Freelance Film Producers in New YorkFreelance Film Producers in New York
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Trisha Pickelhaupt's avatar
Trisha Pickelhaupt
Brooklyn, USA
The heart of a director & the mind of the producer
The heart of a director & the mind of the producer
Cover image for Imagine5 - #CreateCOP on Vimeo
Imagine5 - #CreateCOP on Vimeo
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9
Cover image for Good News January with David Byrne on Vimeo
Good News January with David Byrne on Vimeo
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7
Cover image for David Byrne on positive storytelling | Imagine5 - YouTube
David Byrne on positive storytelling | Imagine5 - YouTube
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12
Cover image for I Like Your Hair on Vimeo
I Like Your Hair on Vimeo
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7
Film Producer(3)
Lionel Miele-Herndon's avatar
Lionel Miele-Herndon
New York, USA
5YR Game Dev, Designer, Video Editor
$1k+
Earned
1x
Hired
5.0
Rating
6
Followers
5YR Game Dev, Designer, Video Editor
Cover image for The Perfect Game
The Perfect Game
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23
Cover image for Scarred Mansion
Scarred Mansion
2
19
Cover image for Caldera
Caldera
0
14
Cover image for Hibotchi
Hibotchi
0
8
Film Producer(1)
Jaćhai DeJesus's avatar
Jaćhai DeJesus
New York, USA
Pronounced "JAH-Kai"
Pronounced "JAH-Kai"
Cover image for Burn It Down (Short Film)
Burn It Down (Short Film)
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15
Cover image for 1998
1998
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47
Cover image for del corazon - JONA VARK
del corazon - JONA VARK
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29
Cover image for Ya Ya Ya - Black Yungin
Ya Ya Ya - Black Yungin
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11
Film Producer(1)
Lita Elkendier's avatar
Lita Elkendier
Brooklyn, USA
Writer. Producer. Creative.
Writer. Producer. Creative.
Cover image for Film Production
Film Production
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17
Cover image for Jacque-MUSE
Jacque-MUSE
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22
Cover image for PR Campaign
PR Campaign
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12
Cover image for Social Media
Social Media
0
14
Film Producer(1)
Partamas Andras Roland 's avatar
Partamas Andras Roland
New York, USA
Visual Artist&Creative Director/ Cinematic Product & Motion
$1k+
Earned
41
Followers
Visual Artist&Creative Director/ Cinematic Product & Motion
Cover image for Pushing generative AI to its
Pushing generative AI to its limits with this eyewear concept. ⚡️ No After Effects, no 3D software—just raw AI video engine control, structured physics prompting, and tight editing/sound design in DaVinci Resolve. The goal was to blend procedural fractal textures with rigid product geometry and frame-perfect audio sync. Sound ON 🔊 What do you think of this workflow?
5
9
483
Cover image for NIKE FOOTWEAR — PRODUCT CAMPAIGN A
NIKE FOOTWEAR — PRODUCT CAMPAIGN A speculative product film exploring the construction, transformation and physical behavior of a performance running shoe. The central visual idea was to make the product appear to physically construct itself. Fine textile fibers progressively interlock and spread into the upper, while the sole develops simultaneously through continuous volumetric material formation. The objective was to maintain the impression of a continuous physical process rather than using a conventional morph or instant transformation. The finished product was presented through a series of controlled cinematic product shots, focusing on surface detail, textile structure, sole geometry, reflections and material response. Different camera perspectives were developed to emphasize the silhouette and construction of the shoe while maintaining a consistent visual language. Creative Direction — András Roland Partamaș Visual Development — András Roland Partamaș Product Visualization — András Roland Partamaș Animation & Motion Design — András Roland Partamaș Digital Production — András Roland Partamaș Edit & Color — DaVinci Resolve https://www.youtube.com/watch?v=68x7ROWF1_w
4
496
Cover image for A professionally directed music-video concept
A professionally directed music-video concept created entirely digitally, demonstrating what can be achieved without a traditional film production. Parfumu pe piele - Xya This project explores that possibility through a fully digital production built around an original song, an artist performance, cinematic direction, virtual locations, lighting, camera movement, animation and visual effects. The goal was not to imitate a traditional production, but to demonstrate how current AI-assisted technology can give independent artists access to a level of visual storytelling that would traditionally require a much larger production budget. THE CORE IDEA The project isn't about making AI imagery. It's about using current digital technology to construct a complete cinematic production that would traditionally require a physical cast, locations, lighting equipment, cinematography and a production crew. Creative Direction This project explores the space between memory, reality and artificiality through a cinematic visual narrative built entirely in a digital environment. At the center of the film is a male performer and a female figure that exists in two distinct states: a motionless mannequin and an ultra-realistic human presence. The distinction between the two becomes increasingly ambiguous as fragments of another reality appear throughout the performance. The visual world is deliberately reduced to deep blackness and controlled light. Stroboscopic flashes briefly reveal the characters, their movements and fragments of the environment, turning the lighting