Freelance Video Editors in FlorianópolisFreelance Video Editors in Florianópolis
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Jessica Leonel's avatar
Jessica Leonel
Florianópolis, Brazil
Video Editor | Short-Form, UGC Ads & Branded Content
$1k+
Earned
2x
Hired
4.8
Rating
11
Followers
Video Editor | Short-Form, UGC Ads & Branded Content
Cover image for This edit started with a
This edit started with a simple challenge: several different creators, different deliveries, different footage, but only one short ad to make it all feel cohesive. The first step was finding the strongest soundbites and figuring out how they could work together as one story rather than feeling like a compilation. From there, I built the structure around a clear hook, fast progression and a product-focused payoff, then used captions, product inserts, motion, transitions, music and sound design to keep the pace moving without losing the natural UGC feel. What I enjoy most about this kind of edit is that the real work happens before the polish. It is deciding which sentence opens the video, which reaction is worth keeping, when to change creator, when to show the product, and how to make every cut feel intentional. The goal was to keep the authenticity of UGC while giving the final piece the rhythm and clarity of a paid social ad.
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17
Cover image for This was one of the most fun AI projects I’ve worked on late...
This was one of the most fun AI projects I’ve worked on lately. For Tecnofas, we created a full clay-style animation, literally building the visual language around that handcrafted, stop-motion look, but produced with AI. The video above is a compilation of some of the scenes we developed for the project. The creative challenge was to explain a very technical difference in a way that felt simple and visual: comparing a traditional retrofit construction process with a ventilated façade system, which can reduce the number of workers needed on site by up to 60%. Tecnofas is the kind of client that really enjoys experimenting with new visual languages, so we had a lot of freedom to explore the concept, test ideas and push the AI workflow beyond a standard corporate animation. That freedom made the process especially enjoyable. Instead of using AI only to make production faster, we used it to create a visual style that would probably never have been the obvious choice for this kind of industrial communication.
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17
869
Cover image for For Junoo, we had already
For Junoo, we had already received real product samples for a separate UGC production. The AI piece came in as an additional creative route: a way to explore how much further we could take the campaign without depending on another traditional shoot. Using real product photography as our reference, we created a fully AI-generated UGC concept from scratch, including the creator, environment, styling and overall visual direction. The content was developed around the aesthetic the client wanted and adapted to feel relevant to the audience in the target city, while keeping the real product at the center of the piece. What I like about this kind of workflow is the flexibility it creates. Once the product is in hand and properly referenced, we’re no longer limited to a single casting, location or production setup. AI becomes a way to expand the creative territory of a campaign and produce additional content directions that would otherwise require a completely new shoot.
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62
Cover image for One of the challenges with this Inplac project is that the c...
One of the challenges with this Inplac project is that the client doesn’t always have access to strong, current product photography. I don’t see that as a limitation. For this piece, we used AI to build highly detailed product visuals from the available references, then developed those images into animated scenes for social content and ads. The goal wasn’t to create something that simply looked polished. It was to make the product feel tangible, well presented and visually convincing even when the original production material was limited. A lot of the work comes down to art direction: defining the scene, lighting, materials, framing and movement in a way that still feels coherent with the real product. For clients with difficult or expensive product shoots, this opens up a lot of possibilities. Limited photography doesn’t have to mean limited content.
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13
456
Video Editor(18)
Rodney Pacheco's avatar
Rodney Pacheco
Florianópolis, Brazil
+20 Years Creating Impactful Visual Solutions
+20 Years Creating Impactful Visual Solutions
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
0
3
Cover image for Cassol Institutional video 60 sec
Cassol Institutional video 60 sec
0
4
Cover image for Tote&Carry Black Friday Campaign
Tote&Carry Black Friday Campaign
0
3
Cover image for Savannah Bee Ads
Savannah Bee Ads
0
8
Video Editor(2)
Pedro Marques's avatar
Pedro Marques
Palhoça, Brazil
Designer, marketing, and video creation using AI.
8
Followers
Designer, marketing, and video creation using AI.
Cover image for This case study explores the
This case study explores the creation of a 15-second cinematic short-film trailer titled “The Last Contract”, a fictional action-thriller concept with a dark, elegant, and suspense-driven atmosphere. The project focuses on building tension through premium cinematic visuals, high-contrast lighting, moody neon environments, sharp cuts, controlled pacing, and a refined trailer-style structure. Each scene was designed to gradually reveal the story: a contract file, a silent preparation sequence, a neon-lit corridor, and a fast action montage leading to the final title reveal. The goal was to practice creating a short cinematic narrative using AI video tools, combining visual storytelling, dramatic atmosphere, suspense, character presence, and movie-trailer pacing in a polished format.
