Freelance Sound Designers in EnglandFreelance Sound Designers in England
People should remember your work. Great sound does that.
    37
    Followers
People should remember your work. Great sound does that.
Cover image for Sound Designing an assembly cinematic🔊 I recreated the soun...
Sound Designing an assembly cinematic🔊 I recreated the sound design for this assembly animation by axxie (https://www.instagram.com/axxie01/) - foley & music to final mix. Let me know your thoughts🙌
13
32
512
Cover image for Transform Your Spotify Ad with Expert Sound Design Services
Sound designing a Spotify ad🔊  I recreated the sound design for this awesome Spotify animation by @vincentschwenk (https://www.instagram.com/vincentschwenk/) @vitalygrossmann (https://www.instagram.com/vitalygrossmann/) @oddfellowstv (https://www.instagram.com/oddfellowstv/) - hope you enjoy! BTS coming soon!👀
5
18
469
Cover image for Sound Designing a KeyPUNK ad🔊

I
Sound Designing a KeyPUNK ad🔊 I recreated the sound design for this awesome keypad animation by Ivan Motyk (https://www.behance.net/motyk_vanya) - foley & music to final mix. Will post BTS of how I made this tomorrow👀 Hope you enjoy!
2
19
436
Cover image for Sound designing a Nike Air Max ad🔊 I recreated the sound de...
Sound designing a Nike Air Max ad🔊 I recreated the sound design & music for this Nike Air Max ad from scratch. Original animation by @alreadybeenchewed (https://www.instagram.com/alreadybeenchewed/)BTS on how I made this coming out tomorrow👀
4
34
443
Creative Technologist
    $•••••
    Earned
    4x
    Hired
    23
    Followers
Creative Technologist
Cover image for Tom Brady isn't just the
Tom Brady isn't just the GOAT; he’s arguably the most coachable player in history. In this edit, Sue Hawkes breaks down the power of coachability through the legendary bond between Brady and Bill Belichick. This trust forged a dynasty and defined an era of Super Bowl greatness. By layering kinetic typography, abstract visuals, and a multi-track cinematic score, I’ve transformed Sue’s insights into a high-energy, immersive experience. Keep an eye out for the Rorschach inkblots and listen for the shifting emotional layers in the sound design. Are you coachable like Tom Brady?
0
607
Design - Imapct Comms Specialist with 6years of experience
Design - Imapct Comms Specialist with 6years of experience
Versatile Director & Editor with 20 Years' Experience
Versatile Director & Editor with 20 Years' Experience
Interactive / Animation / Web Development / Sound Design
    $25k+
    Earned
    9x
    Hired
    5.0
    Rating
    340
    Followers
Interactive / Animation / Web Development / Sound Design
Cover image for This summer I worked an
This summer I worked an interactive, animated webpage to showcase all the local producers who supply Auberge de crussol, unique French restaurant, in Saint-Péray, France. The page was built entirely in @Rive, using the supplied vector illustrations to produce a series of animations and interactive moments that are triggered by the user's touch or cursor states. Bespoke sound design was woven throughout the experience, with sound and movement tightly synchronised to add depth to the animation. Credits: Creative Director: @Bernard Magri Rive Development, Animation, Sound Design: @Ashley Best Additional Animation: @Gabriele Montinaro Original Illustration: Le point D (https://www.linkedin.com/company/le-point-d/)View the experience: Auberge de crussol (https://aubergedecrussol.com/)
25
74
2.6K
Cover image for I've been locked-in on a
I've been locked-in on a big project, so I'm a late comer to this challenge, but I managed to carve out some time to create my entry! Introducing: 'Luma', an inquisitive reptile who follows me around inside Rive! 🦎 Entirely script driven, she follows your cursor and can even change colour when she settles on her favourite rock. It feels like the beginning of a little game I might have to keep developing! Where should Luma go next?
60
202
9K
Cover image for Cursor Camp, A Real-Time Multiplayer
Cursor Camp, A Real-Time Multiplayer World, Built with Rive Cursor Camp (https://neal.fun/cursor-camp/) is a live multiplayer playground where up to 1000 real cursors from around the globe share the same space simultaneously. A beach, lazy river, clubhouse, campfire, soccer pitch, cave, treehouse and more, brought to life through over 40 Rive-powered interactions and animations spanning environments, characters, objects, and interactions. My role was building the entire Rive layer. Starting from the illustrator’s artwork, I translated everything into interactive systems, rigging and animating scenes, characters, and objects while developing the state machines and behaviours that make the world feel dynamic and alive. The real challenge was making it data-aware. Using ViewModel data binding and Luau scripting throughout, every animation responds to live runtime input, with cursors picking up objects, triggering states, and reacting to a constantly changing world. That includes moments like players duetting on a piano in real time, progressively eating an entire cake with each click, adding sticks to a fire to increase its intensity, or dropping ingredients into a cauldron to dynamically change the colour of the broth. The result is a Rive system ready to be wired into Neal Agarwal’s multiplayer backend, where WebSockets keep thousands of players in sync in real time. It hit the front page of Hacker News on day one, with people asking one question over and over: How is this running in a browser? That’s the impossible UI.
38
124
6.2K
Motion Graphic Designer
    19
    Followers
Motion Graphic Designer
Cover image for I recently worked on motion
I recently worked on motion graphics animation for TLC Worldwide's LinkedIn post, bringing the visual identity to life through dynamic animation, transitions, and supporting motion assets. It was a great opportunity to explore how motion can elevate an established brand and create a more engaging experience around a major industry event.
27
30
1.5K
Cover image for The #SwitchToGreen campaign for Vodafone
The #SwitchToGreen campaign for Vodafone UK was developed by Superunion as a motion-led piece designed to communicate the brand’s sustainability message in a clear and engaging way. The project focused on translating Vodafone’s environmental ambitions into a visually compelling narrative, using dynamic motion graphics and bold storytelling to bring the campaign to life. With contributions from a multidisciplinary creative team—including direction, storyboarding, and motion design—the final output demonstrates how strategic branding and animation can effectively deliver complex ideas in a simple, impactful format tailored for digital audiences.
2
182
Cover image for Work compilation for TLC
Work compilation for TLC
1
92
Cover image for I am trying create a
I am trying create a minimalist retro-futurism animation, utilizing a strong one-point perspective to create a deep sense of motion and focused intent. By employing converging leading lines that meet at a single vanishing point, the composition naturally guides the viewer’s eye toward the central sphere, symbolizing a unified goal or a "north star." The color palette is a deliberate nod to 1970s aesthetic theory, balancing warm, high-energy tones like burnt orange and golden yellow against cool, grounding teals to create visual tension and vibration. Ultimately, the piece serves as a powerful visual metaphor for alignment and momentum, illustrating how diverse elements—when properly synchronized—can create a clear, unstoppable path toward a singular vision.
19
26
480