Freelance AI Video Producers in SurbitonFreelance AI Video Producers in Surbiton
ProjectsPeople
Evgeniya Strygina's avatar
Evgeniya Strygina
proLondon, UK
AI Video Producer for Campaigns, UGC & Brand Films
5.0
Rating
49
Followers
LUMMI_EXPERT

expert

AI Video Producer for Campaigns, UGC & Brand Films
Cover image for Making a Fictional AI Vlog
Making a Fictional AI Vlog Feel Real A creative experiment exploring how far generative video can go when the goal is to make a fictional vlog feel real — spontaneous, imperfect and believable rather than obviously AI-generated. The project was inspired by the current wave of speculation around a possible Kanye West visit to Russia, as well as the unexpected viral spread of 'Silver Night' in Kanye West’s voice. Both became starting points for imagining an entirely fictional trip through Saint Petersburg. The idea was to place a highly recognisable public figure into a completely different cultural and visual environment and explore how naturally the two could coexist on screen. Everyday locations, cultural details, movement and sound became part of the storytelling rather than simply serving as background. The visual language deliberately moves away from the polished aesthetic often associated with generative AI, experimenting instead with a more naturalistic, vlog-like approach. The character needed to remain consistent across different locations and situations while the footage retained a sense of spontaneity and imperfection. Created for the SYNTX AI challenge.
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Cover image for One-take cinematic AI film production This
One-take cinematic AI film production This is an FPV drone flight through a city during a solar eclipse. The camera moves from a crowded square to a football stadium without any cuts or transitions. I wanted to show how people react when something unusual happens, and routine becomes ritual As the eclipse shadow advances, people who don't know each other start moving in sync — looking up at the same time, adjusting their position together, reacting as one group. The drone follows this rhythm from quiet individual moments in the city to a massive collective gasp in the stadium Built in CapCut Video Studio with Seedance 2.5. #contraseedancechallenge #CapCutCPP
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Cover image for AI music video / Creative
AI music video / Creative direction I guess everyone’s had a chance to play with Seedance 2.5 by now, right? Here’s what actually stood out to me. The biggest difference isn’t resolution or motion quality — it’s how well the model holds a visual reference. When I fed it a specific aesthetic — early 2000s digital, raw grain, handheld imperfection — 2.5 preserved the character of it. Camera movement felt stylistically consistent, not just technically correct. The previous version tended to simplify, smoothing things out toward something more generic. For this experiment, I used a Charli xcx track as the starting point and built the visual around its energy and aesthetic. For anyone doing editorial or narrative AI work, that distinction matters a lot. A tool that interprets your reference rather than flattening it changes what’s possible in the creative direction process.
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Cover image for AI-Assisted Photo Restoration & Cinematic Storytelling
AI-Assisted Photo Restoration & Cinematic Storytelling
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AI Video Producer(8)
Abbey Menson's avatar
Abbey Menson
Enfield, UK
AI Video Creator & Creative Director | Script & Prompt Strat
AI Video Creator & Creative Director | Script & Prompt Strat
Cover image for A movie-style close-up of a
A movie-style close-up of a vampire holding a melting ice cream in his left hand. He slowly and delicately licks the ice cream to savor its flavor never biting it. His tongue gently touches the soft scoop, as the ice cream is light and airy, meant to be enjoyed only by licking. A bat rests on his shoulder, calmly watching and leaning closer to sniff the ice cream without interrupting him. The camera is slightly shaky, creating a natural handheld feel. In the background, the amusement park is alive with movement (no visible people), and the carousel on the left rotates left from the camera’s perspective.
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Cover image for This photorealistic cinematic portrait explores
This photorealistic cinematic portrait explores dominance and mythic elegance. A platinum-haired woman stands calmly before a massive black dragon, her icy-blue gaze steady and commanding. Dressed in a forest-green corset gown embroidered with black vines, she radiates controlled strength. The dragon looms behind her, its glowing red eyes and obsidian scales embodying restrained destruction. A stream of fire flows inches from her cheek without touching her symbolising absolute control. Smoke and heat intertwine with her hair as dramatic, high-contrast lighting enhances the apocalyptic cinematic mood.
