Freelance AI Artists in DadriFreelance AI Artists in Dadri
ProjectsPeople
Sahil Roy's avatar
Sahil Roy
proDelhi, India
UX & Service Designer crafting human-centered systems
9
Followers
UX & Service Designer crafting human-centered systems
Cover image for Rome has been photographed a
Rome has been photographed a million times. I wanted to make something that felt like you were actually there at 2am — alone, walking, touching the stone. So I built a narrative thread: a lone wanderer, seen only from behind, moving through the city across 10 shots. Colosseum from above. Trevi at midnight. A gloved hand pushing open a cathedral door. Candlelit wine. All AI-generated inside Melius. Veo 3 + Kling 3.0 + ElevenLabs score. My entry for the Melius challenge on Contra. Roma Aeterna. #Melius #CreativeAI #TravelFilm #ContraChallenge
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Cover image for Designing for "Serenity" 🍃✨ Where nature meets luxury. I cr...
Designing for "Serenity" 🍃✨ Where nature meets luxury. I created a complete visual identity for a hypothetical eco-resort, covering everything from the architectural concept to the mobile booking interface. This motion piece sets the tone for the brand—calm, sustainable, and immersive. Scope: ✅ Brand Identity ✅ UI/UX Design ✅ Architectural Concept What’s your vibe: The bamboo villa exterior or the zen bedroom interior? Let me know! 🏡 Case Study: https://contra.com/p/c7mXL6le-serenity-eco-resort-brand-visualization?referralExperimentNid=DEFAULT_REFERRAL_PROGRAM&referrerUsername=royflows
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Cover image for Santa's Battlegrounds: Holiday Royale 2025 What if Christmas...
Santa's Battlegrounds: Holiday Royale 2025 What if Christmas wasn't about giving, but surviving? For the 2025 Holiday Challenge, I wanted to reimagine the North Pole as a high-stakes Battle Royale arena (inspired by PUBG and Fortnite), blended with a classic Pixar-style aesthetic. A 20-second high-octane trailer that flips the script on holiday cheer. Winner, Winner, Turkey Dinner! 🦃🎄
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Cover image for Santa went Dark Mode. ⚫️🔴 Designing the "Mission Control 20...
Santa went Dark Mode. ⚫️🔴 Designing the "Mission Control 2025" dashboard wasn't just about pixels—it was about tension. Visuals: Cyberpunk aesthetic in Figma. Motion: Precision curves via Magic Path. Vibe: Sci-fi orchestration via Suno. Who says holiday apps have to be cute? Let's make them epic.
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AI Artist(4)
Ayush Shukla's avatar
Ayush Shukla
Greater Noida, India
UI/UX Designer • No-code Builder • AI Architect
$1k+
Earned
59
Followers
UI/UX Designer • No-code Builder • AI Architect
Cover image for Built “Blue Star” for the
Built “Blue Star” for the Melius Creative Challenge ✨ Blue Star is a surreal animated dream world inspired by Vincent van Gogh paintings and lucid dreaming. I wanted to create something that felt less like “AI-generated content” and more like drifting through a living painting at midnight. The workflow was built entirely inside Melius using connected image + video generation nodes to maintain a consistent painterly dream aesthetic across every scene. The project moves through: • floating staircases in endless skies • dreamlike glowing hallways • trains crossing oceans in the night • cosmic sunflower fields • surreal moonlit worlds The goal wasn’t realism. Project link: https://app.melius.com/projects/9a45f4e3-69f6-4ef8-b5ed-fc333c2647c8/canvas/fedf41cc-6f43-4843-a766-fc241927b11c It was emotion, atmosphere, and the feeling of being inside a dream you don’t want to wake up from. Huge thanks to the Melius team for creating such a visually creative workflow experience 🌌
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Cover image for I used to spend hours
I used to spend hours trying to make one product look consistent across different visuals. Every style felt disconnected. Lighting changed. Colors drifted. Nothing felt like one brand. So I built something to fix that. Now I just drop in a single image—and it builds the entire visual system for me. It analyzes the product, extracts its Brand DNA, and generates five cinematic visuals across different themes—while keeping everything consistent. And then it turns those into a premium ad. Same product. Same identity. Completely different worlds. What it does: – Extracts color, lighting, materials, and visual identity – Generates 5 themed visuals (luxury, minimal, futuristic, street, bold) – Maintains perfect consistency across all outputs – Creates a cinematic, high-end ad automatically – Works from just one input image Try Brand DNA: https://morphic.com/workflows/019dc659-9f87-73a5-92b3-269ecbfc1ee9/brand-dna (https://morphic.com/workflows/019dc659-9f87-73a5-92b3-269ecbfc1ee9/brand-dna)Walkthrough video: https://www.loom.com/share/43954ac8fe7d440c8b39621be08c1111 If you create anything visual, you should try this.
