Freelance Video Editors in State of Santa CatarinaFreelance Video Editors in State of Santa Catarina
ProjectsPeople
Jessica Leonel's avatar
Jessica Leonel
proFlorianópolis, Brazil
Video Editor | Short-Form, UGC Ads & Branded Content
$1k+
Earned
2x
Hired
4.8
Rating
11
Followers
Video Editor | Short-Form, UGC Ads & Branded Content
Cover image for This piece explores a couple
This piece explores a couple of playful transitions we created using Kling 3.0. The first one starts with the umbrella positioned separately from the model. By the end of the shot, it has moved directly into his hand, almost like he’s using the Force to pull it toward him. Yes, very Star Wars. 😂 We also created another fun transition where he exits through a garage and then appears entering a spaceship. It’s a small visual idea, but one that completely changes the energy of the sequence and makes the transition feel much more imaginative. What I liked most about both results wasn’t just the visual effect itself, but what they represent from a production point of view. A few years ago, shots like these would likely have required additional setups on set, more coverage, practical tricks, compositing, or much more time in post-production. With current AI video models, we were able to explore the same ideas in a much faster and more flexible way while still keeping the transitions intentional and connected to the visual language of the piece. For me, that’s where these tools become really interesting. They’re not replacing creative thinking. They’re giving us new ways to solve visual problems, test ideas and create moments that would previously have demanded much heavier production. Tools used: Kling 3.0
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58
Cover image for CRIANDO PONTES — Flor AI-Assisted Narrative
CRIANDO PONTES — Flor AI-Assisted Narrative Short Film / Visual Excerpt This piece is part of Criando Pontes, a short film built around four real stories of women living with HIV. Because the women’s identities needed to be protected, the project required a visual language capable of preserving the emotional truth of each story without exposing the real people behind it. With limited time and budget, I proposed an AI-assisted approach that allowed us to create cinematic visual worlds from scratch while maintaining anonymity and emotional depth. I initially joined the project as an editor, but my role quickly expanded into the full visual and creative development of the film. Working from the original stories and scripts, I handled the creative concept, narrative adaptation, visual direction, character and scene development, image generation, video generation, sound design, editing and final post-production. For Flor’s story, I chose a realistic watercolor style to create a softer, more poetic visual treatment while still carrying emotional weight. The blue tones were used intentionally to reflect the sadness, anguish and emotional isolation the character was experiencing. Although HIV is at the center of the story, Flor’s narrative also carries other emotional layers, and I wanted the visual world to hold that complexity rather than reduce her experience to a single theme. This excerpt was created using Kling 2.5 and Nano Banana. At the time, Kling did not yet offer voice synchronization, so this piece works as a visual mini clip built from some of the moments developed for Flor’s story rather than as a final synced dialogue scene. Even so, I remain very attached to this material because of the atmosphere, visual language and emotional tone created for her arc. Like the rest of Criando Pontes, this project reflects the way I approach AI filmmaking: using technology in service of story, symbolism and emotional experience rather than spectacle. The entire visual production was executed by me, working alongside the project’s writer and producer. Criando Pontes has since been screened at festivals and HIV-focused events, including a UNAIDS event in Rio de Janeiro in 2026. More importantly, the film continues to be used as an educational resource for young people and adults, helping create conversations around HIV through real human stories. My role: Creative Direction, Narrative Adaptation, AI Filmmaking, Visual Development, Character & Scene Development, Image Generation, Video Generation, Sound Design, Editing & Post-Production Tools used: Kling 2.5, Nano Banana, Sunno AI and Adobe Premiere Pro
2
81
Cover image for CRIANDO PONTES — Lena AI-Assisted Narrative
CRIANDO PONTES — Lena AI-Assisted Narrative Short Film This piece is part of Criando Pontes, a short film built around four real stories of women living with HIV. Because the women’s identities needed to be protected, the project required a visual language capable of preserving the emotional truth of each story without exposing the real people behind it. With limited time and budget, I proposed an AI-assisted approach that allowed us to create cinematic visual worlds from scratch while maintaining anonymity and emotional depth. I initially joined the project as an editor, but my role quickly expanded into the full visual and creative development of the film. Working from the original stories and scripts, I handled the creative concept, narrative adaptation, visual direction, character and scene development, image generation, video generation, sound design, editing and final post-production. Lena’s story is based on the real experience of a woman living with HIV who lost her partner while pregnant with their child. It is a deeply emotional story shaped by grief, memory, motherhood and transformation. Set in the heart of the Amazon, surrounded by rivers and dense forest, her world needed to feel intimate, raw and alive at the same time. For this piece, I developed a visual language that blends realism with watercolor textures. I wanted the imagery to hold both the physical reality of Lena’s life and the emotional softness of a story about pain, love and rebirth. The