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Cover image for This project presents a photorealistic
This project presents a photorealistic cinematic close-up exploring power, elegance, and dominance through visual duality. A powerful woman stands in profile beside her massive black dragon, both framed in sharp silhouette against a dark, high-contrast background. Her deep crimson lips and piercing icy-blue eyes contrast with the dragon’s obsidian scales and glowing red gaze, creating a striking balance between beauty and destruction. Wisps of smoke curl from the dragon’s nostrils, blending seamlessly with her platinum-white hair to add motion and atmospheric tension. Dramatic side lighting sculpts their profiles, enhancing the emotional intensity and mythic scale of the composition. A bold, high-contrast “Visione Apocalittica” aesthetic reinforces the apocalyptic mood, elevating the scene into a powerful cinematic statement.
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Cover image for This project explores a high-fantasy
This project explores a high-fantasy cinematic concept set within an enchanted forest environment. The scene centers on Mavka, portrayed as a powerful yet serene nature spirit. Her flowing green hair, adorned with ethereal blooms, reflects her deep connection to the natural world. Through deliberate visual framing and atmospheric lighting, the composition enhances her majestic presence. Soft, radiant magical energy swirls around her raised hands, emitting vibrant green and golden particles. The medium low-angle shot reinforces her strength and authority, while dappled sunlight and environmental glow create an immersive, living forest atmosphere. This project shows my ability to craft immersive AI-driven fantasy visuals that combine storytelling, environmental design, and emotional tone to create captivating cinematic moments.
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AI Video Producer(5)
Ali Isah's avatar
Ali Isah
proLondon, UK
Creative Technologist
$1k+
Earned
4x
Hired
23
Followers
Creative Technologist
Cover image for Speculative ad brief for DefendUAS.
Speculative ad brief for DefendUAS. Shifting the needle from basic product animation to high-stakes military storytelling. Visually contrasting a gritty, hyper-realistic urban terrain with sharp, tactical holographic wireframes to show exactly how a distributed mesh network reclaims the decision window. Using a scene-by-scene strategy in Melius, starting with a master script that fed into storyboards and hero keyframes for total visual continuity across the cinematic clips. This workflow allowed me to lock the moody tactical aesthetic before generating the final video scenes, deep-voice narration, and orchestral score. Everything is laid out from left to right, showing the journey from concept to final assets. The project screenshots/canvas video are in the comments.
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Cover image for A budding film director is
A budding film director is told her ideas are too ambitious and impossible to produce. Working alone in a small apartment, she turns to Luma Dream Machine and begins creating the scenes she was once denied. In seconds, her world expands into cinematic visuals that defy cost, risk, and limitation. What was once rejected becomes real, proving that imagination no longer needs permission.
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Cover image for - The Archivist of Tomorrow
- The Archivist of Tomorrow - A quiet, introspective short film that follows the Archivist, a historian from the year 2140 who preserves humanity’s most meaningful memories. As he moves through layers of archival flashbacks, he uncovers a history of how humans and AI evolved together.
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Cover image for This project involved a comprehensive
This project involved a comprehensive archival reconstruction aimed at distilling the legacy of Harvey Mackay into a series of high-impact sizzle reels. The workflow required a deep immersion into a diverse repository of assets, including magazine prints, book covers, and raw footage reels, to identify the most resonant narrative moments. The technical approach balanced traditional restoration with cutting-edge synthesis: colour correcting legacy footage and applying an intentional analogue aesthetic, while strategically integrating VEO 3.1 and Grok Imagine to bridge visual gaps. By layering refined sound design and exploratory revisions across four distinct durations, the final deliverables translate a vast professional history into a modern, energetic visual identity that both informs and excites.
