Filmmaking Projects in SpainFilmmaking Projects in Spain
Cover image for AI Advert 2024 MAR DE
AI Advert 2024 MAR DE FRADES, LIMITED EDITION + BAG + WINE . Mar de Frades is a premier Spanish winery in the D.O. Rías Baixas, widely recognized, It is famous for its iconic blue bottle featuring a heat sensitive label; a small blue ship appears on the waves when the wine reaches its ideal serving temperature, below 11°C.
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Cover image for A NORMAL AMOUNT OF SKY
My
A NORMAL AMOUNT OF SKY My entry for the CapCut Seedance 2.5 Video Challenge. I am interested in creating worlds that exist somewhere between magical realism, liminal spaces, dreams, and quiet unease. Places that initially feel soft or nostalgic, but gradually reveal that their architecture, scale, or internal logic cannot be trusted. For this film, I imagined a girl beginning inside an empty school, a place shaped by repetition, observation, rules, and the pressure to become a recognizable version of yourself. She walks into a faded pastel-pink bathroom and discovers a luminous horse behind a full-length mirror. The horse represents the possibility of escape, freedom, desire, and a life that cannot be completely explained. When she crosses the mirror, the camera crosses with her. She runs alongside the horse through a fluorescent landscape where rain, flowers, institutional ceilings, and an artificial sky coexist. An astronaut eventually leads the horse away. I see the astronaut as a figure already accustomed to surviving unfamiliar worlds, while the girl is encountering one for the first time. As the camera pulls backward, the apparently endless landscape is revealed to exist inside a crystal sphere held by another version of the same girl. She releases the sphere, breaking the boundary around the imagined world. The luminous horse survives in miniature among the fragments. For me, the ending is about carrying a small piece of freedom back into reality. The escape may be fragile, altered, or impossible to preserve at its original scale, but it does not disappear. WORKFLOW I developed the film in CapCut Video Studio using Seedance 2.5. I began with visual references centered on luminous horses, cyan rain, retro astronauts, pastel magical-girl imagery, artificial landscapes, wet reflections, 35mm grain, analog halation, and uncanny institutional architecture. I then created a timestamped 30-second prompt defining the character continuity, camera path, environmental transformations, sound design, and narrative progression. I generated multiple iterations and refined the mirror crossing, the girl’s visibility, the relationship between the horse and astronaut, the macro pullback from the sphere, and the final release of the miniature horse. The final camera path moves continuously from the school corridor into the bathroom, through the full-length mirror, alongside the running girl and horse, outward through the crystal sphere, and down to the fragments on the bedroom floor. Created with CapCut Video Studio and Seedance 2.5.
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Cover image for This year, I’m launching a personal project called Everyday ...
This year, I’m launching a personal project called Everyday Frequency. It’s a visual and sound-based series focused on everyday moments, and my lifestyle: movement, work, food, nature, rest. Captured in a calm, cinematic, ASMR-inspired way. No trends. No noise. Just textures, rhythm, and small stories that feel real. This project is a space for consistency, experimentation, and storytelling, and also a way to share my work beyond client projects. I’ll be posting regularly on YouTube. If you’re curious or want to support the project, you can watch the videos here: https://www.youtube.com/@Everyday_Frequency Any support, feedback, or share means a lot. Thanks.
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Cover image for My video showreel of my professional work.
My video showreel of my professional work.
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Cover image for Teaser for an original sci-fi
Teaser for an original sci-fi concept film, a vertiginous, high-velocity dolly shot through a dense urban skyline, introducing a mysterious central character and the world she moves through. Produced end to end using the most advanced AI video generation models available, demonstrating cinematic camera work, atmosphere, and pacing without a physical production. Built to show narrative and directing capability beyond product and marketing work, for brands or studios exploring AI-driven short-form storytelling.
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Cover image for Petrolhead Music Video x Steve
Petrolhead Music Video x Steve Smyth
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Cover image for Exploring pacing, atmosphere, and visual
Exploring pacing, atmosphere, and visual storytelling through traditional cinema and documentary production.
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Cover image for An editing test created by
An editing test created by taking snippets from an original short film I wrote, directed, and edited a few months ago—a monologue structured in chapters. Decided to experiment with CapCut using these clips to explore dynamic typography, stylized color grading, and fast-paced storytelling. 🔗 Watch the full short film here (it has english subtitules): https://youtu.be/8FwaJwzASPU
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Cover image for Content created around the launch
Content created around the launch of Bastian Beach Barcelona, capturing the venue’s atmosphere, design and lifestyle experience. Focused on highlighting the space through clean visuals and social-first storytelling, the project was designed to showcase the brand’s identity and create excitement around its opening.
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Cover image for RAPA, THE LAST WILD HORSES - Feature documentary / Director ...
RAPA, THE LAST WILD HORSES - Feature documentary / Director /Editor/Producer
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