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Cover image for Most AI outputs look impressive. But
Most AI outputs look impressive. But they still don’t feel like a real ad. That gap is exactly what I set out to close with AUREL🚀 — I didn’t approach this like prompting. I approached it like building a creative pipeline. Everything starts with structure. I used the Compositor Node as the core—treating every visual like a layered campaign build: • model as the primary subject • product placed with intent • controlled lighting and shadow passes • grain and texture for depth Nothing is random. Every layer is composed to feel like it went through an actual art direction process. That’s where the “ad feel” comes from. — Then I pushed the product beyond flat placement. Inside the Creative Code Node, I brought in Three.js to generate a 3D version of the product. This changed everything. Now the product: • has real depth • reacts to light correctly • sits naturally inside the frame It’s not pasted in—it’s constructed into the scene. — From there, I designed the system to branch into four distinct campaign directions: - Luxury Editorial — minimal, high-contrast, fashion-first - Streetwear — gritty, neon-lit, high energy - Futuristic — cinematic, immersive, sci-fi driven - Surreal — abstract, dreamlike, expressive Each theme has its own composition logic, not just a visual style. Workflow: https://app.fuser.studio/view/fb2d0257-c565-493f-a2a8-099d2b9dd598
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Cover image for Most ads look the same. So
Most ads look the same. So I built DooM🚀 All it needs: → 1 product image → 1 model (or your own photo) And you don’t get one output. You get a multi-aesthetic campaign: • Luxury fashion editorial shots • Bold street-style visuals • Clean, minimal brand ads • Cinematic storytelling frames • Ultra-premium studio product shots • Experimental artistic visuals And then… It goes beyond images. DooM generates a cinematic art film — not a generic ad, but a moody, neon-lit, emotionally driven visual story. The kind of thing that feels like a brand, not just shows one. Now anyone can become their own model. Try DooM: https://app.flora.ai/techniques/doom No generic AI look. Just high-end, agency-level output in minutes. This isn’t content. It’s brand presence.
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AI Artist(4)
Lawrence Singh's avatar
Lawrence Singh
Delhi, India
"AI Brand Commercial Creator"
"AI Brand Commercial Creator"
Cover image for Every great day starts with
Every great day starts with something pure. That's why we created Neutromo — a milk brand built on freshness, quality, and goodness in every sip. Check out our first ever animated commercial and let us know what you think! What if your brand could have a professional animated commercial without a big production cost? I used AI tools to bring Neutromo Milk to life with a full cartoon commercial — and I'm now open to helping other brands do the same. Here's why animated AI commercials work for brands: They grab attention instantly They perform great on social media They cost a fraction of traditional video production They can be made fast
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Cover image for Every moment, quietly connected. This smartwatch
Every moment, quietly connected. This smartwatch ad tells the story of one complete day — from the first quiet moment in the morning to the final peaceful moment at night. The film focuses on simplicity, wellness, and everyday connection without using loud messaging or forced product selling. The watch becomes a silent companion throughout the day: helping her wake up, track her health, stay focused, manage stress, receive important updates, and end the day with a sense of completion. Each scene is soft, cinematic, and natural, showing how the smartwatch fits into real life without interrupting it. The visual style is premium and minimal, using warm morning light, calm bedroom moments, outdoor movement, and a peaceful night ending. The final scene, where she removes the watch, places it on charge, and goes to sleep, gives the ad a complete emotional circle: the day is finished, the user rests, and the watch prepares for tomorrow. The overall feeling of the ad is calm, modern, personal, and human — showing that technology can support life quietly, beautifully, and effortlessly.