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315
AI Video Producer(3)
Ashish Sandhu's avatar
Ashish Sandhu
London, UK
Fractional CTO / AI Specialist Award Winning AI Engineer
$5k+
Earned
1x
Hired
8
Followers
Fractional CTO / AI Specialist Award Winning AI Engineer
Cover image for I created THE TABLE because
I created THE TABLE because the most uncomfortable human moments deserve to be witnessed without the mercy of a camera cut. We have all seen dramatic cafe encounters on film, but they are usually softened by edits and reaction shots. I wanted to create an experience that traps the audience in a continuous reality, making the viewer feel the tension of a silent conflict unfolding in real time. What if we watched a bizarre fracture between two people in a cozy space, and the camera simply refused to look away? That question became THE TABLE. The Production Workflow I had a vision but no traditional crew. CapCut Video Studio and the Seedance 2.5 model made a complex one-take sequence entirely possible. Prompt-Driven Choreography: I mapped out a 30-second physical space in a single text prompt. Every action, from the walk to the aggressive muffin snatch, was engineered to unfold sequentially. Unbroken Camera Control: To ensure the "one-take" rule was followed, I instructed the AI to use physical camera movements. Seedance 2.5 maintained the spatial consistency flawlessly. The Assembly: The magic of this workflow was the lack of assembly. The final output is a raw, continuous generation with no manual splicing. Platform Feedback Seedance 2.5 brilliantly held the entire world together. When the camera whip-pans back from the street to the interior at the end, Table 1 and Table 2 are exactly where they should be. It felt like directing a steady-cam operator on a live set. One honest piece of feedback: generating timed character interactions in a continuous 30-second shot requires immense trial and error. Optimized rendering costs for long-form visual storytellers would make a meaningful difference, also if specific editing can take place at point notes that will change massive things. Ultimately, Seedance 2.5 helped me protect the awkward silence at the end of the film. X: https://x.com/AshishSandhu/status/2090161080857223462?s=20
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Cover image for I've spent the last few
I've spent the last few days building something I genuinely wish existed years ago. When I was job hunting, I had a PDF. A white rectangle with my name, dates, and bullet points. The same format invented in 1482. I was competing with thousands of people who had the exact same white rectangle. I'm a builder. I ship products. I've worked with real companies, shipped real things, have real skills. None of that showed in a CV. It couldn't. A PDF wasn't built to show it. And building a personal website? That's a project in itself. Design it, code it, host it, maintain it. Most people never do. So their career stays a white rectangle forever. So I built RoomCV. (https://roomcv.figma.site/) You don't build anything. You paste your LinkedIn URL, your Contra profile, or upload your CV. In under 60 seconds, your career has a home on the internet. A real one. With your name on the door. Not a template you fill in. Not a prettier PDF. A room that reads your data and builds itself with all your pretty links. And then there are the portraits. The AI photoshoot is unlike anything else in this space. It runs a 3-stage pipeline (thanks to Figma Weave): Stage 1 - A casting director model analyses your reference photo and writes a precise physical description. Hair, skin tone, bone structure, build. This becomes a consistency anchor so every portrait is recognisably you. Stage 2 - A photography director model reads your actual CV. Your job title, your company, your career highlights, your personal note. It writes a bespoke scene brief the way a Vogue photo director would. A founder gets a quiet boardroom at night with a city skyline. A developer gets a dark server room with terminal green glow. A designer gets mood boards and soft daylight. Stage 3 - The image model takes that bespoke brief, your reference photo, and your character anchor and generates 6 editorial portraits. Hero. At work. Thinking. Off duty. Achievement. Environmental. Every portrait is specific to you. Because the AI read their actual careers before picking up the camera. The room is alive. People can visit your room at its permanent URL. They can leave signed notes in your guestbook. They can react with rockets, fire, or lightbulbs. You can see who's