People should remember your work. Great sound does that.
Sound Designing an assembly cinematic🔊
I recreated the sound design for this assembly animation by axxie (https://www.instagram.com/axxie01/) - foley & music to final mix.
Let me know your thoughts🙌
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Sound designing a Spotify ad🔊Â
I recreated the sound design for this awesome Spotify animation by @vincentschwenk (https://www.instagram.com/vincentschwenk/)Â @vitalygrossmann (https://www.instagram.com/vitalygrossmann/)Â @oddfellowstv (https://www.instagram.com/oddfellowstv/) - hope you enjoy!
BTS coming soon!đź‘€
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Sound Designing a KeyPUNK ad🔊
I recreated the sound design for this awesome keypad animation by Ivan Motyk (https://www.behance.net/motyk_vanya) - foley & music to final mix.
Will post BTS of how I made this tomorrowđź‘€
Hope you enjoy!
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Sound designing a Nike Air Max ad🔊
I recreated the sound design & music for this Nike Air Max ad from scratch.
Original animation by @alreadybeenchewed
(https://www.instagram.com/alreadybeenchewed/)BTS on how I made this coming out tomorrowđź‘€
Tom Brady isn't just the GOAT; he’s arguably the most coachable player in history. In this edit, Sue Hawkes breaks down the power of coachability through the legendary bond between Brady and Bill Belichick. This trust forged a dynasty and defined an era of Super Bowl greatness.
By layering kinetic typography, abstract visuals, and a multi-track cinematic score, I’ve transformed Sue’s insights into a high-energy, immersive experience. Keep an eye out for the Rorschach inkblots and listen for the shifting emotional layers in the sound design.
Are you coachable like Tom Brady?
I've been locked-in on a big project, so I'm a late comer to this challenge, but I managed to carve out some time to create my entry!
Introducing: 'Luma', an inquisitive reptile who follows me around inside Rive! 🦎
Entirely script driven, she follows your cursor and can even change colour when she settles on her favourite rock.
It feels like the beginning of a little game I might have to keep developing!
Where should Luma go next?
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Cursor Camp, A Real-Time Multiplayer World, Built with Rive
Cursor Camp (https://neal.fun/cursor-camp/) is a live multiplayer playground where up to 1000 real cursors from around the globe share the same space simultaneously. A beach, lazy river, clubhouse, campfire, soccer pitch, cave, treehouse and more, brought to life through over 40 Rive-powered interactions and animations spanning environments, characters, objects, and interactions.
My role was building the entire Rive layer. Starting from the illustrator’s artwork, I translated everything into interactive systems, rigging and animating scenes, characters, and objects while developing the state machines and behaviours that make the world feel dynamic and alive.
The real challenge was making it data-aware. Using ViewModel data binding and Luau scripting throughout, every animation responds to live runtime input, with cursors picking up objects, triggering states, and reacting to a constantly changing world.
That includes moments like players duetting on a piano in real time, progressively eating an entire cake with each click, adding sticks to a fire to increase its intensity, or dropping ingredients into a cauldron to dynamically change the colour of the broth.
The result is a Rive system ready to be wired into Neal Agarwal’s multiplayer backend, where WebSockets keep thousands of players in sync in real time.
It hit the front page of Hacker News on day one, with people asking one question over and over:
How is this running in a browser?
That’s the impossible UI.
I recently worked on motion graphics animation for TLC Worldwide's LinkedIn post, bringing the visual identity to life through dynamic animation, transitions, and supporting motion assets.
It was a great opportunity to explore how motion can elevate an established brand and create a more engaging experience around a major industry event.
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The #SwitchToGreen campaign for Vodafone UK was developed by Superunion as a motion-led piece designed to communicate the brand’s sustainability message in a clear and engaging way. The project focused on translating Vodafone’s environmental ambitions into a visually compelling narrative, using dynamic motion graphics and bold storytelling to bring the campaign to life. With contributions from a multidisciplinary creative team—including direction, storyboarding, and motion design—the final output demonstrates how strategic branding and animation can effectively deliver complex ideas in a simple, impactful format tailored for digital audiences.
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Work compilation for TLC
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I am trying create a minimalist retro-futurism animation, utilizing a strong one-point perspective to create a deep sense of motion and focused intent. By employing converging leading lines that meet at a single vanishing point, the composition naturally guides the viewer’s eye toward the central sphere, symbolizing a unified goal or a "north star." The color palette is a deliberate nod to 1970s aesthetic theory, balancing warm, high-energy tones like burnt orange and golden yellow against cool, grounding teals to create visual tension and vibration. Ultimately, the piece serves as a powerful visual metaphor for alignment and momentum, illustrating how diverse elements—when properly synchronized—can create a clear, unstoppable path toward a singular vision.