Brand film for Cornerstone Parenting Alliance, an American parenting/family organization, built entirely from licensed stock footage and the client's own voiceover; no original shoot.
The job was matching that emotional arc shot-for-shot using footage that was never filmed together, different crews, cameras, and light, cut to feel like one continuous family's story.
The edit's pacing follows the VO's own rhythm: quiet and held on the intimate lines, then opening up as the script widens into culture and mission. A full grade pass in DaVinci Resolve unified color and contrast across every source clip so nothing reads as stock; the goal was for it to feel like it was shot for this brand specifically, not licensed for it.
The Long Run is a film pitch trailer built entirely with generative AI, created to help a client sell a feature film to potential backers and collaborators.
The core challenge was consistency: the story's hero truck needed to look and read identically across dozens of AI-generated shots, a problem that breaks most AI video pipelines.
Rather than jumping straight into generation, I treated the trailer like a short film: adapting the trailer script from the feature screenplay, designing consistent characters, and building out full storyboards before touching video generation tools like Higgsfield.
That upfront process locked the visual language early, kept the truck consistent shot to shot, and meant far fewer wasted generations. The client was thrilled with the final trailer; proof that a filmmaker's process, not just the AI tool, is what makes AI-generated work actually hold together.
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I love how things are evolving with AI. It's now at a point where it can really go and give a tool to people to tell their stories. But what AI can't do is taste.
Taste will come from the person, the creator.
Here's something I tried with Higgsfield.
Falcon-inspired T-shirt graphics combining powerful bird imagery, bold typography, rugged details, and a strong outdoor-inspired fashion aesthetic.
With 10+ years of experience in fashion and apparel design, I create trend-driven, commercial-ready T-shirt graphics for fashion brands, clothing labels, manufacturers, and creative agencies.
From powerful animal-inspired artwork to bold typography, streetwear, and lifestyle graphics, I transform creative ideas and references into original apparel artwork designed for real-world production.
Currently open to freelance projects, brand collaborations, and apparel graphic design opportunities.
📩 DM me for freelance collaborations & projects.
#TShirtDesign #ApparelGraphicDesign #FalconInspired #AnimalGraphics #FashionGraphicDesign #StreetwearDesign #ApparelDesign #FreelanceDesigner #GraphicDesign
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Racing-inspired T-shirt graphics blending speed, bold typography, motorsport energy, and contemporary fashion aesthetics. 🏁
With 10+ years of experience in fashion and apparel design, I create trend-driven, commercial-ready T-shirt graphics for fashion brands, clothing labels, manufacturers, and creative agencies.
From racing and motorsport-inspired graphics to typography, streetwear, and lifestyle prints, I transform creative ideas and references into original apparel artwork designed for real-world production.
Currently open to freelance projects, brand collaborations, and apparel graphic design opportunities.
📩 DM me for freelance collaborations & projects.
#TShirtDesign #ApparelGraphicDesign #RacingGraphics #MotorsportDesign #FashionGraphicDesign #StreetwearDesign #FreelanceDesigner #ApparelDesign #GraphicDesigner
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A new T-shirt graphic exploring typography, composition, and commercial fashion aesthetics.
With 10+ years of experience in fashion and apparel design, I’m currently open to freelance projects, brand collaborations, and apparel graphic design opportunities.
If you’re a fashion brand, clothing label, manufacturer, or creative agency looking for original T-shirt graphics and apparel design, let’s connect.
📩 DM me for freelance collaborations & projects.
#ApparelGraphicDesign #TShirtDesign #FreelanceDesigner
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A new T-shirt graphic exploring typography, composition, and commercial fashion aesthetics.
With 10+ years of experience in fashion and apparel design, I’m currently open to freelance projects, brand collaborations, and apparel graphic design opportunities.
If you’re a fashion brand, clothing label, manufacturer, or creative agency looking for original T-shirt graphics and apparel design, let’s connect.
📩 DM me for freelance collaborations & projects.