browsing right now, live presence, like a real room. Every visit is counted. The whole city of rooms is browsable and is a directory of real people's careers, each one visually distinct. Three visual themes: Cinematic - moody contrast, 35mm grain, deep editorial shadows. Brutalist - harsh direct light, raw concrete textures, technical glitch aesthetic. Minimal - soft diffused window light, high-key, warm neutrals, conversion-focused. The copywriting changes completely per theme too. Same person, three radically different editorial voices. Wieden+Kennedy wrote none of them — Gemini did, with a prompt that bans every CV cliché and demands specific references to real company names, real project names, real skills. What I used to build it: Figma Make - the entire app. Every component, every interaction, every route. Built in natural language, iterated in real time. Figma Weave - the portrait pipeline visualised as a node-based workflow. The casting director, the photography director, the 6 parallel image generation nodes. The hero background video on the landing page. The logo. Figma MCP - connecting the design token system into the Make build so the three themes stayed consistent with the Figma source of truth. Supabase - backend, auth, KV storage, private portrait bucket, signed URLs, edge functions. Gemini - character extraction, photography direction, copywriting, profile parsing, room generation from raw LinkedIn/Contra/CV data. The numbers that matter: 60 seconds from paste to published room. 6 portraits per person, all unique. 3 complete design systems per room. 0 templates. Every room is generated, not filled in. 1 permanent URL per person. Unlimited visitors, reactions, guestbook notes. Who this is for: Designers who are tired of Behance looking like everyone else's Behance. Developers whose GitHub is invisible to anyone who isn't technical. Founders who have a LinkedIn but not a story. Freelancers on Contra who want their profile to stop at the URL and start in the room. Anyone who has ever felt like their career deserved better than a white rectangle. Yesterday a dev called Andrei pasted his LinkedIn URL. 30 seconds later he had six editorial portraits and a career room that looked like the cover of Wired. He sent me a voice note. He said it was the first time his career had felt like his, and here it is for everyone to try. Try it. Paste whatever you have. LinkedIn URL, Contra URL, raw CV text, PDF. Your room is waiting. roomcv.figma.site (http://roomcv.figma.site)Figma Make: https://www.figma.com/make/3kpbdErsXVZqPSkZS2LdvY/Design-RoomCV-Creatively?t=ZnnNnUei4aE16P6e-1 Figma Weave: https://app.weavy.ai/flow/RK8qIG0eKBpyoJLOg4JgrC Figma Community: https://www.figma.com/community/file/1649649240602428392/roomcv?fuid=1004476920505329686 X: https://x.com/AshishSandhu/status/2067821599223316662 (https://x.com/AshishSandhu/status/2067821599223316662?s=20)https://x.com/AshishSandhu/status/2067824940154269961 Drop your room link in the comments. I want to see every single one. Built for the Figma Config Makeathon. Figma Make + Figma Weave + Figma MCP + Supabase + Gemini. #ConfigMakeathon #Figma #FigmaMake #AI #Portfolio #CareerDesign
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Cover image for Reinventing the wheel 🛞 for
Reinventing the wheel 🛞 for Google. Designed with Google Stitch for all platforms Desktop, Mobile, and Tablets. I’m a engineer and founder with tech experience but not design, and going into this challenge, my real question was simple: Can an AI-native interface builder actually handle deep-time narrative storytelling and high-fidelity, scroll-linked interactions without turning into a complete mess? To stress test the absolute limits of the platform, I didn't feed it an established design, or any files right away. I wanted to see exactly how Stitch thinks, handles design drift, and iterates from scratch. I gave it a massive, conceptually complex prompt: Build a highly cinematic, ultra-polished, deep-time historical timeline mapping the evolution of the wheel, from primitive Mesopotamian stone discs to active, computational morphing hub systems in 2026. How Stitch Fit into the Workflow The streaming generation on the canvas is easily one of the most hypnotic interactions I've seen in a design tool. It genuinely feels like watching a remote design partner building on your screen through AnyDesk. Instead of staring at a loading spinner and waiting for a static layout, I was reacting to a living interface taking shape in real time. Instead of keeping things static, I ended up executing three distinct modes