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Cover image for Exploring Emotional Depth in Digital Art: A Study in Perception
The eye itself is the anchor of the whole piece. Eyes are one of the few images the human brain is hardwired to fixate on instantly, infants track eyes within days of birth, so opening on one guarantees attention before any concept lands. But this isn't just an eye, it's an eye in monochrome cyan with scanlines crossing it, which reads as a "broken sensor" rather than a living organ. That's an important distinction psychologically: a closed eye suggests sleep or death, a crying eye suggests pain, but a glitching eye suggests something stranger, that the very apparatus of seeing has been compromised. It puts the viewer in the position of distrusting their own perception, which is a deeply uncomfortable, almost vertiginous feeling. The chromatic aberration and scanlines aren't just texture, they're borrowed directly from broken transmission, old televisions losing signal, damaged VHS tape, dying CRT monitors. Visually this maps onto a very specific cultural memory of "something is wrong with the feed" and the brain reads that as urgency even without conscious recognition. It's the same instinct that makes static on a baby monitor unsettling, the noise itself implies a connection that's failing. The sacred geometry, the flower of life, the circular mandala-like patterns, functions almost as a counterweight to the digital decay. These shapes carry thousands of years of association with order, cosmic structure, and meaning-making. Placing them inside a corrupted, glitching frame creates a quiet tension between the eternal and the failing, like ancient wisdom trying to transmit itself through a dying machine. That contrast is what gives the piece its cult or ritual undertone rather than just feeling like generic tech-glitch art. The text fragments work almost like intrusive thoughts. Short, declarative, ungrounded statements like "reality is false" mimic the kind of thought spirals people experience during anxiety or derealization episodes, where the mind starts questioning the basic premise of experience itself. Presented in a flickering, semi-corrupted font, the text doesn't feel authoritative, it feels like something glitching its way into consciousness rather than a calm statement of fact, which makes it feel more like a symptom than a slogan. The hand, when it enters in the product version, is the emotional pivot point. After several seconds of synthetic, ocular, mechanical imagery, a hand is the most embodied, human, tactile thing you can introduce. Psychologically it signals safety and agency, hands are how humans manipulate and trust the physical world, so the moment it appears the entire emotional register shifts from disorientation toward groundedness. That's why placing the product literally into an open palm lands as resolution rather than just product placement, it's mimicking the felt sense of coming back into your body after a dissociative moment. And the product itself, glowing, transparent, suspended in light, benefits from all of that buildup by contrast. Because everything preceding it has felt corrupted or untrustworthy, the object that finally appears clean, intentional, and stable reads as desirable almost by relief alone. It's less "look how cool this is" and more "finally, something solid," which is a much stickier emotional hook than straightforward aspirational advertising usually achieves.
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Cover image for Instead of just showing the
Instead of just showing the product, they create a sense of awe. Think giant products placed in real environments, cinematic lighting, dramatic camera movement, and minimal text. The goal is to make people stop scrolling before they even realize why. A simple formula that keeps working: Epic scale → grabs attention Product reveal → builds curiosity Beauty shot → creates desire Brand moment → leaves an impression The psychology is pretty straightforward: Bigger scale = higher perceived value Motion = captures attention Premium lighting = signals quality Less copy = stronger recall Most high-performing commercials don't try to explain everything. They focus on creating a feeling first and letting the product do the talking. It's a fun reminder that great advertising is often less about information and more about perception. #AICommercial #CGI #ProductFilm #CreativeDirection #AIVideo #Advertising #BrandMarketing #ProductLaunch #VisualStorytelling #TechMarketing
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AI Artist(6)
Yamini Khullar's avatar
Yamini Khullar
Delhi, India
AI creator and designer shaping fashion content.
New to Contra
AI creator and designer shaping fashion content.
