abstract cloth objects with flowers from unsplash inside @krea_ai.
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