In this work, I take the skin as an intimate and symbolic territory, exploring the body in a fragmented way through black and white photography. More than an anatomical representation, each image is an isolated fragment that gains autonomy and invites sensory and emotional interpretations internal landscapes hat carry marks, memories and affections.
The absence of color is an intentional choice: it reduces the image to its formal essence and intensifies texture, light and shadow, revealing details that normally go unnoticed. It is in these details that I find poetry and
truth.
"Cartography of the Skin" is an invitation to look slowly to touch with your eyes what we so often hide from ourselves and others.
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"Ser Vermelho" is about the strange solitude of being alive. The red is not a warning it is an identity. It is what we are when stripped of everything else: vivid, isolated, undeniably here.
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This project was developed in a university context, where the proposal was to develop a photobook based on a song. Genesis, by the artist RAYE, was the chosen one.
The photobook thus emerges as a collection of visual emotions, where the experimental intersects with the aesthetic, and where playing with the image was essential to achieve a result that was more sensorial and aesthetic than literal.
The creative process was guided by freedom of interpretation, allowing me to explore new visual approaches and develop a bolder and more intuitive look.
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T1 Jams was launched as an initiative
created by Eduardo Hora, Guilherme Aguiar and Joana Pinto with the aim
of promoting new emerging artists from Porto. More than just a concert,
it is a space for sharing and expression for lovers of music and art
where, in an intimate setting, the artist and the audience are part of
creating a moment in which the present takes precedence over everything
else.
The first edition featured performances by ManWillOnly and Lopo Romão.