Cover image for Unlock Creativity: Design Hyper-Realistic Faces with AI Tech
Any project- be it a short film, an ad, a teaser, a fashion campaign, or a UGC video-starts with a character. A model. A face. But building that face? It used to take forever. Endless iterations… or tools like NanoBanana just replicating references- accurate, but not original. So I built a system on @FLORA Input: – 3 image references (eyes, nose, lips) – A single prompt for structure, skin, and mood Output: – a fully cohesive, hyper-realistic face Now, instead of generating random identities, You design them- feature by feature. App link in comments #AI #GenAI #creativedirection #workflow #FLORAtechnique
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Cover image for I built a one-click AI
I built a one-click AI technique that turns moodboards into a production-ready 2x2 campaign grid. It analyses and directs like a creative director would. Built this on @FLORA The required inputs: → 4 visual references → 1 model + outfit It normally takes messy workflows and constant tweaking to get one usable direction. So I built a system that streamlines everything into a clean, one-click output. So I built a system that does. This FLORA technique converts references into a structured 2x2 campaign grid - keeping the same model and outfit, while exploring multiple visual directions that you can pick from. It’s how I move from inspiration → execution instantly. App link: https://app.flora.ai/techniques/moodboard-to-2x2-campaign-grid
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Cover image for An AI experiment in quiet
An AI experiment in quiet storytelling for Loewe -earthy restraint, cinematic stillness, and a study in understated elegance. Imagined through AI.
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Cover image for Exploring AI x Beauty through
Exploring AI x Beauty through the Laneige Berry Lip Glowy Balm. A project that merges fine editorial lighting, skin realism, and botanical textures — fully imagined through AI and finished in Photoshop. An experiment in crafting emotion and tactility through digital precision.
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AI Artist(6)
Tannu Antil's avatar
Tannu Antil
Delhi, India
developer
New to Contra
developer
Cover image for ✨ Welcome to Aurelia Pixie
✨ Welcome to Aurelia Pixie 🌸🖤 A creative fashion and aesthetic inspiration space where every post is designed with elegance, style, and personality. This project focuses on creating high-quality posters, fashion edits, moodboards, and trendy visual content that blends soft aesthetics with bold modern vibes. From dreamy outfits and Pinterest-inspired designs to aesthetic lifestyle visuals, every post is carefully crafted to inspire creativity and style lovers worldwide. ✨ Follow the journey of aesthetic storytelling through visuals, fashion inspiration, and beautifully designed content. Aurelia Pixie Website Pinterest: @aureliapixie01
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Cover image for Aureli Apixie (https://aureli-apixie.lovable.app) is a modern
Aureli Apixie (https://aureli-apixie.lovable.app) is a modern AI-powered web experience built using the Lovable platform, focused on sleek design, interactive user experience, and smart digital functionality. The site reflects a clean aesthetic with a futuristic and minimal interface, making it feel premium and visually engaging. It appears to combine: Elegant UI/UX styling Responsive web design AI-integrated workflow or automation features Smooth navigation and lightweight performance Startup-style branding with a modern creative feel The platform is likely built using Lovable AI, an AI website and app builder that allows creators to generate websites and apps through prompts and natural language. Lovable is known for helping users quickly build full-stack apps, landing pages, dashboards, and interactive tools without heavy coding knowledge.  Overall, Aureli Apixie gives the vibe of: an AI startup landing page, a digital product showcase, or a futuristic creative-tech brand website. It uses a polished, soft-modern visual identity that fits current 2026 web design trends such as: glassmorphism, minimal luxury layouts, neutral palettes, AI-inspired branding, and immersive scrolling experiences.
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Cover image for Shoplifting Detection System (Computer Vision) The
Shoplifting Detection System (Computer Vision) The Shoplifting Detection System is an AI-powered surveillance solution designed to identify suspicious behavior in retail environments using computer vision and deep learning. The system analyzes real-time video from CCTV cameras to detect potential theft activities. It was trained on a dataset of 70,000+ images and uses a YOLO-based object detection model to recognize suspicious actions. When abnormal behavior is detected, the system triggers automated alerts and saves video clips for further review, improving retail security and loss prevention.
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Cover image for Signify - ISL Signify is a
Signify - ISL Signify is a web-based AI system designed to translate Indian Sign Language (ISL) gestures into text and audio in real time, helping bridge communication gaps for people with hearing and speech impairments. The project uses computer vision and machine learning to detect hand gestures through a camera and convert them into understandable language. The system was trained on a dataset of over 260,000 gesture images, enabling accurate recognition of different ISL signs. The model processes live video input, identifies hand gestures, and instantly generates corresponding text and speech output. The platform also includes learning features such as quizzes and a sign dictionary, making it useful for both communication and educational purposes. The project focuses on real-time image processing, gesture recognition, and accessibility-driven AI solutions.
