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Daniel Castellanos's avatar
Daniel Castellanos
proBogota, Colombia
Brand Identity & Content Creation | Video & Motion
5.0
Rating
21
Followers
Brand Identity & Content Creation | Video & Motion
Cover image for There are design decisions that
There are design decisions that don't come from the client. They come from within—and sometimes, that is exactly the problem. The previous logo for Boroló Estudio had soul. It had pre-Columbian roots, a hand-drawn stroke, and an indigenous character. It evoked drums, authenticity, and the Chocó—one of the most biodiverse and culturally rich regions in Colombia, a land of jungle, rivers, and a visual identity unlike any other. I loved it. And precisely because of that, I failed to evaluate the challenges the logo would face on real-world platforms: on a website, as an Instagram avatar, or in digital spaces. The redesign wasn't about letting go of the logo. It was about letting go of the attachment. The problem wasn't aesthetic—it was one of coherence. The studio’s brand had evolved, but the logo hadn't. A composition with too many elements in tension made the icon struggle to be memorable; what people saw didn't connect with who Boroló truly is. The new system retains the bird—now geometric, set in negative space within the icon. The inner container references the studio’s actual architectural blueprint: the diagonal of the cyclorama ceiling and the two zones of the space. The brackets refer to photographic framing. No layer imposes itself over the other—they are discovered. The result is a versatile system: imagotype, vertical logo, and wordmark. It works on a sticker, a billboard, an avatar, or a website. It scales without losing its identity. Redesigning doesn't mean the initial design was bad. It means communication needed to evolve. And from that point of view, the change isn't a correction—it’s a decision.
3
107
Cover image for When a product needs to
When a product needs to be understood, not just seen. Chemyunion is a high-performance cosmetic ingredients company. Their client isn't the end consumer — it's the formulator, the distributor, the professional making technical decisions about what goes into a product. For the presentation of Seriliss, their active ingredient for hair straightening and nutrition, the challenge was clear: show the product in action and explain why it works at the same time. The piece combines studio audiovisual production — with a professional demonstrating the application process step by step, from root to tip — with motion graphics integrated directly over the video to highlight specific areas of the hair, visualize the technical process, and translate chemical information into something digestible without sacrificing precision. Two languages in a single piece. The video demonstrates. The motion explains. Neither one is excess. That balance is what defines a strong technical content piece: it's not about making the product look good — it's about making the client understand it well enough to trust it.
1
98
Cover image for COLOR GRADING ISN'T THE LAST
COLOR GRADING ISN'T THE LAST STEP. IT'S PART OF THE STORY. Shooting well isn't enough. Every image needs intention — from the framing to the last color grade. This teaser came from three deliberate choices: a warm palette that turns muscular tension into something almost painterly, slow cuts that honor the weight of each movement, and a 1920×720 format that forces you to read the entire body within the frame. The music holds it all together. JMSN's "Love Me" doesn't decorate — it dictates the edit. The full piece is coming soon.
2
155
Cover image for Knowing when to keep it
Knowing when to keep it simple is also a creative decision. Working with AGROSAVIA, the Colombian Corporation for Agricultural Research, was one of the most demanding projects of my career as an audiovisual communicator — not because of its technical complexity, but because of the exact opposite. The pieces I developed are intentionally basic motion graphics. Animations explaining concrete agricultural processes — milk collection and handling in rural areas, palm oil production, good field practices — designed for farming communities far from urban centers, with limited access to technology and ways of learning that don't involve high-resolution screens or cinematic effects. That clarity of context shaped every production decision: clean compositions, institutional color palette respected down to the last detail, legible typography, paced animations that guide attention without overwhelming it. No unnecessary transitions. No visual resources competing with the information. Everything in service of the message. A Colombian state institution has communication guidelines built over years of deep knowledge of their audience. They aren't arbitrary — they're precise. The editor's job isn't to question them or modernize them. It's to understand them, respect them, and execute them with the same rigor applied to any high-level production. Excellence doesn't always look the same. Sometimes it's measured by how many farmers understood the process the first time they watched the video. You can watch some of the pieces here: https://www.youtube.com/watch?v=Vhtwd9isKXo https://www.youtube.com/watch?v=zDexvMTjJRQ https://www.youtube.com/watch?v=qzuPrtTHGpM https://www.youtube.com/watch?v=b3RyNtbPOzQ
1
3
166
Andrew Malaver's avatar
Andrew Malaver
Bogota, Colombia
Video Editing ⋅ Vfx ⋅ 3D ⋅ Animation ⋅ AI Multimedia
$5k+
Earned
7x
Hired
5.0
Rating
9
Followers
Video Editing ⋅ Vfx ⋅ 3D ⋅ Animation ⋅ AI Multimedia
Cover image for Clever Fool Studios - Video Editing Reel
Clever Fool Studios - Video Editing Reel
0
19
Cover image for Clever Fool Studios - Vfx & Animation Reel
Clever Fool Studios - Vfx & Animation Reel
0
1
Cover image for 3D Modeling, Animation and Color
3D Modeling, Animation and Color Grading for The New Money Company Of San Francisco.
1
158
Cover image for Motion Graphics for Los Cuates
Motion Graphics for Los Cuates social media posts.
0
141
Santiago García's avatar
Santiago García
Bogota, Colombia
I'm the AI Strategy Partner for your Marketing Clarity
1x
Hired
5.0
Rating
6
Followers
KAJABI_EXPERT

Expert

I'm the AI Strategy Partner for your Marketing Clarity
Cover image for Kajabi Expert (Acquisition - Digital
Kajabi Expert (Acquisition - Digital Products - Offers & Sales - Automation - Service Delivery)
0
56
Cover image for Growth System Design
Growth System Design
0
23
Cover image for Short and Long-form Content for Social Media
Short and Long-form Content for Social Media
0
10
Cover image for Email Marketing
Email Marketing
0
9
Steve Calderon's avatar
Steve Calderon
Bogota, Colombia
Product Designer and No coder
$1k+
Earned
2x
Hired
5.0
Rating
7
Followers
Product Designer and No coder
Cover image for Being a designer and be able to code your ideas is next leve...
