Freelancers using Adobe Premiere Pro in Nablus

Freelancers using Adobe Premiere Pro in NablusFreelancers using Adobe Premiere Pro in Nablus

Projects People

Motion | Interactive | Characters

1x: Hired

5: Followers

Motion | Interactive | Characters

Cover image for Pik App / Explainer Video

Pik App / Explainer Video

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3

Cover image for Purchase Online / Explainer Ad

Purchase Online / Explainer Ad

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1

Travel Opodo / Logo Animation

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Cover image for Get Your Order / Social Media Ad

Get Your Order / Social Media Ad

2

0

Adobe Premiere Pro(4)

proHerzliya, Israel

We're Asaf & Alex, a creative duo of experts in motion & AI

1x: Hired

5.0: Rating

23: Followers

expert

We're Asaf & Alex, a creative duo of experts in motion & AI

Cover image for New AI project
made just from

New AI project made just from a few images of the client, What do you think?

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Cover image for Automated 3D Motion Design for SodaStream in Times Square

Thrilled to share our latest project for SodaStream International, Ltd. (https://www.linkedin.com/company/sodastream-international-ltd-/)In the heart of Times Square, NYC 🗽🔥 That happened on National Streaming Day. Massive thanks to my amazing partner Asaf Norani (https://www.linkedin.com/in/asaf-norani-0237b362/), for this 100% hard-core 3D, compositing, and motion design work. Part of the project required creating 50 custom tickers. Each ticker needed a unique name and specific content provided by the client, but they all had to live in their own compositions while maintaining the exact same design template. Doing this manually would have been an absolute time-sink. Instead, I decided to build a smarter, automated workflow using Claude's skill set, integrated with After Effects, so he can see the first composition of the ticker I've designed and organized, and copy and paste it to the script. Data Prep: Organized all 50 unique names and text variants into a clean .csv file. Scripting: I prompted Claude to write a Script that could use the CSV and automatically create the composition according to the CSV list. After 4-5 turnarounds chatting with Claude, it worked out perfectly! #3DArt (https://www.linkedin.com/search/results/all/?keywords=%233dart&origin=HASH_TAG_FROM_FEED) #CGI (https://www.linkedin.com/search/results/all/?keywords=%23cgi&origin=HASH_TAG_FROM_FEED) #MotionDesign (https://www.linkedin.com/search/results/all/?keywords=%23motiondesign&origin=HASH_TAG_FROM_FEED) #nakedeye3D (https://www.linkedin.com/search/results/all/?keywords=%23nakedeye3d&origin=HASH_TAG_FROM_FEED) #3D (https://www.linkedin.com/search/results/all/?keywords=%233d&origin=HASH_TAG_FROM_FEED) #billboard (https://www.linkedin.com/search/results/all/?keywords=%23billboard&origin=HASH_TAG_FROM_FEED)

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Cover image for Here’s a quick before-and-after
from the

Here’s a quick before-and-after from the recent campaign we worked on: In the raw footage, she is just holding a stuffed cat doll. For the final result, we completely swapped it out for an AI-generated kitten and flooded the set with an insane number of cats we placed on it. Getting it to look this natural wasn't just hitting an "AI magic button". It took countless generations, precise masking, color grading, and heavy compositing to nail the look. Challenging, but totally worth it. To me, this is the perfect example of how AI should be used in videos and commercials as a powerful tool to enhance traditional post-production, not replace it. Check it out 👇

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Cover image for Payoneer Ad

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6

Adobe Premiere Pro(1)