natural environment was especially important here, not just as a backdrop, but as part of the emotional landscape of the film. The rivers, vegetation and atmosphere of the Amazon help carry the sense of mourning, resilience and renewal that defines her journey. Like the rest of Criando Pontes, this project reflects the way I approach AI filmmaking: using technology in service of story, symbolism and emotional experience rather than spectacle. The entire visual production was executed by me, working alongside the project’s writer and producer. Criando Pontes has since been screened at festivals and HIV-focused events, including a UNAIDS event in Rio de Janeiro in 2026. More importantly, the film continues to be used as an educational resource for young people and adults, helping create conversations around HIV through real human stories. My role: Creative Direction, Narrative Adaptation, AI Filmmaking, Visual Development, Character & Scene Development, Image Generation, Video Generation, Sound Design, Editing & Post-Production
1
3
173
Cover image for CRIANDO PONTES — Marina AI-Assisted Narrative
CRIANDO PONTES — Marina AI-Assisted Narrative Short Film This excerpt is part of Criando Pontes, a short film built around four real stories of women living with HIV. Because their identities needed to be protected, the challenge was to find a visual language that could preserve the emotional truth of their stories without exposing their image. With a limited production timeline and budget, I proposed an AI-assisted approach that allowed us to create characters, environments and cinematic scenes from scratch while keeping the real people behind the stories anonymous. I initially joined the project as an editor, but my role quickly expanded into the full visual and creative development of the film. Working from the original stories and scripts, I handled the creative concept, narrative adaptation, visual direction, character and scene development, image generation, video generation, original AI-generated music, sound design, editing and final post-production. For Marina’s story, the visual production was created using Nano Banana and Veo 3. At the time, Veo 3 was the strongest option available to us for the level of voice synchronization and performance the project required. I also created an original AI-generated soundtrack specifically for these scenes, shaping the music around the emotional rhythm and atmosphere of the story. The tools have evolved significantly since the film was completed, but this project remains one of the clearest examples of how I approach AI filmmaking: the technology serves the story, not the other way around. The entire visual production was executed by me, working alongside the project’s writer and producer. Criando Pontes has since been screened at festivals and HIV-focused events, including a UNAIDS event in Rio de Janeiro in 2026. More importantly, the film continues to be used as an educational resource for young people and adults, helping create conversations around HIV through real human stories. My role: Creative Direction, Narrative Adaptation, AI Filmmaking, Visual Development, Character & Scene Development, Image Generation, Video Generation, Original AI Music, Sound Design, Editing & Post-Production Tools used: Nano Banana, Kling 2.5, Veo 3, Adobe Premiere Pro and Sunno AI.
1
89
Video Editor(22)
Andre Inacio's avatar
Andre Inacio
proNavegantes, Brazil
Video Editor | Motion Designer | AI Video Producer
1x
Hired
6
Followers
Video Editor | Motion Designer | AI Video Producer
Cover image for This is a motion design
This is a motion design project we created before generative AI tools really took off. The video presents an auto claims assistance platform, connecting people who had their car damaged with specialists who can help solve the problem. Today, with AI, we can create more ambitious things and explore visual directions that would have been much harder before. But I still really enjoy this kind of full motion project.
0
112
Cover image for In 2025, I started creating
In 2025, I started creating a few tutorials on Instagram showing how to use AI in video production. I was revisiting some files and found this video that I really enjoyed making. The idea was simple: to show how, starting from just a few reference images, it’s possible to create an entire product video using AI.
4
9
476
Cover image for For this project, the challenge
For this project, the challenge was to create a product video for automotive shock absorbers by combining different visual production techniques. We integrated 3D modeling, product animation and AI-generated images, including some elements of the shock absorber itself, to build a more dynamic and visual presentation. The most interesting part was blending these techniques in a way that made everything feel like part of the same visual universe.
1
148
Cover image for While revisiting some old projects,
While revisiting some old projects, I found this video I created in 2023 for X-Monitor, a management software for solar power plants and photovoltaic energy. The goal was to present a technical platform in a clearer, more visual and easier-to-understand way, using motion design, interface animations and a direct narrative structure. It was an interesting project because it combined technology, renewable energy and design to turn a complex system into a simpler and more accessible product presentation.
2
186
Video Editor(15)
Rodney Pacheco's avatar
Rodney Pacheco
Florianópolis, Brazil
+20 Years Creating Impactful Visual Solutions
+20 Years Creating Impactful Visual Solutions
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
0
3
Cover image for Cassol Institutional video 60 sec
Cassol Institutional video 60 sec
0
4
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
0
3
Cover image for Savannah Bee Ads
Savannah Bee Ads
0
8
Video Editor(2)
Pedro Marques's avatar
Pedro Marques
Palhoça, Brazil
Designer, marketing, and video creation using AI.