#ApparelGraphicDesign #TShirtDesign #FreelanceDesigner
Poster Design for multiple different clients based on the requirements they sent. Each poster is print ready and proper files for print and digital use are sent seperately to the client.
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Landing Page UI design for a techno headphone brand named Noise. The client wanted a digitalised cyber look with their product as the main center of attraction.
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UI concept design for a Skateboard brand named Riot. The client wanted a punk style look while keeping their orange, violet and neon aesthetic. The wanted the landing page to feel modern and should be able to convert users into customers.
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UI/UX design work for an urban cycling brand named DriftLine. The client wanted a premium urban look with bold typography and slight swiss design feel.
AI Automation, Workflow Automation & Business Dashboard
New to Contra
AI Automation, Workflow Automation & Business Dashboard
Developed a role-based MIS for the Govt of , Assam, covering state and district-level employees. It maintains a complete employee database with contact details and date of joining by designation, captures attendance, and tracks filled and vacant positions so the administration can plan recruitment.
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Developed a monitoring dashboard covering 62,000 Anganwadi Centres across Assam as part of the Technical Support Unit under PM Gati Shakti, Government of Assam. The dashboard consolidated key data into a centralized view, improving visibility into centre-level information and supporting data-driven monitoring, planning, and administrative decision-making.
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Developed a monitoring dashboard covering 62,000 Anganwadi Centres across Assam as part of the Technical Support Unit under PM Gati Shakti, Government of Assam. The dashboard consolidated key data into a centralized view, improving visibility into centre-level information and supporting data-driven monitoring, planning, and administrative decision-making.
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AI automation for real estate: an LLM qualifies buyer leads as Hot, Warm or Cold, sends Hot leads to the agent instantly, and auto-books appointments by checking the agent’s calendar.
Hey guys, would really appreciate if you could check out my WIP animation tools aimed for brand design. Please let me know you honest feedback, thanks in advance 👍
tool is live here- www.brandimator.com/app (https://www.brandimator.com/app/)
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I have create a free brand reel tool for all brand designers, please let me know your thoughts. https://www.brandimator.com/
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THE JOURNEY TO RETURN is essentially a coming-of-age story - a journey back home by someone who has spent years longing for it. A personal tale about maturity, happiness, melancholy, and that strange feeling of finding your way back to something you thought you'd lost.
The film started, as most of my projects do, with a little procrastination.
I was browsing the The Met (https://www.metmuseum.org/?utm_source=chatgpt.com), came across John White Alexander's Repose, and immediately started wondering about the girl - Who is she? Where is she? Is she asleep? Dreaming? Is she happy? Where does she live?
Then The Waterfall paved the way for the visual journey, and suddenly I had my hook.
From there, I collected the artworks and artifacts, sketched the first storyboard on paper, worked out the camera movements, transitions and character dynamics, and then built the complete storyboard with GPT.
After a LOT of testing - photoreal, animation, stop-motion - I finally landed on an organic, painterly animation language. That felt right for this story.
Then came the actual production: character sheets, object references, shot lists, Seedance, Veo, Nano Banana, Flora, After Effects and Premiere.
The biggest lesson? AI video production is very much a one-man army job. You become the director, AD, cinematographer, VFX artist, editor, sound designer and sometimes even the person arguing with yourself about the budget.
And with a limited budget, planning becomes everything.
I used Veo 3.1 and Seedance 2.5 as my main weapons of creation, with Seedance doing most of the heavy lifting. I tested cheaply first - if a shot worked at lower resolution and shorter duration, then I pushed it further.
I also deliberately chose a stylized painterly look because it gave me a little room to cheat - especially at lower resolutions.
Once the shots were locked, it was time for the final layer: custom animated paint textures, film grain, compositing in After Effects, and the final edit and sound mix in Premiere.
And that's pretty much the journey.
Hope you like it. Thank you.
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Here is the walkthrough of my favourite nature scene in #c4d . Do you line the moodiness?