Freelancers using Adobe Premiere Pro in FlorianópolisFreelancers using Adobe Premiere Pro in Florianópolis
ProjectsPeople
Jéssica Leonel's avatar
Jéssica Leonel
proFlorianópolis, Brazil
Brand Designer & Creative Strategist
$1k+
Earned
2x
Hired
4.8
Rating
8
Followers
Brand Designer & Creative Strategist
Cover image for UGC Product Reel for Fiber
UGC Product Reel for Fiber | 1.49M Views
1
65
Cover image for Campaign Video Editing for Billion Americans
Campaign Video Editing for Billion Americans
1
6
Cover image for I’m starting a new AI animation project for SOULSTITCHED ✦ N...
I’m starting a new AI animation project for SOULSTITCHED ✦ Nocturnal’s Child, an independent dark fantasy narrative built around memory, shadow, devotion and transformation. This first video was created with Kling AI 3.0 as part of the visual development process. My goal is to explore how AI video can support cinematic storytelling, not as a shortcut, but as a tool for atmosphere, movement, character presence and emotional rhythm. For this project, I’m focusing on consistency, mood and narrative intention: how a character moves, how a scene breathes, how light and shadow carry meaning, and how each shot can feel connected to a larger story. This is the beginning of a broader visual experiment in AI-assisted animation, where writing, direction, image generation, video prompting and editing come together to build a coherent fantasy world.
2
69
Cover image for A social media transition project
A social media transition project turning a refreshed visual identity into consistent, emotional and campaign-ready posts for a Brazilian nonprofit.
0
89
Adobe Premiere Pro(2)
Pedro Marques's avatar
Pedro Marques
Palhoça, Brazil
Designer, marketing, and video creation using AI.
7
Followers
Designer, marketing, and video creation using AI.
Cover image for This case study explores the
This case study explores the creation of a 15-second cinematic short-film trailer titled “The Last Contract”, a fictional action-thriller concept with a dark, elegant, and suspense-driven atmosphere. The project focuses on building tension through premium cinematic visuals, high-contrast lighting, moody neon environments, sharp cuts, controlled pacing, and a refined trailer-style structure. Each scene was designed to gradually reveal the story: a contract file, a silent preparation sequence, a neon-lit corridor, and a fast action montage leading to the final title reveal. The goal was to practice creating a short cinematic narrative using AI video tools, combining visual storytelling, dramatic atmosphere, suspense, character presence, and movie-trailer pacing in a polished format.
0
44
Cover image for This case study explores the
This case study explores the creation of a cinematic automotive visual study featuring the Lamborghini Revuelto. The project focuses on presenting the vehicle through a premium studio aesthetic, using clean lighting, polished reflections, controlled camera movement, and a refined editorial approach designed for high-end visual communication. The film was developed around two simple exterior takes, highlighting the car’s sculptural lines, aggressive silhouette, aerodynamic details, and luxury performance identity. With no sound or complex narrative, the focus remains entirely on visual impact, camera motion, surface reflections, and the presence of the vehicle. The goal was to practice creating a minimal yet premium automotive presentation, emphasizing studio-quality visuals, elegant composition, cinematic movement, and a luxury advertising look suitable for digital campaigns, portfolio work, and high-end brand studies.
1
65
Cover image for This case study explores the
This case study explores the creation of an cinematic editorial advertisement for PULSE, a fictional energy drink brand. The project focuses on building a premium neon commercial aesthetic through glossy product shots, high-contrast lighting, sharp cuts, and a polished vertical 9:16 format designed for social media. The film was developed around the visual impact of the can, using macro details, condensation, reflections, slow-motion opening shots, and dark studio setups with red and blue neon highlights. The final scene introduces a female athlete in a gym environment, connecting the product to energy, performance, confidence, and lifestyle. The goal was to practice creating a short-form product commercial with strong brand consistency, refined visual direction, cinematic pacing, editorial styling, and a premium advertising look for digital campaigns.
0
98
Cover image for BRASA CLUB — Cinematic AI Food Commercial Case Study
BRASA CLUB — Cinematic AI Food Commercial Case Study
0
7
Adobe Premiere Pro(5)
Rodney Pacheco's avatar
Rodney Pacheco
Florianópolis, Brazil
+20 Years Creating Impactful Visual Solutions
+20 Years Creating Impactful Visual Solutions
Cover image for Cassol Institutional video 60 sec
Cassol Institutional video 60 sec
0
3
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
0
2
Cover image for Savannah Bee Ads
Savannah Bee Ads
0
6
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
0
2
Adobe Premiere Pro(1)
Pedro Barbarotti Berben's avatar
Pedro Barbarotti Berben
Palhoça, Brazil
Cinematic AI videos & landing pages for bold brands.
Cinematic AI videos & landing pages for bold brands.
Cover image for Brazil lost to Norway today. On
Brazil lost to Norway today. On my field, I decide the score. This video has no set. No camera. No cast. It only exists because I built it. The edge was never having the tool. It's knowing how to operate it. Want a video like this for your brand? Hit me up.
0
29
Cover image for A cinematic reel produced entirely
A cinematic reel produced entirely with AI — no crew, no location scouts, no production budget. The project combines aerial landscape footage, a curated content gallery sequence, golden-hour lifestyle shots, and a direct-to-camera close-up into one cohesive visual story. Built to stop the scroll and make the brand feel like a film.
0
100
Cover image for Everyone has access to the
Everyone has access to the same ingredients. The camera, the AI models, the platforms. All of it is available to anyone right now. You download it, you access it, you test it. But the dish that comes out — that was chosen by the cook. The composition. The timing. The decision of when to stop adding and just serve. Nobody teaches you that in a tutorial tab. You learn it by cooking, by failing, and by understanding what actually made sense on the plate. Making AI video is exactly that. The advantage isn't having access to the tool. It's knowing how to operate it.
0
98
Cover image for You're looking at my face
You're looking at my face right now. I didn't record any of this. No camera. No studio. No crew. Just AI, and knowing how to operate it. This is what I do for clients in the real estate market: cinematic video production powered by generative AI. Full creative direction, prompt engineering, and post-production. The advantage isn't having access to the tools. It's knowing how to use them. my portfolio: https://soubarbarotti.com.br/
1
109
Adobe Premiere Pro(7)
Pedro Vianna Quintian's avatar
Pedro Vianna Quintian
Biguaçu, Brazil
Creative design, video, web & marketing solutions.
Creative design, video, web & marketing solutions.
Cover image for PORTIFOLIO PEDRO VIANNA - Social Media - Videos
PORTIFOLIO PEDRO VIANNA - Social Media - Videos
0
2
Cover image for PORTIFOLIO PEDRO VIANNA - Marketing Videos
PORTIFOLIO PEDRO VIANNA - Marketing Videos
0
2
Cover image for PORTIFOLIO PEDRO VIANNA - SOCIAL MEDIA - POSTS
PORTIFOLIO PEDRO VIANNA - SOCIAL MEDIA - POSTS
0
2
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Adobe Premiere Pro(1)