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74
Cover image for This case study explores the
This case study explores the creation of a cinematic automotive visual study featuring the Lamborghini Revuelto. The project focuses on presenting the vehicle through a premium studio aesthetic, using clean lighting, polished reflections, controlled camera movement, and a refined editorial approach designed for high-end visual communication. The film was developed around two simple exterior takes, highlighting the car’s sculptural lines, aggressive silhouette, aerodynamic details, and luxury performance identity. With no sound or complex narrative, the focus remains entirely on visual impact, camera motion, surface reflections, and the presence of the vehicle. The goal was to practice creating a minimal yet premium automotive presentation, emphasizing studio-quality visuals, elegant composition, cinematic movement, and a luxury advertising look suitable for digital campaigns, portfolio work, and high-end brand studies.
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97
Cover image for This case study explores the
This case study explores the creation of an cinematic editorial advertisement for PULSE, a fictional energy drink brand. The project focuses on building a premium neon commercial aesthetic through glossy product shots, high-contrast lighting, sharp cuts, and a polished vertical 9:16 format designed for social media. The film was developed around the visual impact of the can, using macro details, condensation, reflections, slow-motion opening shots, and dark studio setups with red and blue neon highlights. The final scene introduces a female athlete in a gym environment, connecting the product to energy, performance, confidence, and lifestyle. The goal was to practice creating a short-form product commercial with strong brand consistency, refined visual direction, cinematic pacing, editorial styling, and a premium advertising look for digital campaigns.
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116
Cover image for BRASA CLUB — Cinematic AI Food Commercial Case Study
BRASA CLUB — Cinematic AI Food Commercial Case Study
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10
Video Editor(5)
Barbara Quintiliano's avatar
Barbara Quintiliano
Florianópolis, Brazil
UGC Creator & Brand Storyteller for SaaS + Lifestyle Brands
1x
Hired
37
Followers
UGC Creator & Brand Storyteller for SaaS + Lifestyle Brands
Cover image for Made this cute little portfolio
Made this cute little portfolio and just wanted to post it here 🥰💐https://aistarte.org/barbaraquintilianougc
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18
329
Cover image for ✨ Excited to share my August collab with Comet (Perplexity A...
✨ Excited to share my August collab with Comet (Perplexity AI)! Back in August, I launched and managed dedicated Instagram and TikTok accounts for Comet. I scripted, filmed, edited, and posted all the video content myself for a full month—handling everything from ideation to online engagement! It was so rewarding to build and grow these channels from scratch, showing Comet’s personality and value through fresh video content. Proud to have made creative, engaging posts every step of the way 🚀
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343
Cover image for 🌟 Collaboration Highlight: Perplexity Working with Perplexi...
🌟 Collaboration Highlight: Perplexity Working with Perplexity has been a creative deep dive—I've filmed over 300 unique pieces of video content for their marketing and ads! Every video was crafted in my signature, personality-packed style, focused on capturing authentic attention and driving results. The feedback has been incredible: the Perplexity team regularly lets me know my videos are performing amazingly, and they even use my work as inspiration and benchmarks for other creators’ scripts. Nothing beats seeing your creative effort lead the way and set the tone for an entire brand! Loved being able to blend strategy, creativity, and storytelling for the Perplexity campaign 🚀
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35
588
Cover image for 🤖 Collaboration with Aistarte AI Proud to have worked hands...
🤖 Collaboration with Aistarte AI Proud to have worked hands-on with Aistarte, an innovative AI company, where I scripted, filmed, edited, and published content across all their platforms. From big-picture ideas to final video edits, I led the full creative process—making sure every post stood out and resonated with their audience. Loved bringing a fresh, strategic, and authentic approach to Aistarte’s content, helping the brand connect and grow across channels!
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299
Video Editor(5)
Pedro Barbarotti Berben's avatar
Pedro Barbarotti Berben
Palhoça, Brazil
Cinematic AI videos & landing pages for bold brands.
Cinematic AI videos & landing pages for bold brands.
Cover image for Brazil lost to Norway today. On
Brazil lost to Norway today. On my field, I decide the score. This video has no set. No camera. No cast. It only exists because I built it. The edge was never having the tool. It's knowing how to operate it. Want a video like this for your brand? Hit me up.
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Cover image for A cinematic reel produced entirely
A cinematic reel produced entirely with AI — no crew, no location scouts, no production budget. The project combines aerial landscape footage, a curated content gallery sequence, golden-hour lifestyle shots, and a direct-to-camera close-up into one cohesive visual story. Built to stop the scroll and make the brand feel like a film.
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109
Cover image for Everyone has access to the
Everyone has access to the same ingredients. The camera, the AI models, the platforms. All of it is available to anyone right now. You download it, you access it, you test it. But the dish that comes out — that was chosen by the cook. The composition. The timing. The decision of when to stop adding and just serve. Nobody teaches you that in a tutorial tab. You learn it by cooking, by failing, and by understanding what actually made sense on the plate. Making AI video is exactly that. The advantage isn't having access to the tool. It's knowing how to operate it.
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108
Cover image for You're looking at my face
You're looking at my face right now. I didn't record any of this. No camera. No studio. No crew. Just AI, and knowing how to operate it. This is what I do for clients in the real estate market: cinematic video production powered by generative AI. Full creative direction, prompt engineering, and post-production. The advantage isn't having access to the tools. It's knowing how to use them. my portfolio: https://soubarbarotti.com.br/
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Video Editor(7)