across this project to see how Stitch adapts to different workflow mindsets: I pushed a light but descriptive prompt system to build out a strict, zero-color, high-contrast monochrome design philosophy titled "Liquid Slate." Stitch completely conquered the blank page problem, mapping out an editorial-style landing page with absolute black layouts and deep-etched glass elements. The Codebase Sync via Antigravity (The Engineering Bridge) is where it killed it, To see if this could handle a real-world production loop, I leveraged the new MCP skills. I imported stitch into Antigravity straight from Stitch's HTML native canvas, synced those changes, and published a React Website in Minutes to Netlify which was bug free and ready for a Run. The motion authoring surprised me the most. I didn't have to jump out into a secondary motion app or wrestle with standard transition bugs, the native hover states, custom text blur modules (BlurInText), and smooth continuous wheel rotations were all handled seamlessly on the HTML canvas before exporting the build. New Features I Leaned On Streaming generations to canvas: Watched the entire layout materialize and iterated on components before they were even finished rendering. In-place AI edits via prompts + point-and-click: Controlled fine-grain text styles and layout spacing directly on the artboard. Redesign : Got the same design in 3 colours, just wow. Native motion, hover states, and shaders on HTML canvas: Authored complex scroll-linked component rotations and aesthetics. Antigravity Code Integration via MCP: Ran a perfect, bi-directional round-trip sync between my code editor and the visual design canvas. MCP Export: One-click, zero-friction final production deployment. Feedback on the Platform Google Stitch shifts the entire AI design paradigm because it collapses the classic "describe, wait, judge, re-prompt" delay loop into an interaction that feels like direct manipulation. In-place edits genuinely feel like real design work. Two things I'd love to see in future updates: Option to upload/generate videos: it makes it easier for a designer to have their backdrop beautiful just by adding or generating a video which Stitch can definitely add beautifully. A way to save a specific in-place edit style (like the exact blur, noise, and border-radius of my "Liquid Slate" glass cards) into a recipe that I can reapply to other sections instantly without describing it again. Stitch doesn't feel like an AI platform you have to constantly fight against, it feels like a living, interactive canvas that intuitively understands structural design system logic. Check it out: Live Site: https://contragoogle.netlify.app/ Stitch Project Space: https://stitch.withgoogle.com/projects/13302732653849354465 (https://stitch.withgoogle.com/projects/13302732653849354465)X: https://x.com/AshishSandhu/status/2062413585095995813?s=20
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Cover image for I created THE GIFT because
I created THE GIFT because the most devastating love stories deserve to be felt, not just remembered. O. Henry wrote "The Gift of the Magi" in 1905, and most people know the ending before they finish the first paragraph. Yet I had never seen it made into something that stops your breath. I wanted to create a cinematic experience that makes the audience who already knows the story feel it as if for the first time, and the audience who doesn't feel something they cannot name until the very last frame. What if we watched two people stand quietly in the ruins of their devotion, and simply refused to look away? That question became THE GIFT. The Production Workflow I came into this project with a vision but no pipeline. The Melius canvas workflow changed that completely, making something overwhelmingly complex feel creative and alive. Audio-Driven Pacing: The original score was generated and structured with a strict tempo map in Suno, ranging from a 60 BPM cold open to a 140 BPM climax. Every visual decision followed the music, not the other way around. Master Character Seeding: To ensure 1905 period accuracy and strict character continuity across every scene, I generated a single Master Character Reference node and wired it into every subsequent generation. The candlelit amber interiors, the cold blue gaslit streets, and the period film grain stayed consistent throughout without manual intervention. Extensive Agent Use: I did not just execute instructions. I conversed with the Melius agent. It helped select the right models for the right moments, we even redid the whole canvas midway and restructured, as