itself into part of the narrative and editing language. Between flashes, the viewer is left with incomplete moments — as if watching fragmented memories rather than continuous reality. The male performer moves between solo performance, interaction with the mannequin, and fleeting memories of the woman as a living human. Their physical interaction develops through contemporary choreography influenced by the fluidity and precision of ballet, but interpreted through a more organic and expressive movement language. The human sequences are treated almost as fashion-editorial memories: more fluid, dramatic and visually expressive, while maintaining the same visual universe as the mannequin scenes. Rain appears only when caught by the light, adding another physical layer to the darkness. Every element was designed around believable physical behavior — body weight, clothing movement, skin, hair, rain, reflections and material response — to create a contrast between the surreal concept and physically convincing imagery. The cinematography moves between extreme close-ups, observational angles, slow camera drift and abrupt temporal jumps. The flashes and changes in perspective are rhythmically connected to the structure of the original song, allowing the music to function as the spine of the visual edit. Rather than using transformation as an obvious visual effect, the film treats the mannequin and the woman as two versions of the same memory. The viewer is never explicitly told which one is real. THE VISUAL LANGUAGE LIGHT Near-total darkness interrupted by controlled stroboscopic flashes. Light becomes both illumination and an editing device. MOVEMENT A contrast between complete stillness and highly expressive contemporary choreography. Fast fragments coexist with suspended slow movement. CAMERA Extreme close-ups, upward observational perspectives, controlled drifting movements and abrupt temporal discontinuities create the sensation of discovering fragments of a memory. MATERIALITY The mannequin has an intentionally artificial, highly detailed plastic surface, while the human form emphasizes skin pores, imperfections, hair, fabric and realistic physical interaction. RAIN A restrained atmospheric element that becomes visible primarily when intersecting the light, giving depth to an otherwise almost completely black environment. Parfumu pe piele - Xya Creative Direction & Visual Concept András Roland Partamas Music Concept & Production András Roland Partamas Visual Production, Editing & Execution András Roland Partamas Artist(Singer)  AI-generated performance
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99
Cover image for AFTER THE FALL - Music
AFTER THE FALL - Music Video - By Partamas Andras Roland An original cinematic music film created by Partamas Andras Roland — from the original track and visual concept through to the final film. A dark, atmospheric journey through a fractured world where humanity, isolation and a collapsing landscape meet. Music: Original track created by me with Suno Visual direction & film: Andras Roland Partamas Concept / Production: Andras Roland Partamas https://youtu.be/V0JBi_Fqg6E?si=DZvPw5xQ35mrDJXB
2
8
541
Film Producer(1)
Ketayma Stewart's avatar
Ketayma Stewart
proNew York, USA
Founder of Kwiq Stop Productions LLC
$1k+
Earned
2
Followers
Founder of Kwiq Stop Productions LLC
Cover image for A quick comedic sketch that
A quick comedic sketch that plays on the slang term “pause.” While celebrating his graduation from medical school with his girlfriend, a young doctor jumps into action when a man starts choking at a restaurant—but his attempt to save him gets hilariously complicated when someone keeps yelling, “PAUSE!”
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103
Cover image for Kinda Sorta is a proof
Kinda Sorta is a proof of concept for a scripted series exploring modern relationships, emotional avoidance, and the moments we almost say what we mean—but don’t.
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93
Cover image for Big Blessed is a vibrant, Afrobeat-inspired
Big Blessed is a vibrant, Afrobeat-inspired summer anthem brought to life by Kwiq Stop Productions, pairing feel-good energy with colorful, cinematic visuals that celebrate joy, confidence, and living in the moment.
0
98
Cover image for Levi's x Nas Brand Campaign
Levi's x Nas Brand Campaign
1
27
Film Producer(3)
Victor Olorunfemi's avatar
Victor Olorunfemi
proJersey City, USA
I help brands and writers showcase their stories with videos
6
Followers
I help brands and writers showcase their stories with videos
Cover image for Concept ad for imaginary product
Concept ad for imaginary product "Blood Orange" "What is red, yellow and sweeter than ambrosia?"
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37
Cover image for Sharing the first Pixar style
Sharing the first Pixar style animated story I created. I'm gonna skip the part about not seeing many stories like this and how I decided to create one, blah blah :-) and just share anyway. Titled - Palmy Hustle It follows the journey of an unlikely hero as he races to save a traditional wedding that had just lost the most important item - the palm wine Would you like to watch more Africa themed Pixar style stories?
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60
Cover image for throwing in an uncut scene
throwing in an uncut scene from a movie I am creating at the moment. An action fighting sequence. 30 seconds of close quarters fighting
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437
Cover image for I created this entry to
I created this entry to see how Seedance 2.5 handles character morphing from line art to 2D to gauche art to 3D and finally photorealism with this 30 seconds one take ballerina dance. "Ariadna: Reality Dance"
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4
308
Film Producer(1)