Freelance AI Artists in Rio de Janeiro

Freelance AI Artists in Rio de JaneiroFreelance AI Artists in Rio de Janeiro

Projects People

Ivam Marchon

proNiterói, Brazil

Creative Director | Ads Videos That Convert with 3D and AI

$1k+: Earned

2x: Hired

55: Followers

Creative Director | Ads Videos That Convert with 3D and AI

Over the past month, I had the chance to work on some really exciting projects and one of them was this visualizer for October London's new album "Love Me for Me", out now via Death Row Records. The objective was to balance the vintage late-night soul mood of the record with a sleek, modern motion pipeline built specifically for mobile screens and digital distribution. Huge thanks to Death Row Records, Snoop Dogg and October London for bringing us on board! Also, a big shoutout to Miguel Saporetti for collaborating on the visual delivery. Art Direction & Motion: Ivam Marchon Visual Assistant: Miguel Saporetti Death Row Records A&R: Teff Mogus, Frank Vasquez Marketing: Fuzzy West, Tomeka Harris Coordinator: Kaiya Lawrence

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Cover image for A visual exploration focused on

A visual exploration focused on cinematic storytelling, dramatic lighting and atmosphere. The main goal of this project was to push character and environment consistency across shots while maintaining a premium and editorial aesthetic tailored.

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Cover image for An editorial visual exploration for

An editorial visual exploration for Lacoste, blending sportswear aesthetics with graphic illustration and dynamic motion. The goal was to create a high-fashion golf concept that bridges brand luxury with modern visual storytelling.

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Cover image for AI Visual for artist Flavio Vieira - MIS SP Exhibition Toget...

AI Visual for artist Flavio Vieira - MIS SP Exhibition Together with Treehouz, we collaborated with artist Flavio to bring his vision to life for an audiovisual piece presented at the Museu da Imagem do Som de São Paulo. Flavio arrived with the conceptual framework and visual references. My role was to translate and execute these ideas into high quality visuals using AI image and video production. The piece portrays the dynamic interplay of contrasts, reflecting the psychological forces that inhabit the unconscious, as described in Jungian theory. My focus throughout the process was to transform these symbolic elements into cohesive, emotionally imagery that are aligned with the artist's vision. It was an honor to contribute to this collaboration and have a project featured in one of the most important museums in Brazil.

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AI Artist(16)

Mauricio Pontual

proRio de Janeiro, Brazil

Senior Art Director | AI Campaigns, Branding & Films

33: Followers

Senior Art Director | AI Campaigns, Branding & Films

Cover image for Definitely wasn’t expecting this! Really

Definitely wasn’t expecting this! Really happy to see my project featured by the Contra team. Such a nice surprise to open the platform and find this today 🙌 Thank you, Contra! 🖤

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I went into The Met's open access archive looking for a textile. I found the pattern I wanted on a suit of armour instead. Greenwich, 1586. George Clifford was Queen's Champion to Elizabeth I, and his garniture is etched and gilded with her cipher, two E's back to back, repeated across every plate from helmet to sabaton without a break. Not a badge on the chest. A repeat running over an entire body, worn by royal licence, three hundred years before any house put its initials on a bag. So I took it off the steel and put it back on a body. RUNNING CIPHER is one woven matrix and eight streetwear pieces cut from it, shot on Yorkshire moorland in winter with the sun never higher than eighteen degrees above the horizon. My first matrix was wrong: I kept the cipher at armour scale and it collapsed into generic damask. Enlarging it four times was what made it read as a garment print instead of wallpaper. That failed version is still sitting on the canvas next to the one that worked. The casting carries the argument. Clifford's only child, Anne, was written out of the inheritance when her father left the northern estates to his brother. She spent thirty-eight years in court, won in 1643, and rebuilt the castles herself. The mark he borrowed from a queen is now worn by the women who took the land back. Everything is on the canvas: the Met plates that fed the matrix, every rejected generation, the casting tests, the frames that did not make it. Original work: https://www.metmuseum.org/art/collection/search/23939 Armor Garniture of George Clifford, Third Earl of Cumberland. Jacob Halder, royal workshops at Greenwich, 1586. The Metropolitan Museum of Art, 32.130.6a–y. Open Access. Canvas: https://app.flora.ai/view/js78s0ypjspgsg3t3pjf5xd6d98dkwrb @floraai #FLORAMuseum