7
Followers
Designer, marketing, and video creation using AI.
Cover image for This case study explores the
This case study explores the creation of a 15-second cinematic short-film trailer titled “The Last Contract”, a fictional action-thriller concept with a dark, elegant, and suspense-driven atmosphere. The project focuses on building tension through premium cinematic visuals, high-contrast lighting, moody neon environments, sharp cuts, controlled pacing, and a refined trailer-style structure. Each scene was designed to gradually reveal the story: a contract file, a silent preparation sequence, a neon-lit corridor, and a fast action montage leading to the final title reveal. The goal was to practice creating a short cinematic narrative using AI video tools, combining visual storytelling, dramatic atmosphere, suspense, character presence, and movie-trailer pacing in a polished format.
0
80
Cover image for This case study explores the
This case study explores the creation of a cinematic automotive visual study featuring the Lamborghini Revuelto. The project focuses on presenting the vehicle through a premium studio aesthetic, using clean lighting, polished reflections, controlled camera movement, and a refined editorial approach designed for high-end visual communication. The film was developed around two simple exterior takes, highlighting the car’s sculptural lines, aggressive silhouette, aerodynamic details, and luxury performance identity. With no sound or complex narrative, the focus remains entirely on visual impact, camera motion, surface reflections, and the presence of the vehicle. The goal was to practice creating a minimal yet premium automotive presentation, emphasizing studio-quality visuals, elegant composition, cinematic movement, and a luxury advertising look suitable for digital campaigns, portfolio work, and high-end brand studies.
1
106
Cover image for This case study explores the
This case study explores the creation of an cinematic editorial advertisement for PULSE, a fictional energy drink brand. The project focuses on building a premium neon commercial aesthetic through glossy product shots, high-contrast lighting, sharp cuts, and a polished vertical 9:16 format designed for social media. The film was developed around the visual impact of the can, using macro details, condensation, reflections, slow-motion opening shots, and dark studio setups with red and blue neon highlights. The final scene introduces a female athlete in a gym environment, connecting the product to energy, performance, confidence, and lifestyle. The goal was to practice creating a short-form product commercial with strong brand consistency, refined visual direction, cinematic pacing, editorial styling, and a premium advertising look for digital campaigns.
0
124
Cover image for BRASA CLUB — Cinematic AI Food Commercial Case Study
BRASA CLUB — Cinematic AI Food Commercial Case Study
0
11
Video Editor(5)
Barbara Quintiliano's avatar
Barbara Quintiliano
Florianópolis, Brazil
UGC Creator & Brand Storyteller for SaaS + Lifestyle Brands
1x
Hired
38
Followers
UGC Creator & Brand Storyteller for SaaS + Lifestyle Brands
Cover image for Made this cute little portfolio
Made this cute little portfolio and just wanted to post it here 🥰💐https://aistarte.org/barbaraquintilianougc
9
18
339
Cover image for ✨ Excited to share my August collab with Comet (Perplexity A...
✨ Excited to share my August collab with Comet (Perplexity AI)! Back in August, I launched and managed dedicated Instagram and TikTok accounts for Comet. I scripted, filmed, edited, and posted all the video content myself for a full month—handling everything from ideation to online engagement! It was so rewarding to build and grow these channels from scratch, showing Comet’s personality and value through fresh video content. Proud to have made creative, engaging posts every step of the way 🚀
7
352
Cover image for 🌟 Collaboration Highlight: Perplexity Working with Perplexi...
🌟 Collaboration Highlight: Perplexity Working with Perplexity has been a creative deep dive—I've filmed over 300 unique pieces of video content for their marketing and ads! Every video was crafted in my signature, personality-packed style, focused on capturing authentic attention and driving results. The feedback has been incredible: the Perplexity team regularly lets me know my videos are performing amazingly, and they even use my work as inspiration and benchmarks for other creators’ scripts. Nothing beats seeing your creative effort lead the way and set the tone for an entire brand! Loved being able to blend strategy, creativity, and storytelling for the Perplexity campaign 🚀
12
35
597
Cover image for 🤖 Collaboration with Aistarte AI Proud to have worked hands...
🤖 Collaboration with Aistarte AI Proud to have worked hands-on with Aistarte, an innovative AI company, where I scripted, filmed, edited, and published content across all their platforms. From big-picture ideas to final video edits, I led the full creative process—making sure every post stood out and resonated with their audience. Loved bringing a fresh, strategic, and authentic approach to Aistarte’s content, helping the brand connect and grow across channels!
0
309
Video Editor(5)