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This past week has been a little hectic, but I’m fully back.
Bringing this back because it really deserves more eyes. 👀
TAILLEUR is a contemporary tailoring brand launching a new collection. Instead of presenting it like another ecommerce drop, I imagined the collection as a digital fashion magazine with editorial storytelling, motion and interaction.
What are your thoughts?
This is a Readymag Project.
The network for creativity
Join 1.25M professional creatives like you
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Creatives on Contra have earned over $150M and we are just getting started
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In the tech world where we're governed by minimalistic and sharp design, a new era is coming. The era of bold, colorful and textured design, where tech becomes... appealing 🍭
The real gatekeeper for textured brands is usually the product team, not the client — heavy texture tends to get traded away the moment someone raises load times or dark mode. The work that survives keeps the texture in marketing surfaces and lets the UI carry a quieter version....
RED ROOM PRESS is live.
A publisher staged in color. Every book its own room, lit once, hard, from one side. Four issues, four stages, no white seamless, no accidents.
Curtains open on scroll.
Great🔥
Mischka already had a bold identity. The website had to live up to it.
MISCHKA is an award-winning, performance-first influencer marketing agency working with cybersecurity and technology brands. The team came with a clear point of view, so this was never simply about giving them a more polished online presence.
It was about building a website that could carry the same confidence and energy as the agency itself. The project went far beyond technical implementation.
We spent a lot of time on the site structure and UX, as well as developing the visual language for the interface. The gradients, in particular, became one of the most recognizable parts of its digital identity. They aren’t just there for atmosphere - they connect sections, frame key content, and give the whole experience its rhythm.
Behind the visuals, we built a client-friendly CMS around the way the team publishes its work. MISCHKA can add and update case studies and insights without rebuilding pages or relying on a developer for every change.
My role covered Webflow development, responsive behavior, interactions, and CMS architecture. I was also directly involved in shaping the UX structure and wireframes, and created a number of visual elements used throughout the interface - including custom graphics, gradient treatments, and other identity-led details.
The result is a website that feels unmistakably MISCHKA on the surface while remaining practical and scalable behind it. It’s also one of those projects I still enjoy opening in a new tab, just to watch the whole experience move. A lot of care went into every part of it, and I think that comes through.
After launch, the team shared their experience in a verified Clutch review: “They really know Webflow inside out.”
A live result I’m proud of and a happy client at the end of it - that’s exactly how I want a project to close.
Thank you, Yuliya Gorenko, for your trust and for the opportunity to work on this project. I really enjoyed the collaboration and am proud of what we created together!
Explore the project:
Live website: https://www.mischka.agency/
Client review: https://clutch.co/go-to-review/82f12ed1-54c6-4072-ad3e-ca176f90de66/466955
If your company has a strong brand but its website still feels like the weaker version of it, send me the link. I’d love to hear what needs to change!
The visual identity and gradient framing look top notch! How long did the CMS architecture and UX wireframing phase take for this project?