Freelancers using Morphic in Madrid

Freelancers using Morphic in MadridFreelancers using Morphic in Madrid

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Ethereal Filmmaking, Photography & Video Editing ✨

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Ethereal Filmmaking, Photography & Video Editing ✨

Cover image for Aeroméxico Speculative Ad: A Tribute to Two Cities

Aeroméxico Speculative Ad: A Tribute to Two Cities

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Cover image for ✩ (https://✩°｡⋆)I made this fan-made

✩ (https://✩°｡⋆)I made this fan-made speculative ad for Häagen-Dazs as an excuse to dive into the kind of inner world I love most: liminal, pastel, dreamy, ethereal. It isn’t meant to follow a linear plot. It moves the way surreal dreams move, by association, texture, and feeling. For me, craving a really good ice cream can work like watching a random movie late at night. Something small and sweet that suddenly opens a door, and you’re somewhere else entirely for a moment. This is my second submission for the challenge because I honestly couldn’t get enough of this platform. Created end to end in @Morphic using around 1,800 credits. I used Copilot and Canvas for the visuals, animation, sound design, music, and voiceover, then upscaled for a cleaner finish. Fan-made speculative ad. Not affiliated with or endorsed by Häagen-Dazs.

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Cover image for Speculative Fan-Made KitKat Ad

Speculative Fan-Made KitKat Ad

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Cover image for For this @Contra HQ Challenge

For this @Contra HQ Challenge I made this fan-made speculative ad for KitKat from something personal: childhood moments when my emotions felt too big for my body. What I needed wasn’t to be told off, but a small gesture of care. A hug. Sometimes a piece of chocolate. Something simple that could calm my inner “beast” and bring me back to myself. That’s the heart of this piece: “you can always calm the beast.” I wanted it to start grounded and real, then gradually become handcrafted and dreamlike, like the outside world turning into a child’s inner world. Process: about 1,500 credits in @Morphic / Copilot for storyboard and style, Canvas for animation, sound design, music, and voiceover, then upscale for a cinematic finish. Fan-made. Not affiliated with or endorsed by KitKat.

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Cover image for STARLINK: "Connected" | Testing Every

STARLINK: "Connected" | Testing Every Morphic Model to the Limit 🎬 STARLINK: "CONNECTED" The result of stress testing EVERY model in Morphic Studio. THE CHALLENGE: Create a 62 second Super Bowl commercial. Two flights. Same route. One has WiFi (calm), one doesn't (chaos). THE MORPHIC ADVANTAGE: I didn't stop with one model. I tested ALL 8 in Morphic Studio: Final commercial = strategic combination of THE BEST from EVERY model. THE CONCEPT: Starlink solves connectivity anxiety at 35,000 feet. Morphic Studio solves creative restrictions. Both give you freedom. Created 100% in Morphic Studio Brand: Starlink (unsolicited brand love) Director: Raphsomar Direction Style: cinema meets budget airline satire This is what happens when you push every model in the platform to its absolute limit. #MorphicChallenge

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Cover image for Testing Seedance 2.0 on recent

Testing Seedance 2.0 on recent visual work. Strong physics, clean removals, and a surprisingly natural response to minimal camera direction. Built from a simple prompt structure, refined in DaVinci Resolve, and shaped through composition and timing. Constantly exploring new tools to push cinematic language forward.

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Cover image for Automobili Lamborghini's first residential project in

Automobili Lamborghini's first residential project in Stock Photo, Real Film and 3d renders. Europe.Every camera move was hand keyed using Bezier curves to ensure a 'weighted' feel. We avoided the robotic, linear movement often seen in basic 3D tours, opting instead for damped momentum—mimicking a heavy cinema crane or a professional Steadicam rig.

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Cover image for With the world at a

With the world at a standstill due to the COVID-19 pandemic, real-life filming was an impossibility. We had to rethink our approach, turning to the power of pure, studio-based 3D rendering. This film is not just a showcase of a groundbreaking motor yacht; it's a testament to human creativity and technological prowess in the face of adversity. Every frame, every ripple on the water, and every sleek line of the yacht was painstakingly crafted in a 3D studio, without the use of AI. This allowed us to achieve a level of detail and artistic control that would have been impossible in a traditional shoot, perfectly capturing the spirit of Lamborghini's "Beyond the Limits" philosophy.

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