Being a designer and be able to code your ideas is next level 🚀
0
134
Cover image for Visual Experiments
Visual Experiments
0
15
Cover image for Design & No Code
Design & No Code
1
25
Cover image for Mercado Libre Clips - Project for a Big Tech
Mercado Libre Clips - Project for a Big Tech
0
13
Fabio Torres's avatar
Fabio Torres
Bogota, Colombia
Interactive Designer exploring the boundries of tech
$1k+
Earned
1x
Hired
17
Followers
Interactive Designer exploring the boundries of tech
Cover image for 3D Acoustic Room Simulator: Optimize Studio Sound Dynamics
StudioShell a 3D acoustic room simulator built in Omma. Set your room dimensions, choose wall/floor/ceiling materials, add furniture, and analyze your RT60 (reverb time) to understand how sound behaves in your space. Includes real-time sound wave visualization showing propagation and absorption across different materials. Designed for home studio owners, podcasters, and anyone recording audio who wants to make informed decisions before investing in acoustic treatment. Try it : https://omma.build/p/home-studio-acoustics-simulator-36kibj
4
2
274
Cover image for UNTRUE — An interactive chord
UNTRUE — An interactive chord explorer inspired by Burial's album Untrue (2007). Using Mobbin, I studied how music apps handle chord exploration and sound interaction. Two apps shaped the direction: • Demo — for its intuitive chord selection and circular UI patterns • Endel — for its dark, spatial, monochrome aesthetic I combined Demo's interaction model with Endel's visual language, themed around the harmonic palette of Burial's Untrue — every chord from every track on the album, playable in your browser. What you can do: • Explore chords across 9 album tracks • Tap to hear each chord with different synth presets • Build and play your own chord progressions Process: Mobbin research → Figma → Claude Code → test → back to Figma → rebuild. Each iteration brought it closer to a dark, tactile instrument. Built with React + Tone.js + Tailwind CSS. Deployed on Vercel. 🔗 Try it: https://untrue.vercel.app/
0
117
Cover image for our AI lives in a
our AI lives in a text box. What if it had an office? Meet T-R41N1… A universal embodiment layer for AI agents, built in Figma Make by@Paula Sepúlveda , @Gabriel Henao and me. Designed in a 1930s rubber-hose cartoon style, T-R41N1 becomes your office companion: raise your hand to call, speak and see your words appear live, nod to continue, shake your head to adjust, or ignore it and it slips into vacation mode. Plug in your preferred AI agent via proxy to give it presence and personality. The idea is simple: not to replace the brain of AI, but to give it a cartoon body and make it feel alive. It’s published on Figma Community, feel free to remix it (https://<https://www.figma.com/community/file/1610534849782922943/t-r4ini>) And you can try the prototype through the link: https://tr4ini.figma.site #AI #figmamakeathon
8
13
718
Cover image for Vinyl Selector: Interactive Hana Scene Design
Vinyl Selector: Interactive Hana Scene Design
0
11
Samuel Eastmond's avatar
Samuel Eastmond
Bogota, Colombia
Architect | Interior Designer | 3D Rendering |
5.0
Rating
10
Followers
Architect | Interior Designer | 3D Rendering |
Cover image for MAIA BUILDING - 3D EXTERIOR / INTERIOR RENDERINGS
MAIA BUILDING - 3D EXTERIOR / INTERIOR RENDERINGS
3
17
Cover image for MAIA APARTMENT - INTERIOR DESIGN + 3D RENDERS
MAIA APARTMENT - INTERIOR DESIGN + 3D RENDERS
0
11
Cover image for PROJECT KERGARADEC - INTERIOR DESIGN + 3D RENDERS
PROJECT KERGARADEC - INTERIOR DESIGN + 3D RENDERS
1
7
Cover image for MALL KIOSK DESIGN + 3D RENDERS
MALL KIOSK DESIGN + 3D RENDERS
0
6
Diana Pinzón's avatar
Diana Pinzón
Bogota, Colombia
IP Creator l Scriptwriter | Script Doctor | Hollywood Cert
New to Contra
IP Creator l Scriptwriter | Script Doctor | Hollywood Cert
Cover image for PANDEMIA: V-GN | Concept Teaser
PANDEMIA: V-GN | Concept Teaser
1
1
307
Cover image for I am thrilled to share
I am thrilled to share the first look at my new IP project: AVERNO. 🔥 More than a teaser, this is the gateway to a narrative franchise designed for streaming, graphic novels, and gaming. Set in a gothic London, we follow Mary Sant’Angelo’s visceral struggle between the earthly and the demonic. To bring this vision to life, I harnessed Runway Gen-4.5, achieving a cinematic fidelity that was previously unthinkable. AI is becoming the ultimate ally for independent creators seeking global scale without losing narrative depth. Officially entering the #RunwayBigPitchContest. Here we go! 🚀 What do you think of this glimpse into the AVERNO universe? Let me know in the comments! 👇 #IPCreator #AIFilm #Transmedia #RunwayML #DigitalStorytelling #Averno #FilmIndustry #Contra #runwaychallenge
2
461
Cover image for DAVID – Anatomy of a
DAVID – Anatomy of a High-Retention Horror IP (Short Film)
1
254
Cover image for AI'S WAR - Sci Fi
AI'S WAR - Sci Fi Narrative & IP Concept
1
143