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AI Artist(2)
Rohit Bhusan's avatar
Rohit Bhusan
Dadri, India
Cinematic video editing with custom music
1x
Hired
5.0
Rating
1
Followers
Cinematic video editing with custom music
Cover image for Dorian Reed doesn't announce himself.
Dorian Reed doesn't announce himself. He moves through damaged landscapes, plays frequencies no one else can hear, and leaves before anyone notices the ground has healed beneath their feet. He carries an instrument with no name. He is The Echo Keeper. A mascot designed for a nine-chapter speculative fiction universe — built entirely in Recraft AI with an original score composed for the character. Project Link - https://www.recraft.ai/project/b5d33a5a-a3d7-474f-8c0e-02adef1a9d95 #recraftchallenge #mascotdesign #AIart #TheEchoKeeper
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Cover image for I've been developing The Echo
I've been developing The Echo Keeper for several months — a Dune-inspired speculative fiction about Dorian, a solitary man with the ability to heal geological damage through acoustic frequencies, and Elara, the researcher who tracks him down. When the Renoise Challenge dropped, it felt like the perfect opportunity to make a proper trailer for this world I've been building. OVERVIEW For this submission I developed: - Cinematic reference frames created during pre-production as visual development assets - Renoise Canvas generations using Seedance 2.0 with pre-production frames as first-frame references - Two pure text-to-video generations for the instrument reveal and final healing landscape - Original score composed in Logic Pro X - Full edit assembled in Final Cut Pro HOW I USED RENOISE Renoise Canvas became the bridge between my visual development work and a living breathing trailer. I used image-to-video with pre-production frames as first-frame anchors, directing atmospheric motion — figure movement, mist, geological transformation — through carefully engineered prompts rather than camera moves. The goal was always to make the AI video feel inhabited rather than generated. The interpolation between the opening forest road and the cliff edge establishing shot was the most interesting technical challenge — letting Seedance build the transition between two environments while maintaining cinematic continuity. MY FINAL THOUGHTS The score does as much storytelling as the visuals. The twist lands musically before it lands visually — the harmonic world opens up the moment Dorian's instrument appears on screen. That relationship between sound and image is central to what The Echo Keeper is about, so it felt right that the trailer worked the same way. The Echo Keeper full series is in production stage at the moment. Nine chapters, original score, releasing on YouTube later this year. #RenoiseChallenge
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Cover image for Passage
Passage
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Cover image for What Remains… — Cinematic Title Sequence
What Remains… — Cinematic Title Sequence
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AI Artist(1)
Shubham Vashishtha's avatar
Shubham Vashishtha
Faridabad, India
High-converting landing pages with visual storytelling
5.0
Rating
3
Followers
High-converting landing pages with visual storytelling
Cover image for 3 days of work. 1
3 days of work. 1 minute of storytelling. I just completed this spec ad for the Runway Big Pitch Challenge. The goal was simple: Create something that feels real, grounded, and memorable - without relying on heavy VFX. Challenges: • First time using Runway • Finding the right product • Building a story around a subtle moment • Keeping performances natural • Making AI feel cinematic, not artificial Workflow: ChatGPT - prompting Flora AI - image generation Runway - video generation Photoshop - refinement Premiere Pro - final edit When everything feels unstable, some things shouldn’t fail.
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Cover image for Asterials :- Shopify Store Redesign
Asterials :- Shopify Store Redesign for Better Conversions😊
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Cover image for Graphic Arena - Marketplace UX
Graphic Arena - Marketplace UX Redesign to Improve Conversions
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Cover image for Future Tyre AI - 3D
Future Tyre AI - 3D Product Landing Page with Interactive Experience Designed a futuristic product landing page focused on visual storytelling and interaction. The goal was to present a concept product using immersive 3D elements while maintaining a clean layout and structured user flow. Focus: – Product-centric visual design – Interactive 3D elements – Clear composition and layout – Modern, tech-driven aesthetic This project explores how 3D and motion can be used to create engaging product experiences while keeping the interface intuitive.
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AI Artist(1)