instead of more nodes, more important was the structure, matched the visual grammar to the emotional register of each scene, and made intelligent decisions I had not anticipated. I was not managing tools. I was directing a film. The Assembly: Melius built the continuous, high-fidelity scene blocks the trailer required. I then brought those outputs into CapCut to execute the rapid sub-second flash cuts that match the music's climax, where the cuts land. Platform Feedback What moved me most was how Melius held the entire world together without me having to manually navigate the technical layer underneath, it took less than 3 hours on this. It chose what each moment needed and delivered it with a consistency that felt less like a platform and more like a collaborator who understood the story. One honest piece of feedback: producing a continuous 2.5 minute cinematic trailer with these state of the art models requires a lot of iterative generation. A higher credit tier or more optimised rendering costs for long-form visual storytellers would make a meaningful difference for projects at this scale. Ultimately, Melius helped me protect the silence at the end of the film when every instinct said to fill it. That restraint is where the whole story lives. A Final Note: I am a software engineer by trade, with zero professional background in filmmaking or the video industry. I came into this project with a feeling I wanted to convey, but no traditional pipeline to execute it. The fact that I was able to direct a period drama of this fidelity is the greatest testament I can give to Melius. https://app.melius.com/projects/1a8d974e-4f5b-4647-844e-adb87b9c5573/canvas/69eb2820-9998-47e3-8059-3bf0450c1290 https://x.com/AshishSandhu/status/2056490013378986101?s=20
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AI Video Producer(1)
Erzen Pashaj's avatar
Erzen Pashaj
Windsor SL4, UK
UX/UI Designer · SaaS · Design Systems · Webflow · AI Design
$1k+
Earned
2x
Hired
63
Followers
UX/UI Designer · SaaS · Design Systems · Webflow · AI Design
Cover image for Ever tried to close one
Ever tried to close one notification and 10 more pop up instantly?? 😵‍💫🏠 "Apartment for sale", "Special offer!", "Last chance deal!"... the screen never stops! 😂📲 🎬 Visual experiment with AI for TAPU Real Estate Agency 🔁 Chaos + notifications + confusion = the real mood of 2026 💀 👇 Which notification chases YOU the most on your phone? Drop it below! 😅
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Cover image for 3D Animated Western Trading Scene I
3D Animated Western Trading Scene I created this cinematic 3D animation scene featuring a tense but humorous confrontation inside a luxurious desert trading post. The scene combines expressive character acting, detailed environments, warm cinematic lighting, and a polished animated-film aesthetic. Special attention was given to the characters’ facial expressions, fur, clothing, wooden materials, jewelry displays, and the overall storytelling composition. The goal was to create a frame that instantly communicates personality and conflict: an angry wolf demanding answers, while the calm squirrel merchant remains completely composed behind the counter. Services included: 3D character concept and styling, environment design, cinematic composition, lighting direction, visual storytelling, and AI-assisted image production. Tools: AI image generation, creative direction, prompt design, and post-production. #RunwayBigAdContest. Available for character design, animated commercials, storyboards, game visuals, and cinematic AI content.🎉
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Cover image for 🎉 🎉 🎉 Just wrapped
🎉 🎉 🎉 Just wrapped up my entry for the Another Big Ad Contest for Products That Don't Exist. Had a lot of fun building something completely fictional from scratch for this one. Sharing it here, would love to hear what you think. 😊 😊😊
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Cover image for 🎬 Bringing Student Success to
🎬 Bringing Student Success to Life A video series created to reveal the stories, achievements, and success of outstanding students from Tirana Business University. 🎓✨ My role was to shape their stories through: 🎨 Color Correction — clean, consistent visuals 🎧 Audio — clear and balanced sound ✂️ Video Editing — pacing, storytelling & final polish The goal was simple: let their achievements speak for themselves. 🚀 Proud to help turn real student experiences into engaging stories that inspire the next generation.
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AI Video Producer(3)