1.7K

Le Chameau 1927 | The French Don't Stay Clean

Cover image for The recipe survived the Bolshevik

The recipe survived the Bolshevik Revolution. The website did not. Dona Irene is a 19th century Russian cuisine restaurant in the mountains of Teresópolis, Brazil. It was founded in 1964 by Mikhail and Eupraxia Smolianikoff, a couple who fled the 1917 Revolution and rebuilt their home four times: Russia, Mongolia, Shanghai, the United States. They arrived in Brazil in their seventies and started over one more time. The recipe crossed all of it intact. The restaurant's digital presence did not. This project started as an application for Base44's Give It A Glow challenge. I decided not to enter this edition, but the process produced a complete case worth telling. What follows is a preview of the proposal. The family rebuilt its home four times. The new website is the fifth rebuilding: the digital home that finally lives up to the story. The entire page architecture grows from that idea. The Our Story section is a five-chapter crossing that starts in the cold blue of exile and warms into the ivory of Teresópolis, the page you are reading. The restaurant's Instagram already had a strong photographic identity: warm natural light, white tablecloth, blue and white porcelain, dishes seen from above. The site does not invent a new brand, it elevates the one that exists. I defined a system with ivory backgrounds, institutional blue, wine as the exclusive action color for the reservation CTA, and gold only on dark surfaces. The brand's original gold failed WCAG AA contrast as text, so I created a lighter variant for typography only, keeping the original tone as a decorative color. Typography: Cormorant Garamond for display, Jost for body, with a literary, contemplative voice. Every dish and dining room photo was regenerated in 4K through Higgsfield (nano banana pro, img2img), always using the restaurant's real photographs as reference. The direction started from the house's own archive: the menu dishes, the porcelain, the warm natural light that was already the signature of the restaurant's Instagram. AI came in for editorial finish and resolution, guided by what the place really is. The hero is a video generated in Seedance from an approved still: the house's artisanal vodka bottle floating on a neutral background, the cap unscrewing itself before the pour. The video does not autoplay, it is scrubbed by scroll. The visitor controls the timing of the scene with their finger, and when the gesture ends the toast appears: Nazdaróvia. To health, and to memory. Built in plain HTML, CSS and JS, in two languages: Portuguese and English, with a language toggle right in the navigation. Sticky hero with scroll-tied video scrubbing. Birch forest parallax behind the story timeline. Staggered entrance on the menu section: each card rises with an expo-out ease, photos are revealed by a clip-path curtain while settling from scale 1.12 to 1, and the typographic label lands last with its letter-spacing easing into place. Everything gated by prefers-reduced-motion, replaying on every pass through the section. AA contrast audited across every color pairing. Reservation agent prototype: visitors ask menu and schedule questions to an AI Superagent and book a table in conversation, with confirmation fired to the restaurant's WhatsApp. In the current preview the flow is front-end only; real integration would be the next step. Claude Code as the development environment and direction hub for the whole project. Higgsfield (nano banana pro) for 4K img2img images with real photo references. Seedance for the hero video. HTML/CSS/JS with no framework. Product documentation, design system and prompt guide versioned alongside the code. Creative direction, design, code and AI direction: MP House Studio.

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AI Artist(17)

Vitória Cribb

Rio de Janeiro, Brazil

CGI/AI Animation Director | Art Director and Artist

7: Followers

CGI/AI Animation Director | Art Director and Artist

Sparkling Water 01 - Surreal AI Commercial (Cherith World)

Cherith: My Body Cries

Cherith World Teaser Project

Cover image for Hi, I’m Vitória, a CGI/AI Director and Creative Technologist...

Hi, I’m Vitória, a CGI/AI Director and Creative Technologist exploring how emotion, ecology, and technology merge through digital mythmaking. I’ve been working in creative technology for over seven years, collaborating with clients like Globoplay, HBO and Snap Inc. Cherith World is my latest series — a surreal environment where synthetic life, sensuality, and code intertwine. This teaser introduces its visual shaped by CGI and AI animation. The project includes: - Worldbuilding and concept development - CGI direction and animation - AI-assisted material generation - Sound and emotional composition - AI + CGI creative direction If you’re interested in collaborating or exploring AI/CGI visual storytelling, feel free to connect with me here on Contra! https://youtu.be/sD2mG1rmDZQ?si=-7iZRYXNumxjSGkj

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AI Artist(4)

Raphael Peres

Rio de Janeiro, Brazil

Designer for Startups: Branding, Motion, 3D and more

Rebel Water Brand Identity

Quero Educação Institutional Brand

Rebranding Kovi

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AI Artist(1)